They have been the subject of films, radio dramatizations and have even been presented on ice Read the originals now and one of the world's greatest ever story tellers will give you hours of pleasure and enjoyment.Stories included are: "Around the World in 80 Days, The Clipper of the Clouds, Journey to the Centre of the Earth, From the Earth to the Moon" and "Twenty Thousand Leagues Under the Sea."

    What if life was neverending? What if you could change your body to adapt to an alien ecology? What if the pope were a robot? Spanning galaxies and millennia, this must-have anthology showcases classic contributions from H. G. Wells, Arthur C. Clarke, Octavia E. Butler, and Kurt Vonnegut, alongside a century of the eccentrics, rebels, and visionaries who have inspired generations of readers. Within its pages, you'll find beloved worlds of space opera, hard SF, cyberpunk, the New Wave, and more. Learn about the secret history of science fiction, from titans of literature who also wrote SF to less well-known authors from more than twenty-five countries, some never before translated into English. In The Big Book of Science Fiction, literary power couple Ann and Jeff VanderMeer transport readers from Mars to Mechanopolis, planet Earth to parts unknown. Immerse yourself in the genre that predicted electric cars, space tourism, and smartphones. Sit back, buckle up, and dial in the coordinates, as this stellar anthology has got worlds within worlds. Including: . Legendary tales from Isaac Asimov and Ursula K. Le Guin. An unearthed sci-fi story from W. E. B. Du Bois. The first publication in twenty years of the work of cybernetic visionary David R. Bunch. A rare and brilliant novella by Chinese international sensation Cixin Liu Plus: . Aliens!. Space battles!. Robots!. Technology gone wrong!. Technology gone right!"

    The Tomb and other Tales-

    The sole legacy of that war was the weapon that ended it: the death machines, the BERSERKERS. Guided by self-aware computers more intelligent than any human, these world-sized battlecraft carved a swath of death through the galaxy--until they arrived at the outskirts of the fledgling Empire of Man.These are the stories of the frail creatures who must meet this monstrous and implacable enemy--and who, by fighting it to a standstill, become the saviors of all living things.

    

