"You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.

    As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. Quicksand , Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.

    Torn between their mother's world of genteel respectability and their grandfather's and uncle's world of cowboy masculinity, neither Molly nor Ralph can find an acceptable adult role to aspire to. As events move to their swift and inevitable conclusion, Stafford uncovers and indicts the social forces that require boys to sacrifice the feminine in order to become men and doom intelligent girls who aren't pretty.

    This volume is produced from digital images created through the University of Michigan University Library's preservation reformatting program.

    The AwakeiningBeyond the BayouMa'ame PelagieDesiree's BabyA Respectable WomanThe KissA Pair of Silk StockingsThe LocketA Reflection

    Asher Lev is an artist who is compulsively driven to render the world he sees and feels even when it leads him to blasphemy. In this stirring and often visionary novel, Chaim Potok traces Asher’s passage between these two identities, the one consecrated to God, the other subject only to the imagination.Asher Lev grows up in a cloistered Hasidic community in postwar Brooklyn, a world suffused by ritual and revolving around a charismatic Rebbe. But in time his gift threatens to estrange him from that world and the parents he adores. As it follows his struggle, My Name Is Asher Lev becomes a luminous portrait of the artist, by turns heartbreaking and exultant, a modern classic.

    AS they pass sweet yet hazardous hours in a china tree, The Grass Harp manages to convey all the pleasures and responsibilities of freedom. But most of all it teaches us about the sacredness of love, "that love is a chain of love, as nature is a chain of life."This volume also includes Capote's A Tree of Night and Other Stories, which the Washington Post called "unobstrusively beautiful...a superlative book."

    Now, in an extraordinary flight of the imagination a half-century in the making, he takes us to a most wondrous destination: into the heart of an Eternal Family.They have lived for centuries in a house of legend and mystery in upper Illinois -- and they are not like other midwesterners. Rarely encountered in daylight hours, their children are curious and wild; their old ones have survived since before the Sphinx first sank its paws deep in Egyptian sands. And some sleep in beds with lids.Now the house is being readied in anticipation of the gala homecoming that will gather together the farflung branches of this odd and remarkable family. In the past-midnight stillness can be detected the soft fluttering of Uncle Einars wings. From her realm of sleep, Cecy, the fairest and most special daughter, can feel the approach of many a welcome being -- shapeshifter, telepath, somnambulist, vampire -- as she flies high in the consciousness of bird and bat.But in the midst of eager anticipation, a sense of doom pervades. For the world is changing. And death, no stranger, will always shadow this most singular family: Father, arisen from the Earth; Mother, who never sleeps but dreams; A Thousand Times Great Grandmére; Grandfather, who keeps the wildness of youth between his ears.And the boy who, more than anyone, carries the burden of time on his shoulders: Timothy, the sad and different foundling son who must share it all, remember, and tell...and who, alone out of all of them, must one day age and wither and die.By turns lyrical, wistful, poignant, and chilling, From the Dust Returned is the long-awaited new novel by the peerless Ray Bradbury -- a book that will surely be numbered among his most enduring masterworks.

    Alison Poole, twenty going on 40,000, is a budding actress already fatally well versed in hopping the clubs, shopping Chanel falling in and out of lust, and abusing other people's credit cards. As Alison races toward emotional breakdown, McInerney gives us a hilarious yet oddly touching portrait of a postmodern Holly Golightly coming to terms with a world in which everything is permitted and nothing really matters.

    Opening up the blank casing, a very unapologetic page one sports nothing but black text that starts at the top of the page and small numbering printed on every bottom corner. There are no chapters and there is no chronology or even a plot. Words are broken up in lines or paragraphs and it continues as such for two hundred pages exactly without a break; not dumbed down, allowing the chance to experience truly innovative media.The author himself accomplishes what thousands of writers spend lifetimes trying to depict honestly, some at the expense of their own sanity. He shows the nihilistic and existentialist thoughts suffered by America’s most broken malcontents. This gritty reality may alienate some readers, but for many it tugs at heartstrings and makes us wonder why we pushed our own parallel feelings to the backburner for the sake of fitting into society. It makes us question if we are fooling anyone with those efforts. It makes us really think why, and this book smartly doesn’t assume us incapable of making our own life assessment by offering morals or lessons meant to give us hope. The writing itself is completely bleak (a warning to the vulnerable), and the author basically tells us to find our own reason for living. Unlike most other literature, by the last sentence you are still wondering if he has ever found his.

