When the parents announce their divorce, the family comes together at their beach house for a week. Dennis, the eldest son, is having marriage troubles of his own, and searches for clues, trap doors, and secret tunnels. Claire, the middle child, is a single mother with a troubled 16-year-old daughter, Jill. The youngest child, Peter, is a hack filmmaker suffering from paralyzing insecurities who establishes an unorthodox romance with a mysterious day care counselor at the beach.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.

    As this cartoon silhouette of a mouse ignominiously suffers at every turn, the spaces between the panels create despair and a Beckett-like rhythm of hope deceived and deferred (but never quite extinguished), buoying Quimby from page to page.Like Ware's first book, Jimmy Corrigan, Quimby is saturated with Ware's genius, including consistently amazing graphics, insanely perfectionist production values, cut-out-and-assemble paper projects, and the formal complexity of his narratives that have earned him the reputation as one of the most prodigious artists of his generation.

    The New Fighting Technique may have sprung from the crucible of cubicle culture----Rees created the strip while working a deathly boring temp job, harnessing the potential energy of his PowerPoint software, Internet connection, laser printer, and vast expanses of fallow hours into this Unstoppable ass-kicking phenomenon----but the result has less to do with clockwatching than with the explosive energy of freestyling gangsta rap, airborne Bruce Lee maneuvers, and a profane, deadpan sense of humor that just may establish David Rees as the Lenny Bruce of our times. As soon as Rees began faxing MNFTIU comics to friends, those friends were faxing it to friends who were faxing it to more friends. It was the birth of a genuine underground publishing sensation. Soon it was a regular serial, then there was merchandise, then a website that received 25 million hits last year.

    Features the bonus, peel-away insert, Smell-O-Toons, the aromatic fragrance that is dabbed on more Commando pulse points than all other perfumes combined! Little, Brown.

    It was discovered by a seven-year-old boy named Al Ledicker, and the story that followed is one that veteran underground cartoonist Kim Deitch (Boulevard) has chronicled for the last 20 years in a series of interrelated stories that have appeared in a variety of magazines. Collected for the first time, Shadowland offers a narrative which ranges from the late 19th century to (more or less) the present day. Delineated in Deitch's charming, uniquely retro style, Shadowland is a tumble down the rabbit hole of sexy Hollywood starlets, little green (actually, gray) aliens, flying pigs and performing elephants, incest, murder, and eternal youth.

    The series is the winner of the Harvey Award and has been nominated for multiple Eisner Awards.

    Originally published by Palliard Press.

    Carré’s elegant short stories read like the gothic, family narratives of Flannery O’Connor or Carson McCullers, but told visually. Poetic rhythms — a coin flip, a circling ferris wheel — are punctuated by elements of melancholy fantasy pushed forward by character-driven, naturalistic dialogue. The stories in Heads Or Tails display a virtuosic breadth of visual styles and color palettes, each in perfect service of the story, and range from experimental one-pagers to short masterpieces like The Thing About Madeline (featured in The Best American Comics 2008), to graphic novellas like The Carnival (featured in David Sedaris and Dave Eggers’ 2010 Best American Nonrequired Reading, originally published in MOME).

    There may be numerous typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

    Even Broadway legend Lin-Manuel Miranda gets into the act by composing the book’s foreword. This commemorative collection of birthday comic strips—plus a ton of other festive fun—is a gift for Garfield fans of all ages!

    Beloved for the expressive scrawl of Gregory's line and her take-no-prisoners satirical approach, it was particularly notable for introducing the world to Bitchy Bitch—a woman who is eternally, magnificently, and for the most part, quite justifiably pissed off at the world around her! This extra-thick volume collects the entire first half of the Bitchy Bitch saga, and it ranges widely in her eventful life. There are stories about Bitchy's travails as a little girl (when she was just "Bitsy Bitch"), including that greatest horror of all, the holidays; a long sequence about her hippie free-love days in the '70s (and the harrowing abortion that followed); tales of her miserable days as an office drone surrounded by dunces, lechers, and the occasional ultra-Christian maniac; and the hilarious full-length graphic novel "Bitchy Takes a Vacation," where a tropical getaway turns into a fiasco (romanic and otherwise) of epic proportions. The book will also feature a brand new full-length story that chronicles the (never before shown) death of Bitchy's tempestuous father (well, she had to get that temper from somewhere), as Gregory once again finds the humor in even the grimmest situation. If anger is an energy, as Johnny Rotten once said, then Life's a Bitch is a 240-page slab of caffeinated fury... but laugh-out-loud funny!

    Farr presents his choice of the dozen most important and colorful characters from "The Adventures of Tintin." This handsome, lavishly-illustrated volume takes a closer look at the remarkable cast that enriches the adventures.

    The Complete Crumb Comics: The Early Years of Bitter Struggle is the first of a multivolume series, and includes previously unpublished strips created from 1958 to 1962. Crumb's earliest works, some written when he was as young as 15, range from an encounter with Dracula ("I didn't try to escape Dracula, my mind was consentrated [sic] on one thing . . . I was thirsty . . . very thirsty") to Nikita Khrushchev's 1958 visit to the U.S. ("Ever watchful guards stay with Khruschev during a refreshing hot bath."). Crumb aficionados and neophytes alike should rejoice in this classic collection of comic strips; sketchbooks; underground comics; dramatic and autobiographical strips; classic cartoon creations Fritz the Cat and Mr. Natural; and a pithy, biographical preface by Crumb's friend Marty Pahls.

    Now our new Black Hammer finds herself trapped in a gritty world filled with punk rock detectives, emo gods, anthropomorphic humans, absurdist heroes, and many more weirdoes, in a mad world in which there is no escape!* Winner of the Eisner Award for Best New Series!