    Now, after twenty-one annual collections, comes the ultimate in science fiction anthologies, The Best of the Best: 20 Years of the Year's Best Science Fiction, in which legendary editor Gardner Dozois selects the very best short stories for this landmark collection. Contributors include: * Stephen Baxter * Greg Bear * William Gibson * Terry Bisson * Pat Cadigan * Ted Chiang * John Crowley * Tony Daniel * Greg Egan * Molly Gloss * Eileen Gunn * Joe Haldeman * James Patrick Kelly * John Kessel * Nancy Kress * Ursula K. Le Guin * Ian R. MacLeod * David Marusek * Paul McAuley * Ian McDonald * Maureen F. McHugh * Robert Reed * Mike Resnick * Geoff Ryman * William Sander * Lucius Shepard * Robert Silverberg * Brian Stableford * Bruce Sterling * Charles Stross * Michael Swanwick * Steven Utley * Howard Waldrop * Walter Jon Williams * Connie Willis * Gene WolfeWith work spanning two decades, The Best of the Best stands as one of the ultimate science fiction anthologies ever published.Contents xi • Foreword (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Robert Silverbergxvii • Preface (The Best of the Best: 20 Years of the Year's Best Science Fiction) • essay by Gardner Dozois1 • Blood Music • (1983) • novelette by Greg Bear19 • A Cabin on the Coast • (1984) • shortstory by Gene Wolfe28 • Salvador • (1984) • shortstory by Lucius Shepard42 • Trinity • (1984) • novella by Nancy Kress78 • Flying Saucer Rock and Roll • (1985) • novelette by Howard Waldrop (aka Flying Saucer Rock & Roll)93 • Dinner in Audoghast • (1985) • shortstory by Bruce Sterling103 • Roadside Rescue • (1985) • shortstory by Pat Cadigan109 • Snow • (1985) • shortstory by John Crowley121 • The Winter Market • (1985) • novelette by William Gibson137 • The Pure Product • (1986) • novelette by John Kessel152 • Stable Strategies for Middle Management • (1988) • shortstory by Eileen Gunn162 • Kirinyaga • [Kirinyaga • 2] • (1988) • novelette by Mike Resnick177 • Tales from the Venia Woods • [Roma Eterna] • (1989) • shortstory by Robert Silverberg191 • Bears Discover Fire • (1990) • shortstory by Terry Bisson199 • Even the Queen • (1992) • shortstory by Connie Willis213 • Guest of Honor • (1993) • novelette by Robert Reed238 • None So Blind • (1994) • shortstory by Joe Haldeman246 • Mortimer Gray's History of Death • (1995) • novella by Brian Stableford (aka Mortimer Gray's "History of Death")293 • The Lincoln Train • (1995) • shortstory by Maureen F. McHugh303 • Wang's Carpets • (1995) • novelette by Greg Egan328 • Coming of Age in Karhide • [Hainish] • (1995) • novelette by Ursula K. Le Guin342 • The Dead • (1996) • shortstory by Michael Swanwick352 • Recording Angel • (1996) • shortstory by Ian McDonald363 • A Dry, Quiet War • (1996) • novelette by Tony Daniel380 • The Undiscovered • (1997) • novelette by William Sanders400 • Second Skin • (1997) • shortstory by Paul J. McAuley418 • Story of Your Life • (1998) • novella by Ted Chiang454 • People Came from Earth • (1999) • shortstory by Stephen Baxter464 • The Wedding Album • [Cathy] • (1999) • novella by David Marusek502 • 10 to 16 to 1 • (1999) • novelette by James Patrick Kelly (aka 1016 to 1)520 • Daddy's World • (1999) • novelette by Walter Jon Williams541 • The Real World • [Silurian Tales] • (2000) • shortstory by Steven Utley561 • Have Not Have • (2001) • novelette by Geoff Ryman577 • Lobsters • [Macx Family] • (2001) • novelette by Charles Stross597 • Breathmoss • (2002) • novella by Ian R. MacLeod647 • Lambing Season • (2002) • shortstory by Molly Gloss

    Parents were permitted to watch the genetic alterations of their gametes by skilled surgeons . . . only no one ever requested it.When Lizbeth and Harvey Durant decided to invoke the Law; when Dr. Potter did not rearrange the most unusual genetic structure of their future son, barely an embryo growing in the State's special vat-the consequences of these decisions threatened to be catastrophic.For never before had anyone dared defy the Rulers' decrees . . . and if They found out, it was well known that the price of disobedience was the extermination of the human race . . .