    Remarkable for its courage, its color, and its natural control. --The New Yorker An unforgettable novel written with pride and anger, with rebellion and tears. --New York Herald Tribune Set in Brooklyn during the Great Depression and World War II, Brown Girl, Brownstones chronicles the efforts of Barbadian immigrants to surmount poverty and racism and to make their new country home. Selina Boyce is torn between the opposing aspirations of her parents: her hardworking, ambitious mother longs to buy a brownstone row house while her easygoing father prefers to dream of effortless success and his native island's lushness. Featuring a new foreword by Edwidge Danticat, this coming-of-age tale grapples with identity, sexuality, and changing values in a new country, as a young woman must reconcile tradition with potential and change.

    That time is the period between the two World Wars, and Barnes' novel unfolds in the decadent shadows of Europe's great cities, Paris, Berlin, and Vienna—a world in which the boundaries of class, religion, and sexuality are bold but surprisingly porous. The outsized characters who inhabit this world are some of the most memorable in all of fiction—there is Guido Volkbein, the Wandering Jew and son of a self-proclaimed baron; Robin Vote, the American expatriate who marries him and then engages in a series of affairs, first with Nora Flood and then with Jenny Petherbridge, driving all of her lovers to distraction with her passion for wandering alone in the night; and there is Dr. Matthew-Mighty-Grain-of-Salt-Dante-O'Connor, a transvestite and ostensible gynecologist, whose digressive speeches brim with fury, keen insights, and surprising allusions. Barnes' depiction of these characters and their relationships (Nora says, "A man is another person—a woman is yourself, caught as you turn in panic; on her mouth you kiss your own") has made the novel a landmark of feminist and lesbian literature. Most striking of all is Barnes' unparalleled stylistic innovation, which led T. S. Eliot to proclaim the book "so good a novel that only sensibilities trained on poetry can wholly appreciate it." Now with a new preface by Jeanette Winterson, Nightwood still crackles with the same electric charge it had on its first publication in 1936.

    The young would clash on the bloody battlefields of Bull Run and Fredericksburg, while in intrigue-ridden Washington and Richmond strong-willed men and beautiful women would defend their principles with their lives...or satisfy illicit cravings with schemes that could destroy friends and enemies alike. This surging drama is the second part of the trilogy that includes NORTH AND SOUTH and HEAVEN AND HELL. "Craftsmanship nears artistry....A coherent and penetrating vision of the seamy underside of war." (Richmond Times-Dispatch)

    But even more gripping than living through the drama of Revolutionary Boston is the important discovery Johnny makes in his own life.

    From the publication of his first collections, A Boy’s Will (1913) and North of Boston (1914), Frost was recognized as a poet of unique power and formal skill, and the enduring significance of his work has been acknowledged by each subsequent generation. His poetry ranges from deceptively simply pastoral lyrics and genial, vernacular genre pieces to darker meditations, complex and ironic.Here, based on extensive research into his manuscripts and published work, is the first authoritative and truly comprehensive collection of his writings. Brought together for the first time in a Library of America single volume is all the major poetry, a generous selection of uncollected poems, all of Frost’s dramatic writing, and the most extensive gathering of his prose writings ever published, several of which are printed here for the first time.The core of this collection is the 1949 Complete Poems of Robert Frost, the last collection supervised by Frost himself. This version of the poems is free of unauthorized editorial changes introduced into subsequent editions. Also included is In the Clearing (1962), Frost’s final volume of poetry. Verse drawn from letters, articles, pamphlets, and journals makes up the largest selection of uncollected poems ever assembled, including nearly two dozen beautiful early works printed for the first time. Also gathered here are all the dramatic works: three plays and two verse masques.The unprecedented prose section includes more than three times as many items as any other collection available. It is rich and diverse, presenting many newly discovered or rediscovered pieces. Especially unusual items include Frost’s contribution to John F. Kennedy’s inauguration and two fascinating 1959 essays on “The Future of Man.” Several manuscript items are published here for the first time, including the essays “‘Caveat Poeta’” and “The Way There,” Frost’s remarks on being appointed poetry consultant to the Library of Congress in 1958, the preface to a proposed new edition of North of Boston, and many others. A selection of letters represents all of Frost’s important comments about prosody, poetics, style, and his theory of “sentence sounds.”