Fans of Michael Pollan, James Herriot, and Elizabeth Marshal Thomas are sure to find much to cherish in Flyaway.

    Unlike the rest of the world's archipelagoes, it still has 95 percent of its prehuman quota of species. Wildlife of the Galapagos is the most superbly illustrated and comprehensive identification guide ever to the natural splendor of these incomparable islands--islands today threatened by alien species and diseases that have diminished but not destroyed what so enchanted Darwin on his arrival there in 1835. Covering over 200 commonly seen birds, mammals, reptiles, invertebrates, and plants, it reveals the archipelago's striking beauty through more than 400 color photographs, maps, and drawings and well-written, informative text. While the Galapagos Giant Tortoise, the Galapagos Sea Lion, and the Flightless Cormorant are recognized the world over, these thirty-three islands--in the Pacific over 600 miles from mainland Ecuador--are home to many more unique but less famous species. Here, reptiles well outnumber mammals, for they were much better at drifting far from a continent the archipelago was never connected with; the largest native land mammals are rice rats. The islands' sixty resident bird species include the only penguin to breed entirely in the tropics and to inhabit the Northern Hemisphere. There is a section offering tips on photography in the Equatorial sunlight, and maps of visitors' sites as well as information on the archipelago's history, climate, geology, and conservation. Wildlife of the Galapagos is the perfect companion for anyone who wants to know what so delighted Darwin. Covers over 200 commonly seen species including birds, mammals, reptiles, invertebrates, plants, and coastal and marine life Illustrated with over 400 color photographs, maps, and drawings; includes maps of visitors' sites Written by wildlife experts with extensive knowledge of the area Includes information on the history, climate, geology, and conservation of the islands The most complete identification guide to the wildlife of the Galapagos

    Now, at a moment when technology has inflamed tribal hatreds and the planet is beset by unnatural calami- ties, he is back with a new collection of essays that recall us to more humane ways of being in the world.Franzen’s great loves are literature and birds, and The End of the End of the Earth is a passionate argument for both. Where the new media tend to confirm one’s prejudices, he writes, literature “invites you to ask whether you might be somewhat wrong, maybe even entirely wrong, and to imagine why someone else might hate you.” Whatever his subject, Franzen’s essays are always skeptical of received opinion, steeped in irony, and frank about his own failings. He’s frank about birds, too (they kill “everything imaginable”), but his reporting and reflections on them—on seabirds in New Zealand, warblers in East Africa, penguins in Antarctica—are both a moving celebration of their beauty and resilience and a call to action to save what we love.Calm, poignant, carefully argued, full of wit, The End of the End of the Earth provides a welcome breath of hope and reason.

    As a boy, Teddy Roosevelt learned taxidermy from a man who had sailed up the Missouri River with Audubon, and yet as president presided over America's entry into the twentieth century, in which our ability to destroy ourselves and the natural world was no longer metaphorical. Roosevelt, an avid birder, was born a hunter and died a conservationist.Today, forty-six million Americans are bird-watchers. The Life of the Skies is a genre-bending journey into the meaning of a pursuit born out of the tangled history of industrialization and nature longing. Jonathan Rosen set out on a quest not merely to see birds but to fathom their centrality—historical and literary, spiritual and scientific—to a culture torn between the desire both to conquer and to conserve.Rosen argues that bird-watching is nothing less than the real national pastime—indeed it is more than that, because the field of play is the earth itself. We are the players and the spectators, and the outcome—since bird and watcher are intimately connected—is literally a matter of life and death.

    An exhilarating account of Sapolsky’s twenty-one-year study of a troop of rambunctious baboons in Kenya, A Primate’s Memoir interweaves serious scientific observations with wry commentary about the challenges and pleasures of living in the wilds of the Serengeti — for man and beast alike. Over two decades, Sapolsky survives culinary atrocities, gunpoint encounters, and a surreal kidnapping, while witnessing the encroachment of the tourist mentality on the farthest vestiges of unspoiled Africa. As he conducts unprecedented physiological research on wild primates, he becomes evermore enamored of his subjects — unique and compelling characters in their own right — and he returns to them summer after summer, until tragedy finally prevents him.By turns hilarious and poignant, A Primate’s Memoir is a magnum opus from one of our foremost science writers.

    Visiting it almost daily for one year to trace nature’s path through the seasons, he brings the forest and its inhabitants to vivid life.Each of this book’s short chapters begins with a simple observation: a salamander scuttling across the leaf litter; the first blossom of spring wildflowers. From these, Haskell spins a brilliant web of biology and ecology, explaining the science that binds together the tiniest microbes and the largest mammals and describing the ecosystems that have cycled for thousands—sometimes millions—of years. Each visit to the forest presents a nature story in miniature as Haskell elegantly teases out the intricate relationships that order the creatures and plants that call it home.Written with remarkable grace and empathy, The Forest Unseen is a grand tour of nature in all its profundity. Haskell is a perfect guide into the world that exists beneath our feet and beyond our backyards.

    This entirely new diary is composed in a similar style to the Country Diary, with Edith Holden's thoughts, anecdotes, and writings interspersed with poetry, mottoes, and her exquisite watercolor paintings of flowers, plants, birds, butterflies and landscape scenes.

