From The Cabinet of Dr. Caligari onwards the principal films of this period were characterized by two influences: literary Expressionism, and the innovations of the theatre directors of this period, in particular Max Reinhardt. This book demonstrates the connection between German Romanticism and the cinema through Expressionist writings. It discusses the influence of the theatre: the handling of crowds; the use of different levels, and of selective lighting on a predominately dark stage; the reliance on formalized gesture; the innovation of the intimate theatre. Against this background the principal films of the period are examined in detail. The author explains the key critical concepts of the time, and surveys not only the work of the great directors, such as Fritz Lang and F. W. Murnau, but also the contribution of their writers, cameramen, and designers. As The Times Literary Supplement wrote, 'Mme. Eisner is first and foremost a film critic, and one of the best in the world. She has all the necessary gifts.' And it described the original French edition of this book as 'one of the very few classics of writing on the film and arguably the best book on the cinema yet written.'

    Including: -- Interviews with key transgressive film-makers, including Richard Kern, Nick Zedd, Casandra Stark, Beth B, Tommy Turner, Tessa Hughes-Freeland, plus collaborators Lydia Lunch, Joe Coleman and David Wojnarowicz-- Studies of more recent film-makers including Jeri Cain Rossie, Richard Baylor, Todd Phillips.-- A brief history of underground/trash cinema: Any Warhol, Jack Smith, George & Mike Kuchar, John Waters.-- Notes and essays on the philosophy and aesthetics of transgression; extensive film analysis; index and bibliography.Heavily illustrated with rare and often disturbing photographs, Deathtripping is a unique document, the definitive guide to the roots, philosophy and development of a style of film-making whose influence and impact can no longer be ignored.

    The distinguished director, Howard Hawks, discusses his techniques of filmmaking, analyzes the artistry of his movies, and portrays his experiences working in Hollywood.

    in English literature from Cambridge University. The Particulars of Rapture, the sequel to her award-winning study of the Book of Genesis, takes its title from a line by the American poet Wallace Stevens about the interdependence of opposite things, such as male and female, and conscious and unconscious. To her reading of the familiar story of the Israelites and their flight from slavery in Egypt, Avivah Zornberg has brought a vast range of classical Jewish interpretations and Midrashic sources, literary allusions, and ideas from philosophy and psychology. Her quest in this book, as she writes in the introduction, is "to find those who will hear with me a particular idiom of redemption," who will hear "within the particulars of rapture . . . what cannot be expressed."Zornberg's previous book, The Beginning of Desire: Reflections on Genesis, won the National Jewish Book Award for nonfiction in 1995 and has become a classic among readers of all religions. The Particulars of Rapture will enhance Zornberg's reputation as one of today's most original and compelling interpreters of the biblical and rabbinic traditions.From the Hardcover edition.

    There's no one else like him around. There have been nearly twenty films about him, there are more than sixty Web sites dedicated to him, and it's estimated that more than a quarter of the planet has seen at least one Bond film.Now, fans can enter the world of 007 like never before, with this meticulously researched guide examining all the top secret details of the cinematic Bond missions. Officially endorsed by the Bond film producers, it features fascinating facts and behind-the-scenes stories, as well as more than 250 rare production photos, cinema posters, and product advertisements.It's all here: the missions, the gadgets, the vehicles, the legendary villains, the exotic locals, and the even more exotic Bond women. You can meet the directors, writers, stunt men, and technicians who have contributed to the success of the series and have stories of their own to tell. Additionally, there is a unique chapter devoted to the legacy of James Bond, with an overview of the thrillers and spoofs inspired by 007 over the years, as well as a fitting tribute to Mr. Bond's literary father, Ian Fleming.

    Sinister and sexy, it forged a new icon: the tough, independent, take-no-guff dame. Determined, desirable, dangerous when cornered, she could handle trouble -- or deal out some of her own.If you thought these women were something special onscreen, wait till you meet the genuine articles. In "Dark City Dames, acclaimed film historian Eddie Muller profiles six women who made a lasting impression in this cinematic terrain -- from veteran "bad girls" Audrey Totter, Marie Windsor, and Jane Greer to unexpected genre fixtures Evelyn Keyes, Coleen Gray, and Ann Savage. The book surveys the lives of these formidable women during the height of their careers circa 1950, as they balanced love and career, struggled against typecasting, and sought fulfillment in a ruthless business. Their personal stories -- teeming with larger-than-life characters like Howard Hughes, L.B. Mayer, Robert Mitchum, Otto Preminger, and John Huston -- offer an illuminating counterpoint to their movies, such as "Out of the Past, Detour, The Lady in the Lake, and "The Killing. Then "Dark City Dames revisits each one of these women today, fifty years on, to witness their hard-won -- and triumphant -- survival. On every page their own voices ring through, reflecting on their lives with as much passion, pain, intelligence, energy, and humor as any movie script."Dark City Dames re-creates the excitement and glamour of a group of gifted performers who lived out their youthful fantasies -- and, along the way, remade the image of the American woman.

    In this book he discusses the nature and narrative structures of the genre, dealing with horror as a "transmedia" phenomenon. A fan and serious student of the horror genre, Carroll brings to bear his comprehensive knowledge of obscure and forgotten works, as well as of the horror masterpieces. Working from a philosophical perspective, he tries to account for how people can find pleasure in having their wits scared out of them. What, after all, are those "paradoxes of the heart" that make us want to be horrified?

