With a child’s uncluttered eye, she describes the small details—shopping in the market, men waiting for work at the dock gates, the rituals of washday, and the sights, sounds, and smells of the old East End of London. She also describes the fear—of illness, of unemployment, of the workhouse—that hung over her family and thousands like them, and her determination that her own children would never know the kind of poverty she had experienced.

    Hailed by critics nationwide and winner of two 1999 Books for a Better Life Awards, this book shares the author's bold tale of illness, joy, mortality, and the improbable triumph of love in the midst of despair.

    senator Joe Biden when he called her out of the blue to ask her on a date.Growing up, Jill had wanted two things: a marriage like her parents'--strong, loving, and full of laughter--and a career. An early heartbreak had left her uncertain about love, until she met Joe. But as they grew closer, Jill faced difficult questions: How would politics shape her family and professional life? And was she ready to become a mother to Joe's two young sons?She soon found herself falling in love with her three "boys," learning to balance life as a mother, wife, educator, and political spouse. Through the challenges of public scrutiny, complicated family dynamics, and personal losses, she grew alongside her family, and she extended the family circle at every turn: with her students, military families, friends and staff at the White House, and more.This is the story of how Jill built a family--and a life--of her own. From the pranks she played to keep everyone laughing to the traditions she formed that would carry them through tragedy, hers is the spirited journey of a woman embracing many roles.Where the Light Enters is a candid, heartwarming glimpse into the creation of a beloved American family, and the life of a woman at its center.

    Now the laughter continues with her uproarious autobiography. Like a Lampshade in a Whorehouse recounts how, against all odds, Phyllis Diller became America's first successful and best-loved female stand-up comic. She began her professional career at age thirty-seven, in spite of the fact that she was a housewife and mother of five, and was working at a radio station because of her husband's chronic unemployment. Now, fifty years later, after two traumatic marriages, extensive cosmetic surgery, numerous film, television, and stage appearances, and separate careers as an artist and piano soloist with symphony orchestras, Phyllis Diller finally tells her story. With her trademark laugh, self-deprecating humor, and incredible wit, Phyllis Diller has etched her way into comedic history. And while her wild hair and outrageous clothes may make her look like a lampshade in a whorehouse, her strength, self-belief, perseverance, and raucous sense of humor make her truly unforgettable.

    One of the few people who has known every major classical musician of the last two-thirds of the twentieth century, he shares his personal and artistic experiences in this warm, passionate account of his life: the story of his rise to eminence; his feelings about music and the violin; and his great friendships and collaborations with colleagues such as Leonard Bernstein and Pablo Casals. Stern the man, the musician, and the cultural institution come alive in the most readable and revealing musical autobiography of the decade.

    To music lover Jancee, New York City was a foreign country. So it was with bleak expectations that she submitted her résumé to Rolling Stone magazine. And before she knew it, she was backstage and behind the scenes with the most famous people in the world—hiking in Canada with Brad Pitt, snacking on Velveeta with Dolly Parton, dancing drunkenly onstage with the Beastie Boys—trading her good-girl suburban past for late nights, hipster guys, and the booze-soaked rock 'n' roll life. Riotously funny and tremendously touching, But Enough About Me is the amazing true story of an outsider who couldn't quite bring herself to become an insider.

    In reality, she was battling depression, drug addiction and trauma. Her firsthand experience with sexual assault and substance abuse, combined with the explosive effects of social media storytelling, ignited a desire in her to eradicate shame around our greatest struggles. In Recovering from Reality, Alexis shares how she learned to turn embarrassment into empowerment, using her public meltdown as an opportunity to pull back the covers on the misogyny and abuse that fuels so much of popular culture. With profound insight, Alexis shows how women can stand up and heal from the institutionalized and systemic trauma that keeps them from recognizing how powerful they truly are. From panhandling drugs on the streets to partying with some of the biggest rock stars in the world (often on the same day), Alexis’ life was more than just pretty wild; it was nearly fatal. After facing up to six years in the correctional system due to her burglary conviction, Alexis got sober at the age of 19 and began to build the extraordinary life she lives today. Recovering From Reality documents her journey, tells the true story behind the “Bling Ring” and explains why her involvement became a defining moment in her life. In this gripping memoir, Alexis shares what it’s like to go from hot mess to hot mom, showing how we all have the power to change the world, and to find our true passion and meaning through some of our most shameful experiences. Inspired by her public journey from reality TV meme to sobriety, motherhood and wellness, Alexis is living proof that you can heal yourself - if you’re willing to recover from reality.

    For nearly three decades they created a deliberate life using no running water or electricity. It was an extreme that most of us can only imagine sustaining for a week or two.The end of their marriage came on a frigid day, February 6, 2000 when Guy climbed to the summit of Mount Lafayette in New Hampshire’s White Mountains and sat down among the rocks to die. Losing the Garden is the memoir of a woman who was compelled to ask herself "How could I support my husband's plan to commit suicide?" It is an intimate examination of dark family histories and a marriage that tried to transcend them.Laura’s father was the pre-eminent scholar of Emily Dickinson, Thomas H. Johnson, whose brilliance was muddied by alcoholism. Guy Waterman lost two sons (one son was a subject of Jon Krakauer’s bestselling book Into the Wild). Finally, Laura Waterman comes to terms with her husband’s long depression and his complex nature. Her awakening and affirmation of life after loss is a love story, a portrait of an intense and unusual marriage.

