Thousands of young people documented on cell phones every stage of their revolution, as it happened. This book brings together a selection of key tweets in a compelling, fast-paced narrative, allowing the story of the uprising to be told directly by the people in Cairo’s Tahrir Square.Many of the activists were “citizen journalists”, using Twitter to report what was happening. Others used the social network to organize, communicating the next steps necessary for the revolution to move forward. Nearly everyone online gave instant reactions to the extraordinary events occurring before their eyes. History has never before been written in this fashion. The tweet limit of 140 characters evidently concentrated the feelings of those using Twitter. Raw emotion bursts from their messages, whether frantic alarm at attacks from pro-government thugs or delirious happiness at the fall of the dictator. To read these tweets is to embark a rollercoaster ride, from the surprise and excitement of the first demonstration, to the horror of the violence that claimed hundreds of lives, to the final ecstasy of victory.Many of those tweeting also took photographs with their phones and these illustrate the book, providing remarkable snapshots from the heart of the action.Edited by young activists Alex Nunns and Nadia Idle, an Egyptian who was in Tahrir Square when Mubarak fell, Tweets from Tahrir is a highly original take on one of the most important and dramatic events in recent world politics. The result is as gripping as any thriller – but it’s all real.

    That Syria's ongoing civil war is so brutal and protracted has only compounded thesituation, as have developments in Iraq and Lebanon. Ranging across the battlefields and international borders have been dozens of jihadi Islamist fighting groups, of which some coalesced into significant factions such as Jabhat al Nusra and the Islamic State.This book assesses and explains the emergence since 2011 of Sunni jihadist organizations in Syria's fledgling insurgency, charts their evolution and situates them within the global Islamist project. Unprecedented numbers of foreign fighters have joined such groups, who will almost certainly continueto host them. Thus, external factors in their emergence are scrutinized, including the strategic and tactical lessons learned from other jihadist conflict zones and the complex interplay between Al-Qaeda and the Islamic State and how it has influenced the jihadist sphere in Syria. Tensions betweenand conflict within such groups also feature in this indispensable volume.

    Today, much of Syria has become a warzone and many worry that the country is on the brink of collapse.  Burning Country explores the complicated reality of life in present-day Syria with unprecedented detail and sophistication, drawing on new first-hand testimonies from opposition fighters, exiles lost in an archipelago of refugee camps, and courageous human rights activists. Yassin-Kassab and Al-Shami expertly interweave these stories with an incisive analysis of the militarization of the uprising, the rise of the Islamists and sectarian warfare, and the role of Syria’s government in exacerbating the brutalization of the conflict. Through these accounts and a broad range of secondary source material, the authors persuasively argue that the international community has failed in its stated commitments to support the Syrian opposition movements.   Covering ISIS and Islamism, regional geopolitics, new grassroots revolutionary organizations, and the worst refugee crisis since World War Two, Burning Country is a vivid and groundbreaking look at a modern-day political and humanitarian nightmare.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled Why Do They Hate Us it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend. A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

    Jefferson, the optimist with enough faith in the innate goodness of his fellow man to be democracy's champion, was an aristocratic Southern slaveowner, while Adams, the overachiever from New England's rising middling classes, painfully aware he was no aristocrat, was a skeptic about popular rule and a defender of a more elitist view of government. They worked closely in the crucible of revolution, crafting the Declaration of Independence and leading, with Franklin, the diplomatic effort that brought France into the fight. But ultimately, their profound differences would lead to a fundamental crisis, in their friendship and in the nation writ large, as they became the figureheads of two entirely new forces, the first American political parties. It was a bitter breach, lasting through the presidential administrations of both men, and beyond. But late in life, something remarkable happened: these two men were nudged into reconciliation. What started as a grudging trickle of correspondence became a great flood, and a friendship was rekindled, over the course of hundreds of letters. In their final years they were the last surviving founding fathers and cherished their role in this mighty young republic as it approached the half century mark in 1826. At last, on the afternoon of July 4th, 50 years to the day after the signing of the Declaration, Adams let out a sigh and said, "At least Jefferson still lives." He died soon thereafter. In fact, a few hours earlier on that same day, far to the south in his home in Monticello, Jefferson died as well. Arguably no relationship in this country's history carries as much freight as that of John Adams of Massachusetts and Thomas Jefferson of Virginia. Gordon Wood has more than done justice to these entwined lives and their meaning; he has written a magnificent new addition to America's collective story.

