Here is its story from the inside--a story filled with drama, humor, danger, compassion, and, of course, glorious music.A player who studies and performs the exalted string-quartet repertoire has opted for a very special life. Arnold Steinhardt, tracing his own development as a student, orchestra player, and budding young soloist, gives a touching account of how he and his intrepid colleagues were converted to chamber music despite the daunting odds against success. And he reveals, as no one has before, the intensely difficult process by which--on the battlefield of daily three-hour rehearsals--four individualists master and then overcome the confining demands of ensemble playing.

    Molly gives us his unforgettable encounters with The Beatles, Elton John, David Bowie, The Rolling Stones, Madonna, John Farnham, Bruce Springsteen, the Bee Gees, Rod Stewart, Russell Crowe, Oasis, Beyonce and Prince. As well as the tales that surround his other loves: the Australian cricket team, the St Kilda footy club and the Melbourne Storm."I have a lot of love for the great Ian 'Molly' Meldrum" - Shane WarneNo one has lived a life like Ian 'Molly' Meldrum. And no one can tell a story like Molly.

    Yo La Tengo has lit up the indie scene for three decades, part of an underground revolution that defied corporate music conglomerates, eschewed pop radio, and found a third way. Going behind the scenes of one of the most remarkable eras in American music history, Big Day Coming traces the patient rise of husband-and-wife team Ira Kaplan and Georgia Hubley, who--over three decades--helped forge a spandex-and-hairspray-free path to the global stage, selling millions of records along the way and influencing countless bands.Using the continuously vital Yo La Tengo as a springboard, Big Day Coming uncovers the history of the legendary clubs, bands, zines, labels, record stores, college radio stations, fans, and pivotal figures that built the infrastructure of the now-prevalent indie rock world. Journalist and freeform radio DJ Jesse Jarnow draws on all-access interviews and archives for mesmerizing trip through contemporary music history told through one of its most creative and singular acts.

    When Mia ends up on Kolton’s team for the debut of the new nationwide singing competition, The Stage, she’s not sure if it’s her or her voice that he’s hellbent to control. After he takes special interest in her welfare, they’ve been warned, any contact between them outside of filming is strictly forbidden. He has other ideas. She’s a phoenix rising from the ashes, the only one who understands the pain that lies beneath the persona. Though he’s not sure if he’s too bad for her, he can’t stay away. All sinners have a past. All saints have a future. But, does being born in fire make the fissures weak in all the wrong places, or stronger than they’ve ever known?

    Here, Bruce Eaton examines the key ingredients of Radio City's lasting appeal- and through extensive interviews with all of those involved, gets to the heart of the cult of Big Star.

    . . I dunno, cooler, I guess.” A quadriplegic who could play only simple chords on his guitar, Chesnutt recorded seventeen critically acclaimed albums before his death in 2009, including About to Choke, North Star Deserter, and At the Cut. In 2006, NPR placed him in the top five of the ten best living songwriters, along with Bob Dylan, Tom Waits, Paul McCartney, and Bruce Springsteen. Chesnutt’s songs have also been covered by many prominent artists, including Madonna, the Smashing Pumpkins, R.E.M., Sparklehorse, Fugazi, and Neutral Milk Hotel.Kristin Hersh toured with Chesnutt for nearly a decade and they became close friends, bonding over a love of songwriting and mutual struggles with mental health. In Don’t Suck, Don’t Die, she describes many seemingly small moments they shared, their free-ranging conversations, and his tragic death. More memoir than biography, Hersh’s book plumbs the sources of Chesnutt’s pain and creativity more deeply than any conventional account of his life and recordings ever could. Chesnutt was difficult to understand and frequently difficult to be with, but, as Hersh reveals him, he was also wickedly funny and painfully perceptive. This intimate memoir is essential reading for anyone interested in the music or the artist.

    It's a far cry from the heady days when he led his band, The Shooting Tsars, to the top of the charts and sell-out tours and festivals around the world.An unwelcome phone call from his deceitful ex-manager, Chas Dupont, sets in motion a chain of events that seems unstoppable.Can Will get his fractured band back together and rediscover his mojo? Are Chas Dupont's motives purely altruistic? Who are the musical mafia? And are the legendary rumours about the lost "Bloom Tape" true?

    Biracial, she is confronted with a resentful half-sister and a racist stepmother. She wants to be accepted by her new family, but how much of her true self must she give up? Ayumi’s only solace is her music. When she is deprived of her violin, she shocks even herself by doing the unthinkable.