    A long-buried personal sadness is enfolding her—and her career is stalled—when she stumbles upon an unusual group of immigrants living in rural California. She follows them on their annual return to the remote Azorean islands in the Atlantic Ocean, where bulls run down village streets, volcanoes are active, and the people celebrate festas to ease their saudade, a longing so deep that the Portuguese word for it can’t be fully translated.Years later, California is in a terrible drought, the wildfires seem to never end, and Diana finds herself still dreaming of those islands and the chuva—a rain so soft you don’t notice when it begins or ends.With her troublesome Labrador retriever, Murphy, in tow, Diana returns to the islands of her dreams only to discover that there are still things she longs for—and one of them may be a most unexpected love.

    This was not always so. In Diary of a Player, Paisley for the first time fully retraces his entire musical and personal journey to date. And it all began with a loving grandfather who gave eight-year-old Brad Douglas Paisley a Sears Danelectro guitar—the Christmas gift that would alter Brad’s life forever. In Brad’s own words, we read his emotional tribute to his late great “Papaw,” Warren Jarvis, who sparked his dream come true: When I was eight I got a gift from my grandpa. No coincidence that around that time I also got an identity. See, no matter how I have changed, learned, and evolved as a person, the guitar has been a major part of it, and really the only constant. A crutch, a shrink, a friend, love interest, parachute, flying machine, soapbox, canvas, liability, investment, jackpot, tease, a sage, a gateway, an addiction, a recovery, a temptress, a church, a voice, veil, armor, and lifeline. My grandpa knew it could be many of these things for me, but mostly he just wanted me to never be alone. He said if I learned to play, anything would be manageable, and life would be richer. You can get through some real tough moments with that guitar on your knee. When life gets intense, there are people who drink, who seek counseling, eat, or watch TV, pray, cry, sleep, and so on. I play.

    The role of Jenny in "Love Story" brought Ali MacGraw stardom. She married producer Bob Evans and bore him a son, but after two years she left Evans for Steve McQueen. McQueen was a troubled man who longed to live simply, almost reclusively, with his wife barefoot and pregnant. At his insistence MacGraw gave up acting at the peak of her fame, making a decision from which her career never recovered. When the tumultuous marriage ended after six years she was not much in demand, and what acting she did, for example in television's "Dynasty", was ridiculed - justly, she felt. A lifelong pattern of destructive love affairs continued and her depression was abetted by unacknowledged alcoholism. When a friend persuaded her in 1986 to go to the Betty Ford Clinic, MacGraw felt she needed only a "tune-up". What she found instead was life-saving help. Now Ali MacGraw takes stock of her life, revising the mythical childhood she once invented for a "Time" cover story and describing the heady early years in New York, her attempted transformation by the Hollywood machine and the realities she faces today as a woman who hopes her greatest adventures are yet to come. ** Publisher's Weekly In this candid, courageous autobiography, MacGraw discusses her artistic, emotionally cold parents, her schooling at Wellesley College and her stint as Diana Vreeland's ``girl'' at Harper's Bazaar . The focus, however, is on her struggle with addiction--alcoholism and ``male dependency''--that grew as her acting career and personal life sputtered. A sudden star in her first major role, in Goodbye, Columbus in 1969, and the following year with the even more popular Love Story. Library Journal - Thomas Wiener McGraw now tells the whole sad story of her life. In what could be appropriately filed under ``self-help,'' she writes extensively about coming to grips with her addictions to alcohol and men. This is certainly not a series of pretty pictures. Entertainment Weekly - Margot Miflin This competently written memoir hinges on McGraw’s discovery that women can be addicted to men. Chicago Tribune - Jon Anderson "Love Story"; the subject of a Time cover story, "The Return to Romance"; and the wife, in turn, of two powerful Hollywood figures: Robert Evans, head of production at Paramount, and actor Steve McQueen....McGraw reveals that a lot more action, not all of it happy, was going on off- stage. Los Angeles Times - Constance Casey "Moving Pictures" demonstrates that underneath all that shallow stuff, lies "an ordinary human heart."

    Told with wit and engaging honesty, 'Mixed Fancies' is the story of the life and career of established British actress Brenda Blethyn.

    A mix of Tony Hawk and Brian Welch comes together in skateboarding legend Christian Hosoi, who reveals everything about his rise, fall, and redemption, in this amazing tell-all—from being named the greatest skater of all time to bottoming out on drugs to finally finding redemption through God.Fans of Slater Kelly’s Pipe Dreams and Brian Welch’s Save Me From Myself, and followers of Tony Alva, Jay Adams, and Steve Caballero, will be captivated by this extraordinary, star-studded story, a gripping read that ranges from the heart of the 1980s skateboarding scene to the inside of a prison, from Hollywood parties to intense prayer sessions.Hosoi: My Life as a Skateboarder Junkie Inmate Pastor takes readers to the heart of one little-known world after another—and he portrays them in all their gore and glory for all the world to see.

    "I want to tell the people who are interested in me," says Pavarotti in his preface, "about all of the fun and excitement I have had. I have tried to explain how I feel about the things that are important to me and to pass on whatever wisdom I have gained as an artist and as a human being." Black-and-white photographs.

    He send it to her, and she called to say it had made her laugh for the first time in two years. Ball invited Brochu to her house for backgammon and lemonade. And a close friendship, lovingly revealed here, was begun. Illustrated.