    For among the finches of Daphne Major, natural selection is neither rare nor slow: it is taking place by the hour, and we can watch.In this dramatic story of groundbreaking scientific research, Jonathan Weiner follows these scientists as they watch Darwin's finches and come up with a new understanding of life itself. The Beak of the Finch is an elegantly written and compelling masterpiece of theory and explication in the tradition of Stephen Jay Gould.With a new preface.

    Hence, Austrian painter Christiane Ritter was at best ambivalent when her husband asked her to join him on the small Arctic island of Spitsbergen in a tarpaulin-covered hut sixty miles from the nearest neighbor. Yet his descriptions were filled not with cold and hardship but tales of remarkable wildlife, alluring light shows, and treks over water and ice. Won over, Ritter joined her husband and grew to love life on this small isle off Norway's coast, and in this charming memoir she describes her experiences, with insight and wry humor. Whether or not you ever plan a trip to the Arctic, A Woman in the Polar Night offers thoughtful reflections on isolation and the place the natural world holds in the human psyche.

    Keeping bees, she found solace in the natural world. She began to write, challenging herself to tell the absolute truth about her life and the things that she cared about. The result is one of the best-loved books ever written about life on the land, about a woman finding her way in middle age.

    And yes I still count. I promised Iwould never speak about it publicly until my childrenunderstood what that meant, that mommy was an alcoholic.I think they may have understood long before I did.”From Whiskey to Water is the no-holds-barred memoir byone of South Africa’s most loved radio talk show hosts, SamCowen. Having kept her alcohol addiction well away fromthe public eye for over 14 years, in this tell-all tale, Sam findsthe courage to talk about her struggle with her addictionto whiskey, food and finally to a passion that saved herlife – marathon swimming. Told in her characteristicallyhilarious dead-pan style, this is one of the bravest booksyou’ll read this year.“So this is a book on how I stopped drinking? No, it’snot. It’s how I stopped drinking, started eating, becameclinically severely obese, stopped eating (everything thatwasn’t nailed down) and swam my way to freedom. No, it’snot. It’s actually about addiction and learning and sadnessand anxiety and love and drive. It’s about channelling theunchangeable into the miraculous. It’s about dragons andlearning how to put them to sleep when you can’t slay them.It’s about being my own Daenarys.”

    Martin and I descend from hours of walking to the small town of Middleton-in-Teesdale. I walk, stiff legged, into the campsite office and a plump, middle-aged woman looks up from her desk and can see the old timer is in trouble. “Oh, what a shame you weren’t here last week,” she says, pity radiating from behind her horn-rimmed specs. “You’ve missed him.” I look at her, puzzled. “Elvis!” she explains. “You missed Elvis.” Oh God, now I’m hallucinating. From remote glens deep in the Scottish Highlands, John D Burns brings a new volume of tales – some dramatic, some moving, some hilarious – from the isolated shelters mountain people call bothies. Travel with Burns to secret places hidden amongst the British mountains and share his passion for the wonderful wildness of our uplands. Meet the vivid cast of characters who play their games there, from climbers with more balls than sense to a young man who doesn’t have the slightest idea what he’s letting himself in for…

    But Robert, the abandoned quail chick would prove them wrong. Born on a kitchen counter in a house on Cape Cod, raised in a box surrounded by a lamb’s wool duster and a small lamp, Robert’s life began auspiciously.

    Within this remote, high desert landscape sits the home of Michael Branch, where he, his wife, and their two curious little girls brazenly live among the packrats and ground squirrels, rattlesnakes and scorpions. In Branch's hands, this exceedingly barren and stark landscape becomes a place teeming with energy, surprise, and an endless web of connections that ultimately includes his family and home. It is in this desert setting where, in building a ladder to the stars, one can find a connection to the past and to the heavens; where his children's first garden becomes not the quaint blossoming of seed to flower and fruit but a smoke bomb-drenched exhibit of futility in the face of the inhospitable desert environment; where the surprise of fire acts as a reminder all too real of the unknowable that awaits us and for which we can never fully prepare. In this exhilarating, lyrical, and humorous exploration of natural history, Branch reveals a desert wilderness in which our ideas about nature and ourselves are challenged and transformed.

    The celebrants were their friends Reg and George, who had moved to deepest rural Wales in 1972, not long after the decriminalisation of homosexuality. When Reg and George died within a few weeks of each other in 2011, Mike and Peredur discovered that they had been left their home: a whitewashed ‘house from the children’s stories’, buried deep within the hills. They had also been left a lifetime’s collection of diaries, photographs, letters and books, all revealing an extraordinary history.On the Red Hill is the story of Rhiw Goch, ‘the Red Hill’, and its inhabitants, but also the story of a remarkable rural community and a legacy that extends far beyond bricks and mortar. On The Red Hill celebrates the turn of the year’s wheel, of ever-changing landscapes, and of the family to be found in the unlikeliest of places. Taking the four seasons, the four elements and these four lives as his structure, Mike Parker creates a lyrical but clear-eyed exploration of the natural world, the challenges of accepting one’s place in it, and what it can mean to find home.