Overnight, without warning or explanation, people he has never met are trying to kill him-not even his own sister recognizes him. On the run, from California to London to Paris and beyond, vicious assassins pursue Chris while cryptic messages lead him on a wild, danger-filled chase around the world.Full of twists and surprises, this is the story of an ordinary man driven to the breaking point in a high tension game of deceit and betrayal where there are no rules, nothing is as it seems, and it is always . . . 7 Steps to Midnight.

    December 2014. A young event manager, an ex-cop's son, ismurdered. Inspector Ajai Singh vows justice. There is little to begin with, andfrustration mounts when the initial suspect – a reclusive woman with amysterious past – is found missing.Digging deeper, Singh uncovers a sordid tale of adultery, blackmail andrevenge, only to find himself staring at a conspiracy unlike any he has seen.There are deceits, little and big, to decode; the predator and victim areindistinguishable; his witnesses could be misleading; his closest ally may not bean ally at all.Will Singh succeed? Or has the sick, wily mind behind the crime always been afew steps ahead?Refreshingly told, with a cast of morally ambivalent characters and an accenton the minutiae of crime, A Murder in Gurgaon will keep you hooked till thevery end.

    The author also wrote "Assassin", "Spawn" and "Slugs".

    Death is a mystery. What really happens at the time of death? No one could ever answer this question so far. Science has so far succeeded in putting forth a theory for the destruction of the human body. But human is not only the body, it is the mind within, the soul within, it has feelings, lust… Do they extinct with death? Or do they linger in the universe? No one has been successful in answering these questions. The common people are always attracted towards the dark secret of life. Yet, how far true it is from the scientific point of view? It is again beyond arguments. In general, the stories based on facts are considered to be artistic while those based on mystery are supposed to be without any artistic value.

    Behind everything crouched the brooding, festering horror of the ancient town, and of the moldy, unhallowed garret gable where he wrote and studied and wrestled with figures and formulae when he was not tossing on the meager iron bed. His ears were growing sensitive to a preternatural and intolerable degree, and he had long ago stopped the cheap mantel clock whose ticking had come to seem like a thunder of artillery. At night the subtle stirring of the black city outside, the sinister scurrying of rats in the wormy partitions, and the creaking of hidden timbers in the centuried house, were enough to give him a sense of strident pandemonium. The darkness always teemed with unexplained sound—and yet he sometimes shook with fear lest the noises he heard should subside and allow him to hear certain other fainter noises which he suspected were lurking behind them.

    He's intense. He's obsessional. He's dangerous.DCI John Luther has an extraordinary clearance rate. He commands outstanding loyalty from friends and colleagues. Nobody who ever stood at his side has a bad word to say about him. But Luther seethes with a hidden fury that at times he can barely control. Sometimes it sends him to the brink of madness, making him do things he shouldn't; things way beyond the limits of the law.The Calling, the first in a new series of novels featuring DCI John Luther, takes us into Luther's past and into his mind. It is the story of the case that tore his personal and professional relationships apart and propelled him over the precipice. Beyond fury, beyond vengeance. All the way to murder…

    She doesn't want to think about growing up in her parents' House of Horrors. And she doesn't want to think about her identity as Girl A: the girl who escaped, the eldest sister who freed her older brother and four younger siblings. It's been easy enough to avoid her parents--her father never made it out of the House of Horrors he created, and her mother spent the rest of her life behind bars. But when her mother dies in prison and leaves Lex and her siblings the family home, she can't run from her past any longer. Together with her sister, Evie, Lex intends to turn the House of Horrors into a force for good. But first she must come to terms with her siblings - and with the childhood they shared.

    For fifteen years, Nap has been searching, both for Maura and for the real reason behind his brother's death. And now, it looks as though he may finally find what he's been looking for. When Maura's fingerprints turn up in the rental car of a suspected murderer, Nap embarks on a quest for answers that only leads to more questions—about the woman he loved, about the childhood friends he thought he knew, about the abandoned military base near where he grew up, and mostly about Leo and Diana—whose deaths are darker and far more sinister than Nap ever dared imagine.

    As a way of coping with her grief, she keeps him 'alive' in her imagination - talking to him every day, laughing with him, remembering the good times they had together. She thinks she will 'hear' him better if she goes somewhere quieter, away from the hustle and bustle of her hometown, Brighton. Her destination is Glenelk in the Highlands of Scotland, a region her grandfather hailed from and the subject of a much-loved painting from her childhood. Arriving in the village late at night, it is a bleak and forbidding place. However, the house she is renting - Skye Croft - is warm and welcoming. Quickly she meets the locals. Her landlord, Fionnlagh Maccaillin, is an ex-army man with obvious and not so obvious injuries. Maggie, who runs the village shop, is also an enigma, startling her with her strange 'insights'. But it is Stan she instantly connects with. Maccaillin's grandfather and a frail, old man, he is grief-stricken from the recent loss of his beloved Beth. All four are caught in the past. All four are unable to let go. Their lives entwining in mysterious ways, can they help each other to move on or will they always belong to the ghosts that haunt them? From the author of the bestselling The Haunting of Highdown Hall.

    The family members of a scientist have been brutally murdered, and the scientist—who may have had something to hide—is nowhere to be found.But Jack has more pressing matters on his mind. His wife has told him that she's on a routine business trip to Seattle, yet she hasn't checked into her hotel. Calls to her cell phone go unanswered, and when Jack travels to Seattle to investigate, she's vanished.And in Oregon a little girl goes missing. She's found miles away, but it soon becomes clear that she's not an innocent victim, and is far from defenseless.Unusual events, all leading to the same place. As a former patrol cop who left the force under difficult circumstances, Jack is determined to find some answers. Yet the more he digs, the more the intrigue grows. Searching into the dark secrets of a past that still haunts him, Jack discovers that the truth has roots deeper and more evil than he ever feared.

    The papers contained an extraordinary report of the case of Jack the Ripper and the horrible murders in the East End of London in 1888. The detective, of course, was the great Sherlock Holmes - but why was the report kept hidden for so long? This is the story that Sir Arthur Conan Doyle never wrote. It is a strange and frightening tale . . .

    Among the stories in this enjoyable early collection are "The Girl on the Train," "Jane in Search of a Job," and "Philomel Cottage," which was made into the film "Love from a Stranger.

    Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems.Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.

    From Vaudeville, through the big bands and up to the hottest rock acts, the Luxor had them all. It's closed now, a boarded-up relic, standing alone in a run down industrial part of town. But the old dance hall isn't empty. A hideous presence lives there, a monstrous evil that has the ability to invade people's fantasies and nightmares . . . and bring them to life. Three strangers will soon learn the extent of the dance hall's power. As their lives become more and more entangled in its inescapable web, they will come to see that what haunts the Luxor is far worse than any ghost.

    Working as a simple country doctor, seeing his lost wife and daughter only in his dreams, David struggles to remain uninvolved when the corpse of a woman is found in the woods, a macabre sign from her killer decorating her body. In one horrifying instant, the quiet summer countryside that had been David’s refuge has turned malevolent—and suddenly there is no place to hide.The village of Manham is tight-knit, far from the beaten path. As a newcomer, Dr. Hunter is immediately a suspect. Once an expert in analyzing human remains, he reluctantly joins the police investigation—and when another woman disappears, it soon becomes personal. Because this time she is someone David knows, someone who has managed to penetrate the icy barrier around his heart. With a killer’s bizarre and twisted methods screaming out to him, with a brooding countryside beset with suspicion, David can feel the darkness gathering around him. For as the clock ticks down on a young woman’s life, David must follow a macabre trail of clues—all the way to its final, horrifying conclusion.