First published in 1853, it is dotted with murder and mayhem : graves opening and the dead walking the earth, the animate becoming the inanimate and vice versa, ogres and monsters of lake and wood, human transformations reminiscent of Ovid's Metamorphoses. Written as ballads, Marcela Sulak's new translation perfectly captures the cadence and rhythm in an English that is fresh and energetic. Through the years A Bouquet has come to be regarded as a masterpiece and wellspring of inspiration to artists of all stripes, including Antonín Dvořák, who composed a series of symphonic poems to some of these tales. Of the many illustrators who have contributed to the various editions that have appeared over the past century and a half, Alén Diviš's artwork is generally considered the most powerful. This edition also includes Erben's own notes explaining the origins of many of these tales.

    Drawn from The History Press’ popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman’s peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

    From cautionary tales to ghostly visions, the fairy stories of Japan are characterized not only by the customary amount of fantasy but also by a welcome dose of mischievous fun. For any lover of other-worlds, dreamscapes, and magical beings, this collection of Japanese folk and fairy tales provides quick transportation to a land of miniature warriors, willow-women, and ogre-isles, beautifully accented by the unmistakable exoticism of the Land of the Rising Sun. Bohemian and writer PATRICK LAFCADIO HEARN (1850-1904) was born in Greece, raised in Ireland, and worked as newspaper reporter in the United States before decamping to Japan. He also wrote In Ghostly Japan (1899), and Kwaidan (1904).

    A young teacher, Annalukshmi, whose splintered family attempts to arrange an appropriate marriage for her, must decide whether the independence she craves will doom her to a life without love and companionship.It is also the story of Balendran who, respectably married, must suppress-or confront-the secret desires for men that threaten to throw his life into chaos. With sensuous atmosphere and vivid prose, this masterfully plotted novel re-creates a world where a beautiful veneer of fragrant gardens and manners hides social, personal, and political issues still relevant today.

    Fortunately, few cities are friendlier than Edinburgh to a guitarist with a talent for spontaneous rhyme, and soon Douglas is making a living as the busker who can write a song about you on the spot.But Edinburgh has its dangers for the unwary... and when Douglas falls prey to the drugs proffered by a mysteriously alluring young woman, suddenly he can see, in all their beauty and terrifying cruelty, the fey folk who invisibly share Edinburgh's ancient streets. Worse, they can see him, and they're determined to draw him into their own internecine wars - wars that are fought to the death.

    In this fascinating collection, Idries Shah shares this insight with us as we read the astonishingly similar versions of tales as they developed throughout the world.

    But to San Francisco's changelings, it's a haven where they may abandon their mortal guises. An unlikely group of companions -- a waitress, a nomad, a street performer, a tramp and two children -- band together to prevent the wizard Malacar from claiming vengeance.

    Paloma has to admit, it feels good helping someone find their way in America—that is until Arun discovers Paloma's darkest secret, one that could jeopardize her own fragile place in this country.Before Paloma can pay Arun off, she finds him face down in a pool of blood. She flees the apartment but by the time the police arrive, there's no body—and no evidence that Arun ever even existed in the first place. Paloma is terrified this is all somehow tangled up in the desperate actions she took to escape Sri Lanka so many years ago. Did Paloma’s secret die with Arun or is she now in greater danger than ever before?

    But when she meets the handsome Sonny Flannery, Kelley has to face the shocking truth that the world of Faeries is all too real - and that she is an unwitting part of it. Sonny warns Kelley that she is no mere mortal, and that she is being haunted by powerful forces from the Faerie realm. Now, Kelley must come to terms with her heritage - and her growing feelings for Sonny - if she wants to save not only herself, but also the human world that she holds dear.

    Inspired by our native landscapes and traversing boundaries of the past and future, this collection is Tom Cox's first foray into fiction. Funny, strange and poignant, it elicits the unexpected and unseen to raise our hackles and set imaginations whirring.Inspired by our native landscapes, saturated by the shadows beneath trees and behind doors, listening to the run of water and half-heard voices, Tom Cox's first collection of short stories is a series of evocative and unsettling trips into worlds previously visited by the likes of M.R. James and E.F. Benson.Railway tunnels, the lanes and hills of the Peak District, family homes, old stones, shreds fluttering on barbed wire, night drawing in, something that might be an animal shifting on the other side of a hedge: Tom has drawn on his life-long love of weird fiction, folklore and nature's unregarded corners to write a collection of stories that will delight fans old and new, and leave them very uneasy about turning the reading lamp off.

    He trains his unsentimental eye on men and women who live in the margins of our society. He tells their stories with deep sympathy and calm clarity. A lonely night watchman falls in love with the ghost of a rape victim. A terrified young goat thief finds himself surrounded by a mob baying for his blood. An old peasant exhausted by a lifetime of labour is consumed by jealousy and driven to an act of total destruction. Set in the arid Kongu landscape of rural Tamil Nadu, these tales illuminate the extraordinary acts that make up everyday lives.

    He now shares them in this jewel of a book.

    Finding herself catapulted into fairyland she discovers that the Real World is not quite what she thought and fairyland is not quite what she imagined. The question is... who will come out alive?

    Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

      She was born to be a pawn, used to secure her father’s royal hold on his land. She was forced to advance his will through marriage—her own desires always thwarted. But free-spirited Maeve will no longer endure the schemes of her latest husband, Conor, the cunning ruler of Ulster. And when her father’s death puts her homeland at the mercy of its greedy lords and Conor’s forces, Maeve knows she must at last come into her own power to save it. With secret skill and daring, Maeve proves herself the equal of any warrior on the battlefield. With intelligence and stealth, she learns the strategies—and sacrifices—of ruling a kingdom through treacherous alliances. And to draw on the dangerous magic of her country’s oldest gods, Maeve seeks out the wandering druid Ruan, whose unexpected passion and strange connection to the worlds of spirit imperil everything Maeve thought true about herself—and put her at war with both her duty and her fate.