Even a bad witch deserves a second chance. Catherine Baker stopped caring about magician politics after the witches threw her out four years ago, convicted of the “crime” of using harmful magic in self-defense. Life as an outcast was nothing new, thanks to her father’s wicked reputation, but the injustice left her heart scarred. Especially since she’d been turned in by the man she loved. Alexander Duquesne has never faltered in his duties as a guardian—until now. He still suffers lingering guilt over his role in Cat’s exile, and when the old Titania is murdered, Cat is in line to be the next victim. Lex will do anything to keep Cat alive, even if she hates him for it. Hunted by a powerful stranger intent on drawing her into an evil web, Cat reluctantly accepts Lex’s protection and the resurrected desire that comes along with it. Lex faces the fight of his life to keep her safe…and win her back. If they both survive. What reviewers are saying about Blood, Smoke and Mirrors: “For a debut book, this story has an incredibly strong and funny main character ... and a strange and interesting world of characters. ... If I had to grab one word to describe this book, it would be refreshing. Not like a diet Coke or something that’s saccharine and only satisfying in the short term, but refreshing like thinking to yourself, ‘Oh, that’s new, that’s different’ while reading a plot that could have turned on a dime into well-trod cliché-land. Bachar keeps the story firmly in the present with a quick and witty narrator, and I kept reading.” –Sarah Wendell, Smart Bitches, Trashy Books “Blood, Smoke and Mirrors was a compelling read. Catherine ‘Cat’ Baker was an authentic and endearing heroine – big butt and all. ...overall, I was impressed and glad that I had the opportunity to discover Robyn Bachar. I’ll be looking forward to what she does next. But first I have to get something to eat. I have this insatiable craving for chocolate chip pancakes…” –Paul Goat Allen, Explorations: The Barnes & Noble SciFi and Fantasy Blog

    They include stories of princes and princesses who have been transformed into animals, trolls, and maneating giants who possess magical powers, and good-hearted, clever young men and women, often poor and ridiculed, who eventually come away with wealth and love beyond measure.In addition to such well-known favorites as "Dapplegrim," "Katie Woodencloak," "Tatterhood," and "Legend of Tannhäuser," this collection also brings to light many gems difficult to find elsewhere. In "The Werewolf," a cruel stepmother thwarts a beautiful princess's marriage plans by transforming her fiancé into a hunted denizen of the forest. The hilarious "Such Women Are" proves the world is never without a sufficiency of fools, while "The Three Dogs" tells of a youth whose four-legged friends defeat a serpent with the nasty habit of devouring a town's young women. Among many other hard-to-find stories are "King Gram," "The Magician's Pupil," "The Outlaw," "Temptations," "The Widow's Son," "The Three Sisters Trapped in a Mountain," and "The Goatherd" (the inspiration for Washington Irving’s story of Rip van Winkle).These stories preserve the ancient myths of Western Europe that have been passed down from generation to generation, but aside from their importance as seminal folktales, they are simply good reading — full of passion and excitement, magic, mystery, and sheer storytelling power. Popular Tales from Norse Mythology will delight any student or admirer of myths and mythology.Excerpt:The Dasent family is believed to have been originally of French extraction, the name having been traced to an ancient Norman source. It has owned property in the West Indies since the Restoration, and is repre sented in the island of St. Vincent at the present day. Some of its members were amongst the earliest colonists in St. Christopher's at a time when that island and Martinique were held jointly by the French and the English; and the highest judicial and administrative offices in St. Christopher's, in Nevis, in Antigua, and, more recently, in St. Vincent itself were filled by Sir George Dasent's ancestors.

    It’s the only way to contain the fey curse that scars her cheek. The Great War is five years gone, but its scattered victims remain—the ironskin. When a carefully worded listing appears for a governess to assist with a "delicate situation"—a child born during the Great War—Jane is certain the child is fey-cursed, and that she can help. Teaching the unruly Dorie to suppress her curse is hard enough; she certainly didn’t expect to fall for the girl’s father, the enigmatic artist Edward Rochart. But her blossoming crush is stifled by her own scars, and by his parade of women. Ugly women, who enter his closed studio...and come out as beautiful as the fey. Jane knows Rochart cannot love her, just as she knows that she must wear iron for the rest of her life. But what if neither of these things is true? Step by step Jane unlocks the secrets of her new life—and discovers just how far she will go to become whole again.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.

    and more

    In short, he traverses all of Asia top to bottom, and end to end. In the three decades since he first travelled this route, Asia has undergone phenomenal change. The Soviet Union has collapsed, China has risen, India booms, Burma slowly smothers, and Vietnam prospers despite the havoc unleashed upon it the last time Theroux passed through. He witnesses all this and so much more in a 25,000 mile journey, travelling as the locals do, by train, car, bus, and foot.His odyssey takes him from Eastern Europe, still hungover from Communism, through tense but thriving Turkey, into the Caucasus, where Georgia limps back toward feudalism while its neighbour Azerbaijan revels in oil-driven capitalism. As he penetrates deeper into Asia’s heart, his encounters take on an otherworldly cast. The two chapters that follow show us Turkmenistan, a profoundly isolated society at the mercy of an almost comically egotistical dictator, and Uzbekistan, a ruthless authoritarian state. From there, he retraces his steps through India, Mayanmar, China, and Japan, providing his penetrating observations on the changes these countries have undergone.Brilliant, caustic, and totally addictive, Ghost Train to the Eastern Star is Theroux at his very best.

