Brazenly satirical yet deeply human, Little Miss Sunshine introduces audiences to one of the most endearingly fractured families in recent cinema history. Meet the Hoovers, a motley six-member family who treks from Albuquerque to Redondo Beach, California, to fulfill the deepest wish of seven-year-old Olive, an ordinary little girl with big dreams.Starring Greg Kinnear, Toni Collette, Steve Carell, Abigail Breslin, Paul Dano, and Alan Arkin, the film strikes a nerve with everyone who's ever been awestruck by how their muddled families seem to make it after all. On the way the family must deal with crushed dreams, heartbreak, and a broken-down VW bus, leading up to the surreal Little Miss Sunshine competition itself. On their travels through this bizarrely funny landscape, the Hoovers learn to trust and support each other along the path of life, no matter what the challenge.

    May is hiding out at an old motel in the Mojave Desert. Eddie, an old flame and childhood friend, finds her there and threatens to drag her back into the life from which she had fled. Reality and dream; truth and lies; past and present mingle in an explosive, emotional experience.

    Dowd starts to introduce his imaginary friend Harvey, a six and a half foot rabbit, to guests at a dinner party, his sister, Veta, has seen as much of his eccentric behavior as she can tolerate. She decides to have him committed to a sanitarium to spare her daughter, Myrtle Mae, and their family, from future embarrassment. Problems arise, however, when Veta herself is mistakenly assumed to be on the fringe of lunacy when she explains to doctors that years of living with Elwood's hallucination have caused her to see Harvey also! The doctors commit Veta instead of Elwood, but when the truth comes out, the search is on for Elwood and his invisible companion. When he shows up at the sanitarium looking for his lost friend Harvey it seems that the mild-mannered Elwood's delusion has had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn't so bad after all.

    Wrapped in a spiritual atmosphere that expresses the yearnings of Kerouac to find himself, "Tristessa", translated by Jorge García- Robles, a specialist in the beat generation, is the story of the strange loving relationship that the author had with Esperanza, as well as the significant description of the atmosphere that surrounded it, which depicts some key places of Mexico City back then.Hero of the beat generation, the creator of a model of life that would be followed by thousands of young people in the entire world, a sui generis mystic, "Tristessa", which until recently was not known in Spanish and that was published in English, is one of his fresher and better achieved works. Tristessa es el nombre con el que Kerouac bautizó a Esperanza Villanueva, una joven mexicana católica, prostituta y adicta a ciertas drogas, de quien se enamoró durante una de sus estancias en México, país que visitaba con frecuencia, a mediados de los años cincuenta. Tristessa, en la traducción de Jorge García- Robles, especialista en la generación beat, es el relato de la extraña relación amorosa que tuvo con Esperanza, así como la significativa descripción del ambiente que la rodeaba, en la que aparecen retratos de algunos lugares clave de la Ciudad de México: Plaza Garibaldi, Niño Perdido, la colonia Roma. Escritor «al rojo vivo», como lo calificó Henry Miller, héroe de la generación beat, creador de un modelo de vida que seguirían miles de jóvenes en todo el mundo, místico sui géneris, Tristessa, que hasta hace poco no se conocía en español y que se publicó en inglés apenas hace diez años, es una de sus obras más frescas y mejor logradas.

    It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    Both are struggling to escape from lingering parental domination and to establish their own lives and identities. In Janie's case this leads to an inconclusive involvement with a young Jewish doctor who calls her "Monkey"; while Harriet assails the world of big business and has an affair with her hard-driving (and married) boss. Told in a fast-moving series of inventive, alternately hilarious and touchingly revealing scenes, the play explores their parallel stories with uncommon wit and wisdom-resulting, ultimately, in a heightened awareness which, while not providing all the answers, goes a long way toward achieving the maturity and self-assuredness that both protagonists so desperately desire.

    The play had its world premiere at the Cherry Lane Theatre in New York in spring 2013, starring Jesse Eisenberg and Vanessa Redgrave and directed by Kip Fagan.In The Revisionist, young writer David arrives in Poland with a crippling case of writer’s block and a desire to be left alone. His seventy-five-year-old second cousin Maria welcomes him with a fervent need to connect with her distant American family. As their relationship develops, she reveals details about her postwar past that test their ideas of what it means to be a family.

    A horribly deformed young man, who has been a freak attraction in traveling side shows, is found abandoned and helpless and is admitted for observation to Whitechapel, a prestigious London hospital. Under the care of a famous young doctor, who educates him and introduces him to London society, Merrick changes from a sensational object of pity to the urbane and witty favorite of the aristocracy and literati. But his belief that he can become a man like any other is a dream never to be realized.

    Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating" (Vincent Canby, The New York Times).

    Marigold provides an Introduction in which he reflects on his graduation from low-budget independent cinema to a big-budget studio picture, while nevertheless continuing to explore unsettling, often unglamorous human stories with his particular blend of human empathy and an unblinking eye for the details of existence.

    He completed The Iceman Cometh in 1939, but he delayed production until after the war, when it enjoyed a modest run in 1946 after receiving mixed reviews. Three years after O'Neill's death, Jason Robards starred in a Broadway revival that brought new critical attention to O'Neill’s dark play. In the half century since, The Iceman Cometh has gained in stature. Kevin Spacey and James Earl Jones have played Hickey. The Iceman Cometh focuses on a group of alcoholics who endlessly discuss but never act on their dreams, and Hickey, the traveling salesman determined to strip them of their pipe dreams.

    As Kubrick comments in his introduction: “I have always wondered if there might be a more meaningful way to present a book about a film. To make, as it were, a complete graphic representation of the film, cut by cut, with the dialogue printed in the proper place in relation to the cuts, so that within the limits of still photos and words, an accurate (and I hope interesting) record of a film might be available… This book represents that attempt.”Screenplay by Stanley Kubrick, based on the novel by Anthony Burgess.

    In late nineteenth-century England, two stage illusionists are drawn into a match of wits, each desiring to annihilate the reputation of the other. Upper-class Robert Angier (Hugh Jackman) enjoys worldwide fame, while cockney Alfred Borden (Christian Bale) is his most ardent rival. Their antagonism is also a mutual fascination, but the competition between them leads to evermore dangerous acts of conjuring. When Angier raises the stakes by consulting scientist Nikola Tesla (David Bowie), the potential for a deadly reckoning draws near. This volume contains an Introduction by Jonathan Nolan and Christopher Nolan.

    Clerks was the independent film success story of 1994, winning the Prix de la Jeunesse and the International Critics Week Award at Cannes, and the Filmmakers' Trophy at Sundance. Set in the everyday world of a New Jersey QuickStop and its adjacent video store, the film revolves around the obsessions, love lives, and friendships of the clerks. Janet Maslin of the New York Time called it "a buoyant comedy...and exuberant display of ingenuity," and Kenneth Turan of the Los Angeles Times raves, "Clerks is boisterous and irreverently funny...an example of what is best and most hopeful about the American independent film scene."

    Fleabag: The Scriptures includes new writing from Phoebe Waller-Bridge alongside the filming scripts and the never-before-seen stage directions from the award-winning series.