Anne Ross is a Gaelic-speaking scholar and archaeologist who has lived and worked in crofting communities, which has enabled her to collect information firsthand and assess the veracity of material already published. In this substantially revised edition of a classic work first published 25 years ago, she portrays the beliefs and customs of Scottish Gaelic society, including seasonal customs deriving from Celtic festivals, the famous waulking songs, the Highland tradition of seers and second sight, omens and taboos, chilling experiences of witchcraft, and rituals associated with birth and death.

    Recognize themes that appear in the myths of other lands (such as the story of Tristan and Iseult), and find the amazing reasons behind the parallels.

    Where can you find the 'Devil's footprints'? What happened at the 'hangman's stone'? Did Sweeney Todd, the demon barber of Fleet Street, ever really exist? Where was King Arthur laid to rest? Bringing together tales of hauntings, highwaymen, family curses and lovers' leaps, this magnificent guide will take you on a magical journey through England's legendary past.

    An imaginative recreation of the Arthurian world, a retelling of some of the stories from Geoffrey of Monmouth.

    Her husband was abusing her; her job no longer fulfilled her. She was fearful, isolated. When the chance came, she escaped. She sought refuge in the only place she could, a cottage that had stood for centuries overlooking the sea. It offered more than four walls. The spirit of her ancestor travelled through eight hundred years to give her the strength and guidance she needed to face her enemies, and to save her life.Two women, bonded by blood, reach across time to one another. Forces of darkness from the past and the present work against them both.Can they find their courage?

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    This book reclaims that lost, rich heritage of working with faery folk that our Pagan ancestors took for granted.Edain McCoy teaches how to work with faeries in a mutually beneficial way. Practice rituals and spells in which faeries can participate, and discover tips to help facilitate faery contact. These capricious creatures can help with divination, past life recall, scrying, and spiritual quests. Also included is a dictionary of more than 230 faeries that include goblins, gnomes, elementals, seasonal faeries, and angels.

    Discover the hidden lessons and spiritual mysteries of the Dark Goddess as you perform guided pathworkings, rituals, and spells. Draw on the unique energies of her many expressions—her three main aspects of Macha, Anu, and Badb; the legendary Morgan Le Fay; and her other powerful guises.From shapeshifting and faery magic to summoning a lover and creating an Ogham oracle, the dynamic and multifaceted Dark Goddess will bring empowering wisdom and enchantment to your life and spiritual practice.

    This extended satiric poem assesses the growing economic, political, and familial constraints of late 18th-century Catholic Ireland under British colonial rule, while subversively playing on the tradition of the aisling (or vision) poem in which a beautiful woman represents Ireland’s threatened sovereignty.At the beginning of The Midnight Court, a dreadful female envoy from the fairies appears in a dream to the unmarried poet. She summons him before the court of Queen Aoibheall in order to answer charges of wasting his manhood while women are dying for want of love. He listens to complaints that vary from the celibacy of the clergy to marriages performed between old and young for purely economic reasons. In all their bawdy tales, the female courtiers praise fertility, as well as sexual fulfillment, and condemn the conventions of the day. At last the Queen pronounces judgment on the poet, who awakens as he is being severely chastised by all of the women of the court.While containing many insights into 18th-century social conditions, The Midnight Court is also an exuberant, even jaunty work of the comic imagination. As the translator Ciaran Carson states in his foreword: “The protagonists of the ‘Court,’ including ‘Merriman’ himself, are ghosts, summoned into being by language; they are figments of the imagination. In the ‘Court’ the language itself is continually interrogated and Merriman is the great illusionist, continually spiriting words into another dimension.”

    By means of a genial blend of reason and imagination, logic and fantasy, profound academic insight and good old common sense, Lewis has challenged the modern world to re-examine the claims of Christ, the Bible, and the Church, re-experience the goodness, truth, and beauty of literature, and re-expand its vision of God, man, and the universe. In each 600-word entry, Markos enlist Lewis’s aid in the study, both theoretically and practically, of a topic of perennial interest to humanity and of particular interest to the early 21st century.

    Part One considers the distinguishing features of the various Cycle of tales and the personages who figure most prominently in them. Part Two reveals the cosmological framework within which the action of the tales takes place. Part Three consists of a discussion of the themes of certain classes of stories which tell of Conceptions and Births, Supernatural Adventures, Courtships and Marriages, Violent Deaths and Voyages to the Other World, and an attempt is made to understand their religious function and glimpse their transcendent meaning.

    She befriends a fortune-telling gypsy girl; returns a child stolen by the selkies to his true mother; confronts a banshee and receives a message from a ghost; helps a village girl outwit--and out-dance--the Faerie Queen; travels beyond the grave to battle a dastardly undead Highwayman; and meets a hound so loyal he fights a wolf to the death to protect the baby prince left in his charge. All fine material for six tales, but it is the seventh tale, in which Trinket learns her father's true fate, that changes her life forever. The Seven Tales of Trinket is a Kirkus Reviews Best Children's Book of 2012

    Niall Carver, the farmer’s twelve-year-old son, hears a blood-curdling scream and tracks down the sound to an ancient well in the farmhouse garden. From the well he rescues a gothic-looking, dark-haired girl in leather boots and a short dress, her limbs dappled with black markings. The girl introduces herself as Sathra.Niall carries out some internet research and confirms the truth, that Sathra has come through a time warp from the thirteenth century to the present day. At first Niall suspects she’s a banshee, though Sathra insists that she’s a dryad. The distinction is important because whilst banshees were evil, dryads were the exact opposite. What Niall doesn’t know is that, to return to her own time, Sathra the Banshee must restore her magical powers by sacrificing a boy her own age. Niall would fit the bill perfectly, though she has to lure him to a place of sacrifice, an ancient stone circle about a mile from the farm. Now believing Sathra is a dryad, Niall looks forward to a series of escapades of the kind that feature in his favourite books.These adventures certainly follow, but all the while Sathra is plotting the dreaded sacrifice…

    They are best known as the "Four Branches of the Mabinogi," and comprise the tales of Pwyll, Branwen, Manawydan, and Math. The remaining stories also spring from the same tree, and together they form a collection that comprises the core of the ancient Welsh mythological cycle. They are also among the best the medieval Celtic literature has to offer.In the first thoroughly revised edition and translation of this world classic since Lady Charlotte Guest's famous Mabinogion went out of print, Mr. Ford has endeavored to present a scholarly document in readable, modern English. Basing his criteria on the latest scholarship in myth, he includes only those stories that have remained unadulterated by the influence of the French Arthurian romances. These are, in addition to the "Four Branches," the tale of "Kulhwch and Olwen," which is rooted in the mythological origins of Arthur, seen here in his role of divine hunter in pursuit of the swine-god; "Lludd and Lleuelis," which reaches beyond its immediate Celtic sources into ancient Indo-European ideologies; and the long unavailable "Tale of Taliesin," which offers insights into Celtic concepts of the archetypal poet-seer and the acquisition of Divine Wisdom.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.