    Their father, a self–made man, had worked his way up from nothing to become a colonel in the Shah's army, and their mother, a woman of equally modest roots, had made a career for herself as a respected schoolteacher. But in February, 1979, Colonel Latifi was arrested by members of the newly installed Khomeini regime, and publicly pilloried as an "Enemy of God." Some months later, after having been shunted from one prison cell to another, and without benefit of a legitimate trial, Colonel Latifi was summarily executed.Fearing for the safety of her children, Mrs. Latifi made a wrenching decision: to send her daughters, ages ten and eleven, to the west, splitting up the family until they could safely reunite. Out on their own, Afschineh and her sister, Afsaneh, were forced to become strong young women before they'd even had a childhood.Even After All This Time is a story of hope and heartache, a story of a family torn apart for six harrowing years, and finally coming together to rebuild in America. In the richly evocative tradition of the bestselling Reading Lolita in Tehran, this is a story of a family that had the courage to dream impossible dreams and to make them come true against impossible odds.

    He reveals previously undisclosed information from the terror wars, including never-before-reported details about warrantless wiretapping, the anthrax attacks, and investigations and conflicts among Washington, D.C., and London.With his signature fast-paced narrative style, Eichenwald--whose book, "The Informant," ""was called "one of the best nonfiction books of the decade" by "The""New York Times Book Review--"exposes a world of secrets and lies that has remained hidden until now.

    Through her travels, she gained a unique insight into the culinary secrets of the Persian kitchen, and the lives of ordinary Iranians today.In The Saffron Tales, Yasmin weaves together a tapestry of stories from Iranian home kitchens with exclusive photography and fragrant, modern recipes that are rooted in the rich tradition of Persian cooking. All fully accessible for the home cook, Yasmin's recipes range from the inimitable fesenjoon (chicken with walnuts and pomegranates) to kofte berenji (lamb meatballs stuffed with prunes and barberries) and ghalyieh maygoo (prawn, coriander, and tamarind stew). She also offers a wealth of vegetarian dishes, including tahcheen (baked saffron and aubergine rice) and domaj (mixed herb, flatbread, and feta salad), as well as sumptuous desserts such as rose and almond cake, and sour cherry and dark chocolate cookies.With stunning photography from all corners of Iran and gorgeous recipe images, this lavish cookbook rejoices in the land, life, flavors, and food of an enigmatic and beautiful country.

    Abbas Amanat covers the dynasties, revolutions, civil wars, foreign occupation, and new Islamic regime of this complex period in history. Amanat combines chronological and thematic approaches, exploring events with lasting implications for modern Iran and the world. Drawing on the latest historical scholarship and emphasizing the twentieth century in its coverage, the book addresses debates about Iran’s culture and politics. Political history is the driving focus of this narrative based on decades of research and study, which is layered with discussions of literature, music, and the arts; ideology and religion; economy and society; and cultural identity and heritage.

    David Hebditch and Ken Connor examine, with a critical eye, successful as well as failed coup attempts throughout the twentieth century with the aim of showing their readers just what it takes to swiftly and soundly overthrow a government. Exploring coups from Nigeria, to Cuba, to Iraq, and with true stories of SAS combat written by Ken Connor, the book gives an insightful glimpse into this violent and rarely-seen world of shifting power.How to Stage a Military Coup is a unique textbook for the armchair revolutionary, as well as a practical guide for the idealist with a soft spot for the sound of artillery fire. From evaluation of the political climate and investigation of potential allies, to recruiting and training personnel, to strategies for ensuring timely transfer of power, the book leaves no aspect of the coup d'etat unexamined. The book also includes appendixes, notes, and a world map of coups d'etat.