    Simak (1904-1988). When the Science Fiction Writers of America began bestowing their Grand Master awards, Simak was the third writer so honored. Only Robert Heinlein and Jack Williamson preceded him, and he received his award before such luminaries as Fritz Leiber, Isaac Asimov, and Ray Bradbury. Simak earned this distinction by producing, over a long period of time, a significant body of popular, respected, often award-winning work, including his classics City and Way Station, and many shorter works, eight of which are contained in this collection. Readers unfamiliar with Simak are in for a treat. More than half of the stories here were among the best stories of their respective years. "The Big Front Yard" (1958) won a Hugo. "A Death in the House" (1959) was selected by Judith Merril for Year's Best SF: Fifth Annual Edition. "Over the River and Through the Woods" (1965) made the cut for World's Best Science Fiction: 1966 edited by Donald Wollheim.Contents: A Death in the House The Big Front Yard Goodnight Mr. James Dusty Zebra Neighbor Over the River & Through the Woods Construction Shack Grotto of the Dancing Deer [He] wrote for so long and always so well that his excellence came to be taken for granted, as we take sunlight for granted until we go blind. - Poul Anderson I read Cliff's stories with particular attention, and I couldn't help but notice the simplicity and directness of the writing - the utter clarity of it. I made up my mind to imitate it, and I labored over the years to make my writing simpler, clearer, more uncluttered, to present my scenes on a bare stage. - Isaac Asimov Without Simak, science fiction would have been without its most humane element, its most humane spokesman for the wisdom of the ordinary person and the value of life lived close to the land. - James Gunn Good fantasy - and that includes science fiction - takes off from the known for its flights into the new. Cliff Simak was a master of the art. His known was the rural Midwest that he loved. His new could reach to the ends of space and time, but never beyond reality. Even his cosmic aliens always had half human dimensions that made them believable. I loved him, as so many did, for his unfailing warmth and a wit that was keen but never cruel. I heard from him often during the painful time after his wife's death. His own death touched me deeply, and I'm happy to see him remembered with this collection of his best-loved stories. - Jack Williamson I always loved his stories, short or long. He made me love them -and the rural America of his childhood - as much as he did. - Lester del Rey Ten years ago it would have been inconceivable that a volume of the best stories of Clifford Simak (author of the classic City) would not have been published by Putnam or Del Rey, but today we have to be grateful to the one-man firm of Tachyon Publications for preserving Over the River and Through the Woods, which includes some of Simak's best stories, including two Hugo Award winners. After all, Simak is dead, which means his career is flatlined, even if Robert Heinlein said, "to read science fiction is to read Simak. The reader who does not like Simak stories does not like science fiction at all." Simak was a master of a special kind of nostalgic science fiction that reconciled the values of his youth (the rural Midwest of the 1920s) with the larger universe. Material that became ludicrous cliche in the hands of lesser writers - all those endless flying saucers landing in the hillbilly's back acre - was by Simak handled with elegance and dignity."A Death in the House" is typical: A farmer finds a dying alien. He does what he can, but that's very little. The farmer conceals the grave, wanting to give his "guest" that much dignity. But the alien is plantlike. It (or its young) sprouts out of the corpse. Human and alien struggle toward understanding. In "The Big Front Yard," a rural handyman finds his house transformed into a gateway to other worlds. The common people have the good sense; trouble starts when profiteers and the government get involved. The tone is light, friendly and clever. This is not to suggest that Simak was a writer with no hard edges. "Good Night Mr. James" is a horror story, about a duplicate human being created to destroy a particularly nasty alien illegally smuggled to Earth. But the gentler mode was more typical, and he could also write humor. "Dusty Zebra" is a long technological joke, maybe a bit slight to be included when a 50-year career must be distilled into 218 pages. Simak's last story, the last in the book, "The Grotto of the Dancing Deer," is about an immortal caveman, quite different from de Camp's "Gnarly Man." He is the original artist who painted that cave art the scientists keep finding; after all this time, he just has to tell someone. The story won both the Hugo and the Nebula for 1980, because both readers and fellow professionals wanted to say "thank you." - The Washington Post Book World Clifford D. Simak is another classic SF writer who staked out a distinctive territory based on his rural midwestern roots - only a couple hundred miles north of Bradbury's - but he never strayed very far from a few classic SF themes which he treated with considerably more rigor than Bradbury, if sometimes with as much sentimentality. Simak's City is at least as important to the history of SF as Bradbury's The Martian Chronicles - some would say more so, given its more challenging conceptual framework - and his other short stories are among the most enduring in the genre, as Over the River & Through the Woods, a new limited edition from Tachyon Publications, attests. Yet Simak, like Sturgeon, seems in danger of fading into the limbo of historical anthologies; while his work was once as widely available as that of any of the giants, today these stories seem almost like new discoveries - and are just as fresh. Part of the reason may be not that Simak's folksy language seems to belie the underlying sense of alienation and tragedy that characterizes much of his work; part may be due to the rediscovery of American regional idioms among younger SF writers from Terry Bisson to Nancy Kress . . . 'Over the River & Through the Woods' contains eight Simak stories from 1951 through 1980 - which means it includes none of the classic stories like "Desertion" or "Huddling Place", which later went to make up City, but does include his late Hugo and Nebula-winning masterpiece "The Grotto of the Dancing Deer" and the Hugo-winning "The Big Front Yard." One of the first things that comes to mind when rereading the latter story after several years - it concerns a characteristically laconic farmer with a dog named Towser (the only name Simak seems to have permitted for dogs) who finds on his property a gateway to distant worlds - is that few contemporary writers would have let such a simple and elegant premise be confined to a novella. Simak's focus is on the unimpressed rustic whose very lack of response to the wonder at his doorstep intensifies our own. When a rustic is impressed by an alien presence, such as in "A Death in the House," it is less likely to be from a sense of wonder than from a sense of companionship. Simak's roots may be firmly in SF, but he writes of alien encounters in a way Willa Cather might have written of them. Aliens are strange but unthreatening, and in some cases (as in "Neighbor") they can turn the entire neighborhood into a pastoral Shangri-la, isolated from the outside in a way that encapsulates what must be Simak's own drams of lost innocence. But Simak could write about more than wonderful things happening to remote farmers. "Good Night, Mr. James" is a very early treatment (1951) of what we would today call a cloning story, done with the kind of cynical humor that is needed for what is essentially a double- and triple-cross tale. It reveals Simak's healthy streak of humor, as does "Dusty Zebra," in which trivial objects are zapped into another dimension in return for high-tech wonders. "Construction Shack" ironically explores an almost Stapledonian notion of whole solar systems being engineered by ancient aliens (Pluto is the construction shack of the title), cast in terms of the matter-of-fact space jockeys so familiar from pulp SF. Simak may be at his best, however, when his theme is isolation and abandonment. The title story concerns children from the future sent back to the refuge of the 1890s. The best tale in the collection and one of the high points of Simak's late career, "The Grotto of the Dancing Deer," concerns an anthropologist who comes to realize that his assistant seems to know far too much about certain ancient cave paintings, and may in fact have been their creator. Simak's evocation, in a few pages, of the sheer loneliness of immortality and the daunting perspectives of time involved, again could be a lesson to a generation of younger writers, and reminds us brilliantly of what Simak was capable of. - Locus