    But when Cam’s cousin Pip comes to stay with the family, Cam seems depressed. Finally Cam confesses to Morgan what’s going on: Cam is a fairy. The night he was born, fairies came down and switched him with a healthy human boy. Nobody expected Cam to live, and nobody expected his biological brother, heir to the fairy throne, to die. But both things happened, and now the fairies want Cam back to take his rightful place as Fairy King.Even as Cam physically changes, becoming more miserable each day, he and Morgan pledge to fool the fairies and stay together forever. But by the time Cam has to decide once and for all what to do, Morgan’s no longer sure what’s best for everyone, or whether her and Cam’s love can weather an uncertain future.

    Her father has been dead for years. One of her brothers has been conscripted into the Tsar’s army, the other taken as a servant in the house of the local landowner. Her mother is dying, slowly, in their tiny cabin. And there is no food. But then a train arrives in the village, a train carrying untold wealth, a cornucopia of food, and a noble family destined to visit the Tsar in Saint Petersburg — a family that includes Ekaterina, a girl of Elena’s age. When the two girls’ lives collide, an adventure is set in motion, an escapade that includes mistaken identity, a monk locked in a tower, a prince traveling incognito, and — in a starring role only Gregory Maguire could have conjured — Baba Yaga, witch of Russian folklore, in her ambulatory house perched on chicken legs

    This novelette now forms Part IV of the novel The Faerie Guardian.

    Tolkien's imagination, "The Lay of Aotrou and Itroun" is an important non Middle-earth work to set alongside his other retellings of existing myth and legend, The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo.Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien's 'Corrigan' poems and other supporting material, including a prefatory note by Christopher Tolkien.Set 'In Britain's land beyond the seas' during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the 'Aotrou' and 'Itroun' of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life.Coming from the darker side of J.R.R. Tolkien's imagination, The Lay of Aotrou and Itroun, together with the two shorter 'Corrigan' poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend.Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien's other retellings of myth and legend, The Legend of Sigurd and Gudrún, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into 'real-world' mythologies, each of which in its own way would be a formative influence on his own legendarium.

    Because chaos won’t banish itself…Kit is proud to be a Blackhart, now she’s encountered her unorthodox cousins and their strange lives. And her home-schooling now includes spells, fighting enemy fae and using ancient weapons. But it’s not until she rescues a rather handsome fae prince, fighting for his life on the edge of Blackhart Manor, that her training really kicks in. With her family away on various missions, Kit must protect Prince Thorn, rely on new friends and use her own unfamiliar magic to stay ahead of Thorn’s enemies. As things go from bad to apocalyptic, fae battle fae in a war that threatens to spill into the human world. Then Kit pits herself against the Elder Gods themselves – it’s that or lose everyone she’s learnt to love.

    Yet she and her kind are bereft of their origins, because on Earth, in a beautiful village named Cloudcroft, the Great Gates between worlds stand sealed.Her parents, Auberon and Jessica, are the warm heart of Cloudcroft and of Rosie’s loving family. But on the hill lives the mysterious, aloof Lawrence Wilder, Gatekeeper to the inner realms of Elfland. Tortured by private demons, he is beset by trouble on all sides: his wife has vanished and his sons Jon and Sam are bitter and damaged. Lawrence is duty bound to throw open the Gates every seven years for the Night of the Summer Stars, a ritual granting young Aetherials their heritage, their elders vital reconnection to their source. Lawrence, however, is haunted by fears of an ever-growing menace within the Spiral. When he stubbornly bars the Gates, he defies tradition and enrages the Aetherial community. What will become of them, deprived of the realm from which flows their essential life force? Is Lawrence protecting them—or betraying them?Growing up amid this turmoil, Rosie and her brothers, along with Sam and Jon Wilder, are heedless of the peril lurking beyond the Gates. They know only that their elders have denied them their birthright, harboring dark secrets in a conspiracy of silence.When Sam is imprisoned for an all-too-human crime, age-old wounds sunder the two families…yet Rosie is drawn into his web, even as she fears the passions awoken in her by the dangerous Wilder clan. Torn between duty and desire, between worlds, Rosie unwittingly precipitates a tragedy that compels her to journey into the Otherworld, where unknown terrors await. Accompanied by the one man most perilous to her life, she must learn hard lessons about life and love in order to understand her Aetherial nature…and her role in the terrifying conflict to come.

    She was destined to be a dragon slayer, but cute and charming Curtis stole her spot. Then she sees a giant killer fairyÑand it's invisible to everyone but her! If Emma has any chance of stopping this evil fairy, she's going to need help. Unfortunately, the only person who can help is Curtis. And now, not only has he stolen her dragon-slayer spot, but maybe her heart as well! Why does she think it's going to be a fairy bad day?

    Since Tania's mysterious disappearance on the eve of her wedding five hundred years before, Faerie has been sunk in darkness and gloom. The courtly Lord Gabriel Drake, who Tania was once to marry, has found her and brought her back.With Tania's return, Faerie comes alive again as a land of winged children, glittering balls, and fantastic delights. But Tania can't forget Anita's world, or the boy she loved there.Torn between two loves and between two worlds, Tania slowly comes to discover why she disappeared so long ago. She possesses a singular magical ability and she must use it to stop a sinister plan that threatens the entire world of Faerie.

    There are three editions of this book—paperback, a hardcover, and a special leather-bound limited edition.