    What should we do with the time? Ari Goldman has a solution. The Late Starters Orchestra is warm, soulful, sometimes rueful, sometimes passionate​—just like his beloved cello. I found myself laughing out loud in places​—and unexpectedly moved at the end.” —Jonathan Weiner, Pulitzer Prize winning author of The Beak of the Finch In a cluttered room in an abandoned coat factory in lower Manhattan, a group of musicians comes together each week to make music. Some are old, some are young, all have come late to music or come back to it after a long absence. This is the Late Starters Orchestra--the bona fide amateur string orchestra where Ari Goldman pursues his lifelong dream of playing the cello. Goldman hadn’t seriously picked up his cello in twenty-five years, but the Late Starters (its motto, If you think you can play, you can) seemed just the right orchestra for this music lover whose busy life had always gotten in the way of its pursuit. In The Late Starters Orchestra, Goldman takes us along to LSO rehearsals and lets us sit in on his son’s Suzuki lessons, where we find out that children do indeed learn differently from adults. He explores history’s greatest cellists and also attempts to understand what motivates his fellow late starters, amateurs all, whose quest is for joy, not greatness. And when Goldman commits to playing at his upcoming birthday party we wonder with him whether he’ll be good enough to perform in public. To the rescue comes the ghost of Goldman’s first cello teacher, the wise and eccentric Mr. J, who continues to inspire and guide him--about music and more--through this well-tuned journey. With enchanting illustrations by Eric Hanson, The Late Starters Orchestra is about teachers and students, fathers and sons, courage and creativity, individual perseverance and the power of community. And Ari Goldman has a message for anyone who has ever had a dream deferred: it’s never too late to find happiness on one’s own terms.

    Now she’s single, in her late twenties and wondering what happened to that teenage dream.A chance encounter on Facebook soon leads to a transatlantic hook up, and soon, Jesse and Cassie are having a long-distance love affair spanning five thousand miles. Cassie is on cloud nine – until she hears something that makes her think that Jesse might not be all that he seems. They say never meet your heroes – but what happens when you fall in love with them…?Are Cassie and Jesse star crossed lovers, destined to be together? Or should Cassie have left her crush in the box marked 'teenage memories'?Previously published as Getting Over Jesse Franklin, this brand new edition has had extensive editorial changes.

    The photo is a perfect tribute to the fun, irreverent brand of pop music that the Go-Go’s created, but it also conceals the trials and secret demons that the group—and, in particular, Belinda Carlisle—struggled with. Leaving her unstable childhood home at the age of eighteen, Belinda battled serious weight issues and grappled with her confusion about being deserted by her biological father. This talented but misguided teen found solace in the punk rock world that so openly welcomed misfits—even though acceptance had its price.Not long after forming, the Go-Go’s became queens of the L.A. punk scene. With a chart-topping debut album, Belinda found herself launched to international superstardom—and with that fame came more access to A-list parties, and even more alcohol and drugs to fuel Go-Go’s mania. Inevitably, Belinda began to self-destruct. This spellbinding and shocking look at her rise, fall, and eventual rebirth as a wife, mother, and sober artist will leave you wistfully fantasizing about the eighties decadence she epitomized, but also cringing at the dark despair hidden behind her charming smile. Lips Unsealed is ultimately a love letter to music and the story of a life that, though deeply flawed, was, and is still, fully lived.

    Heralded as "The best new musical of the season," by the Wall Street Journal, and "Sumptuous. Gorgeous. As good as it gets," by The New York Times, this show is the breakout hit of 2019, and is positioned to be a longtime Broadway favorite with its poignant social commentary, to the tune of spellbinding music and lyrics.   In this book, Anais Mitchell takes readers inside her more than decade's-long process of building the musical from the ground up--detailing her inspiration, breaking down the lyrics, and offering thoughtful annotations of Hadestown. Fans of the musical will love this deeply thoughtful, revealing, and open look at how the songs from “the underground” evolved and became what they are today.

    Focusing primarily on six shows, Passion, Assassins, Into the Woods, Sunday in the Park with George, Sweeney Todd, and Pacific Overtures, Sondheim talks about his approaches to musicalizing characters and dramatic moments; how motifs and thematic material are created and used; how musical components like harmony, melody, and rhythm reflect character; the structuring of a score; the use of pastiche; and the practical aspects of collaboration. In addition, the book includes Sondheim's list of "Songs I wish I'd Written," his reasons behind some of those choices, and the messages he received from composers and lyricists whose songs were included on the list. An exhaustive Songlisting and a Discography follow, cataloging commercial recordings of Sondheim songs, vocal ranges, and publishing information for his songs and scores.

    Muggles of all ages will want to play these memorable themes including: Hedwig's Theme * Harry's Wondrous World * Diagon Alley * Hogwarts Forever! * Quidditch * Voldemort * Nimbus 2000 * Family Portrait. This great piano collection may be used just for fun or as supplementary study along with Level Three or Level Four piano methods.

    She talks of her life, career, family and loves and impending motherhood with surprising intimacy and, being true to her outspoken reputation, complete honesty.