    Some of the genre's greatest writers contemplate the planet-moving encounters between humans and aliens while pondering the eternal question--what kind of relationship are humans really looking for?

    Cyberpunk writers, serious, smart, and courageous in the face of change, exposed the naiveté of a society rushing headlong into technological unknowns. Technology could not save us, they argued, and it might in fact ruin us. Now, thirty years after The Movement party-crashed the science fiction scene, the cyberpunk reality has largely come to be. The future they imagined is here.Contents: * Introduction (Cyberpunk: Stories of Hardware, Software, Wetware, Revolution and Evolution) • essay by Victoria Blake * Johnny Mnemonic (1981) / short story by William Gibson * Mozart in Mirrorshades (1985) / short story by Lewis Shiner and Bruce Sterling * Interview with the Crab (2005) / short fiction by Jonathan Lethem * El Pepenador / short fiction by Benjamin Parzybok * Down and Out in the Year 2000 (1986) / short story by Kim Stanley Robinson * Getting to Know You [North American Future] (1997) / novelette by David Marusek * User-Centric (1999) / short story by Bruce Sterling * The Blog at the End of the World (2008) / short story by Paul Tremblay * Memories of Moments, Bright as Falling Stars (2006) / short story by Cat Rambo * Rock On (1984) / short story by Pat Cadigan * Blue Clay Blues (1992) / novelette by Gwyneth Jones * The Lost Technique of Blackmail (2009) / short fiction by Mark Teppo * Fall of the House of Escher / short fiction by Greg Bear (variant of The Fall of the House of Escher 1996) * Soldier, Sailor (1990) / short story by Lewis Shiner * The Nostalgist (2009) / short story by Daniel H. Wilson * The Jack Kerouac Disembodied School of Poetics (1982) / short story by Rudy Rucker * Mr. Boy (1990) / novella by James Patrick Kelly * Wolves of the Plateau (1988) / short story by John Shirley * Life in the Anthropocene (2010) / short story by Paul Di Filippo * When Sysadmins Ruled the Earth (2006) / novelette by Cory Doctorow.