    Matthew Frye Jacobson argues that race resides not in nature but in the contingencies of politics and culture. In ever-changing racial categories we glimpse the competing theories of history and collective destiny by which power has been organized and contested in the United States.Capturing the excitement of the new field of "whiteness studies" and linking it to traditional historical inquiry, Jacobson shows that in this nation of immigrants "race" has been at the core of civic assimilation: ethnic minorities in becoming American were re-racialized to become Caucasian. He provides a counter-history of how nationality groups such as the Irish or Greeks became Americans as racial groups like Celts or Mediterraneans became white. Jacobson tracks race as a conception and perception, emphasizing the importance of knowing not only how we label one another but also how we see one another, and how that racialized vision has largely been transformed in this century. The stages of racial formation--race as formed in conquest, enslavement, imperialism, segregation, and labor migration--are all part of the complex, and now counterintuitive, history of race.Whiteness of a Different Color traces the fluidity of racial categories from an immense body of research in literature, popular culture, politics, society, ethnology, anthropology, cartoons, and legal history, including sensational trials like the Leo Frank case and the Draft Riots of 1863.

    Lubavitcher Hasidim are famous for their efforts to inspire secular Jews to become more observant and for their messianic fervor. Strict followers of Orthodox Judaism, they maintain sharp gender-role distinctions. Levine spent a year living in the Lubavitch community of Crown Heights, Brooklyn, participating in the rhythms of Hasidic girlhood. Drawing on many intimate hours among Hasidim and over 30 in-depth interviews, Mystics, Mavericks, and Merrymakers offers rich portraits of individual Hasidic young women and how they deal with the conflicts between the regimented society in which they live and the pull of mainstream American life. This superbly crafted book offers intimate stories from Hasidic teenagers' lives, providing an intriguing twist to a universal theme: the struggle to grow up and define who we are within the context of culture, family, and life-driving beliefs.

    Film Theory multiplies the perspectives and positions, the situations and locations, from which film theory is spoken.

    Preserved by the Jews across two millennia, Hebrew endured long after it ceased to be a mother tongue, resulting in one of the most intense textual cultures ever known. It was a bridge to Greek and Arab science. It unlocked the biblical sources for Jerome and the Reformation. Kabbalists and humanists sought philosophical truth in it, and Colonial Americans used it to shape their own Israelite political identity. Today, it is the first language of millions of Israelis.The Story of Hebrew takes readers from the opening verses of Genesis--which seemingly describe the creation of Hebrew itself--to the reincarnation of Hebrew as the everyday language of the Jewish state. Lewis Glinert explains the uses and meanings of Hebrew in ancient Israel and its role as a medium for wisdom and prayer. He describes the early rabbis' preservation of Hebrew following the Babylonian exile, the challenges posed by Arabic, and the prolific use of Hebrew in Diaspora art, spirituality, and science. Glinert looks at the conflicted relationship Christians had with Hebrew from the Renaissance to the Counter-Reformation, the language's fatal rivalry with Yiddish, the dreamers and schemers that made modern Hebrew a reality, and how a lost pre-Holocaust textual ethos is being renewed today by Orthodox Jews.A major work of scholarship, The Story of Hebrew is an unforgettable account of what one language has meant to those possessing it.

    The author shares his memories of his father and provides an overview of Groucho's career, his family life, and the turmoil of his final years.

    If you are, or plan to be, a cameraperson, I suggest you read your camera's operator's manual in addition to this book. When you understand both, you should be able to go out and shoot footage that works. If you're not interested in becoming a cameraperson, but simply want to better understand how the camera is used, no additional reading is required. Just relax and enjoy the book."

    Mixing cinematic fact with legend, it features infamous and often ludicrous tales of Hollywood, Bollywood, European cinema, underground and indie film making.More than just a book of words with graphs, Venn diagrams and charts included, this book is packed with over 100 original artworks and illustrations, at-a-glance facts to amaze and astound readers, graphics on every major movie genre, and every major movie market around the world.With surprising and enlightening secrets of the industry, Infographics Guide to the Movies has global scope, universal appeal and is visually impressive.

    As such, he is the quintessential subject for the innovative historiography Jan Assmann both defines and practices in this work, the study of historical memory--a study, in this case, of the ways in which factual and fictional events and characters are stored in religious beliefs and transformed in their philosophical justification, literary reinterpretation, philological restitution (or falsification), and psychoanalytic demystification.To account for the complexities of the foundational event through which monotheism was established, Moses the Egyptian goes back to the short-lived monotheistic revolution of the Egyptian king Akhenaten (1360-1340 B.C.E.). Assmann traces the monotheism of Moses to this source, then shows how his followers denied the Egyptians any part in the origin of their beliefs and condemned them as polytheistic idolaters. Thus began the cycle in which every counter-religion, by establishing itself as truth, denounced all others as false. Assmann reconstructs this cycle as a pattern of historical abuse, and tracks its permutations from ancient sources, including the Bible, through Renaissance debates over the basis of religion to Sigmund Freud's Moses and Monotheism. One of the great Egyptologists of our time, and an exceptional scholar of history and literature, Assmann is uniquely equipped for this undertaking--an exemplary case study of the vicissitudes of historical memory that is also a compelling lesson in the fluidity of cultural identity and beliefs.