    Otpor’s methods . . . have been adopted by democracy movements around the world. The Egyptian opposition used them to topple Hosni Mubarak. In Lebanon, the Serbs helped the Cedar Revolution extricate the country from Syrian control. In Maldives, their methods were the key to overthrowing a dictator who had held power for thirty years. In many other countries, people have used what Canvas teaches to accomplish other political goals, such as fighting corruption or protecting the environment.”—The New York Times“A clear, well-constructed, and easily applicable set of principles for any David facing any Goliath (sans slingshot, of course) . . . By the end of Blueprint, the idea that a punch is no match for a punch line feels like anything but a joke.”—The Boston Globe“An entertaining primer on the theory and practice of peaceful protest.”—The Guardian “With this wonderful book, Srdja Popovic is inspiring ordinary people facing injustice and oppression to use this tool kit to challenge their oppressors and create something much better. When I was growing up, we dreamed that young people could bring down those who misused their power and create a more just and democratic society. For Srdja Popovic, living in Belgrade in 1998, this same dream was potentially a much more dangerous idea. But with an extraordinarily courageous group of students that formed Otpor!, Srdja used imagination, invention, cunning, and lots of humor to create a movement that not only succeeded in toppling the brutal dictator Slobodan Milošević but has become a blueprint for nonviolent revolution around the world. Srdja rules!”—Peter Gabriel   “Blueprint for Revolution is not only a spirited guide to changing the world but a breakthrough in the annals of advice for those who seek justice and democracy. It asks (and not heavy-handedly): As long as you want to change the world, why not do it joyfully? It’s not just funny. It’s seriously funny. No joke.”—Todd Gitlin, author of The Sixties and Occupy Nation

    Replete with potent symbolism and terrifying surrealistic imagery, Sadegh Hedayat's masterpice details a young man's despair after losing a mysterious lover. And as the author gradually drifts into frenzy and madness, the reader becomes caught in the sandstorm of Hedayat's bleak vision of the human condition. The Blind Owl, which has been translated into many foreign languages, has often been compared to the writing of Edgar Allan Poe.

    Increasingly, though, the disconnect between the chaos of world events and the response at home took on pressing urgency for her. Seeking to understand the Muslim world that had been reduced to scaremongering headlines, she moved to Istanbul.Hansen arrived in Istanbul with romantic ideas about a mythical city perched between East and West, and with a naïve sense of the Islamic world beyond. Over the course of her many years of living in Turkey and traveling in Greece, Egypt, Afghanistan, and Iran, she learned a great deal about these countries and their cultures and histories and politics. But the greatest, most unsettling surprise would be what she learned about her own country—and herself, an American abroad in the era of American decline. It would take leaving her home to discover what she came to think of as the two Americas: the country and its people, and the experience of American power around the world. She came to understand that anti-Americanism is not a violent pathology. It is, Hansen writes, “a broken heart . . . A one-hundred-year-old relationship.”Blending memoir, journalism, and history, and deeply attuned to the voices of those she met on her travels, Notes on a Foreign Country is a moving reflection on America’s place in the world. It is a powerful journey of self-discovery and revelation—a profound reckoning with what it means to be American in a moment of grave national and global turmoil.

    This is a vividly-written, compelling narrative placing events in Ireland in the wider context of a world in turmoil after the ending of a global war: one that saw the collapse of empires and the rise of fascist Italy and communist Russia. Walsh shows how developments in Europe and America had a profound effect on Ireland, influencing the attitudes and expectations of combatants and civilians. Walsh also brings to life what Irish people who were not fully involved in the fighting were doing - the plays they went to, the exciting films they watched in the new cinemas, the books they read and the work they did. The freedom from Britain that most of them wanted was, when it came, a bitter disappointment to a generation aware of the promise of modernity.