    This landmark collection gathers four groundbreaking fantasy classics from the acclaimed author of Light.Set in the imagined city of Viriconium, here are the masterworks that revolutionized a genre and enthralled a generation of readers: The Pastel City, A Storm of Wings, In Viriconium, and Viriconium Knights.Contents:The Pastel City, 1971 (novel)A Storm of Wings, 1980 (novel)In Viriconium, 1982 (novel)The Lamia & Lord Cromis, 1971 (short story)Viriconium Knights, 1981 (short story)The Luck in the Head, 1984 (novelette)Strange Great Sins, 1983 (short story)The Lords of Misrule, 1984 (short story)The Dancer from the Dance, 1985 (short story)A Young Man’s Journey to Viriconium, 1985 (short story)

    Catherynne M. Valente, the New York Times bestselling author of The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making and other acclaimed novels, now brings readers a treasure trove of stories and poems in The Bread We Eat in Dreams.In the Locus Award-winning novelette “White Lines on a Green Field,” an old story plays out against a high school backdrop as Coyote is quarterback and king for a season. A girl named Mallow embarks on an adventure of memorable and magical politicks in “The Girl Who Ruled Fairyland—For a Little While.” The award-winning, tour de force novella “Silently and Very Fast” is an ancient epic set in a far-flung future, the intimate autobiography of an evolving A.I. And in the title story, the history of a New England town and that of an outcast demon are irrevocably linked.The thirty-five pieces collected here explore an extraordinary breadth of styles and genres, as Valente presents readers with something fresh and evocative on every page. From noir to Native American myth, from folklore to the final frontier, each tale showcases Valente’s eloquence and originality.Table of Contents:The ConsultantWhite Lines on a Green FieldThe Bread We Eat in DreamsThe Melancholy of MechagirlA Voice Like a HoleThe Girl Who Ruled Fairyland—For a Little WhileHow to Raise a MinotaurThe Shoot-out at Burnt Corn Ranch Over the Bride of the WorldMouse KoanThe Blueberry Queen of Wiscasset In the Future When All’s WellFade to WhiteAeromausRed EnginesThe Wolves of BrooklynOne Breath, One StrokeKallistiThe WeddingThe Secret of Being a CowboyTwenty-Five Facts About Santa ClausWe Without Us Were ShadowsThe Red GirlAquaman and the Duality of Self/Other, America, 1985The RoomSilently and Very FastWhat the Dragon Said: A Love Story

    In “Requiem”, a woman goes to Alaska to try and make sense of her aunt’s disappearance. An eleventh century poet wakes to find he is as an artificially intelligent companion on a starship. A woman of no account has the ability to look into the past.Singh's work dives into the vast strangeness of the universe without and within, and she unblinkingly explores the ways we move through space and time: together, yet always apart.Contents:- With Fate Conspire (2013)- A Handful of Rice (2012)- Peripeteia (2013)- Lifepod (2007)- Oblivion: A Journey (2008)- Somadeva: A Sky River Sutra (2010)- Are You Sannata3159? (2010)- Indra's Web (2011)- Ruminations in an Alien Tongue (2012)- Sailing the Antarsa (2013)- Cry of the Kharchal (2013)- Wake-Rider (2014)- Ambiguity Machines: An Examination (2015)- Requiem (2018)

    Martin’s Introduction to Warriors:“People have been telling stories about warriors for as long as they have been telling stories. Since Homer first sang the wrath of Achilles and the ancient Sumerians set down their tales of Gilgamesh, warriors, soldiers, and fighters have fascinated us; they are a part of every culture, every literary tradition, every genre. All Quiet on the Western Front, From Here to Eternity, and The Red Badge of Courage have become part of our literary canon, taught in classrooms all around the country and the world.Our contributors make up an all-star lineup of award-winning and bestselling writers, representing a dozen different publishers and as many genres. We asked each of them for the same thing — a story about a warrior. Some chose to write in the genre they’re best known for. Some decided to try something different. You will find warriors of every shape, size, and color in these pages, warriors from every epoch of human history, from yesterday and today and tomorrow, and from worlds that never were. Some of the stories will make you sad, some will make you laugh, and many will keep you on the edge of your seat.” Every story in this volume appears hre for the first time. Included are a long novella from the world of Song of Ice and Fire by George R.R. Martin, a new tale of Lord John by Diana Gabaldon, an Emberverse story by S.M. Stirling, a Forever Peace sory by Joe Haldeman, and a long story of humanity at bay by David Weber. Also present are original tales by David Ball, Peter S. Beagle, Lawrence Block, Gardner Dozois, Robin Hobb, Cecelia Holland, Joe R. Lansdale, David Morrell, Naomi Novik, James Rollins, Steven Saylor, Robert Silverberg, Carrie Vaughn, Howard Waldrop, and Tad Williams.Many of these writers are bestsellers. All of them are storytellers of the highest quality. Together they make a volume of unforgettable reading.Contents:- Introduction: Stories from the Spinner Rack by George R.R. Martin- The King of Norway by Cecelia Holland- Forever Bound by Joe Haldeman- The Triumph by Robin Hobb- Clean Slate by Lawrence Block- And Ministers of Grace by Tad Williams- Soldierin' by Joe R. Lansdale- Dirae by Peter S. Beagle- The Custom of the Army by Diana Gabaldon- Seven Years from Home by Naomi Novik- The Eagle and the Rabbit by Steven Saylor- The Pit by James Rollins- Out of the Dark by David Weber- The Girls from Avenger by Carrie Vaughn- Ancient Ways by S.M. Stirling- Ninieslando by Howard Waldrop- Recidivist by Gardner Dozois- My Name is Legion by David Morrell- Defenders of the Frontier by Robert Silverberg- The Scroll by David Ball- The Mystery Knight: A Tale of the Seven Kingdoms by George R.R. Martin

    In their twelfth remarkable collection of the very best of the last twelve months, award-winning editors and anthologists David G. Hartwell and Kathryn Cramer present amazing stories of galaxy-shaking events, alien contact, utopian science, and technology run amok: tales that celebrate the continually evolving literary artistry of some of the form's finest, most respected practitioners . . . while showcasing the magnificent talents of the science fiction superstars of the near future.Contents viii • Acknowledgments (Year's Best SF 12) • essay by David G. Hartwell and Kathryn Cramer ix • Introduction (Year's Best SF 12) • essay by David G. Hartwell and Kathryn Cramer 1 • Nano Comes to Clifford Falls • (2006) • shortstory by Nancy Kress 21 • Brother, Can You Spare a Dime? • (2006) • shortstory by Terry Bisson 33 • When Sysadmins Ruled the Earth • (2006) • novelette by Cory Doctorow 74 • Just Do It! • (2006) • shortstory by Heather Lindsley 89 • Counterfactual • (2006) • novelette by Gardner Dozois [as by Gardner R. Dozois ] 111 • Moon Does Run • (2006) • shortstory by Edd Vick 124 • Home Movies • (2006) • novelette by Mary Rosenblum 157 • Chu and the Nants • (2006) • shortstory by Rudy Rucker 174 • Silence in Florence • (2006) • shortstory by Ian Creasey 188 • The Women of Our Occupation • (2006) • shortstory by Kameron Hurley 197 • This Is the Ice Age • (2006) • shortstory by Claude Lalumière 210 • Speak, Geek • (2006) • shortstory by Eileen Gunn 214 • Expedition, with Recipes • (2006) • shortstory by Joe Haldeman 221 • The Age of Ice • (2006) • shortstory by Liz Williams 233 • Dawn, and Sunset, and the Colours of the Earth • (2006) • novella by Michael F. Flynn [as by Michael Flynn ] 282 • Applied Mathematical Theology • (2006) • shortstory by Gregory Benford 286 • Quill • (2006) • novelette by Carol Emshwiller 313 • Tiger, Burning • (2006) • novelette by Alastair Reynolds 342 • Dead Men Walking • (2006) • novelette by Paul J. McAuley 364 • Damascus • (2006) • novelette by Daryl Gregory 399 • Tin Marsh • (2006) • novelette by Michael Swanwick 421 • Taking Good Care of Myself • (2006) • shortstory by Ian R. MacLeod 425 • The Lowland Expedition • [Old Earth] • (2006) • shortstory by Stephen Baxter 444 • Heisenberg Elementary • (2006) • shortstory by Wil McCarthy 449 • Rwanda • (2006) • shortstory by Robert Reed 459 • Preemption • (2006) • shortstory by Charlie Rosenkrantz