Used most commonly as condemnation or censure, it aims to break the spirit of women yearning for personal power. The female protagonists in these eleven stories recklessly pursue their sensual paths through a complex social world that seeks to shut them out. With wily irreverence and a willful rawness, Kamani pulls back the veil of convention, inch by inch, and draws the reader into the disquieting truth of women's lives, charting territory both intimate and bizarre."In these 11 short stories, characters span the gamut of women, the irony being that in India's sexually repressive traditional society, this pejorative term [junglee girl] could be applied to any self-aware woman. But Kamani, a gifted, savvy writer, combines such precarious, complex elements as class, caste, gender and eroticism into readable, imaginative and often hilarious tales."—Publishers Weekly

    Claire Limyè Lanmè - Claire of the Sea Light - is an enchanting child born into love and tragedy in Ville Rose, Haiti. Claire's mother died in childbirth, and on each of her birthdays Claire is taken by her father, Nozias, to visit her mother's grave. Nozias wonders if he should give away his young daughter to a local shopkeeper, who lost a child of her own, so that Claire can have a better life. But on the night of Claire's seventh birthday, when at last he makes the wrenching decision to do so, she disappears. As Nozias and others look for her, painful secrets, haunting memories, and startling truths are unearthed among the community of men and women whose individual stories connect to Claire, to her parents, and to the town itself. Told with piercing lyricism and the economy of a fable, Claire of the Sea Light is a tightly woven, breathtaking tapestry that explores what it means to be a parent, child, neighbor, lover, and friend, while revealing the mysterious bonds we share with the natural world and with one another. Embracing the magic and heartbreak of ordinary life, it is Edwidge Danticat's most spellbinding, astonishing book yet.

    Recommended by The New York Times.The New Your Times: "... a modern-day take on the classic locked-room murder mystery, transported to a remote mansion high in the hills of southern India." ... "Athreya is a fine detective with a curious mind, a cool eye for the chance detail, a skill in synthesizing disparate threads and a talent for resisting the insults of the requisite police officer assigned to the case."Also named one of the best traditional mysteries of 2020 by Crimereads.For fans of Knives Out, a book that embodies all the things we love about Agatha Christie―a haunted manor house, estranged relatives, a will, and a murder― set in modern-day India, and the first in a new series from author RV Raman.Aging and wheelchair-bound patriarch Bhaskar Fernandez has finally reclaimed his family property after a bitter legal battle, and now wants to reunite his aggrieved relatives. So, he invites them to remote Greybrooke Manor in the misty Nilgiris ―a mansion that has played host to several sudden deaths; a colonial edifice that stands alone in a valley that is said to be haunted by the ghost of an Englishman. But Bhaskar has other, more practical problems to deal with.He knows that his family is waiting for him to die to regain the family fortune, and to safeguard himself against violence during the house party, he writes two conflicting wills. Which one of them comes into force depends on how he dies.Into this tinderbox, he brings Harith Athreya, a seasoned investigator. When a landslide occurs, temporarily isolating them all at the mansion, and resulting in a murder, Athreya finds that murder is not the only thing the mist conceals.A WILL TO KILL is the first Harith Athreya mystery.

    In the tradition of the best travel narratives, he recounts his experiences in such places as Calcutta, Sikkim's Valley of Bliss, Darjeeling, and the Indian wilderness.

    Playing the traditional daughter- in-law role, she’s expected to clean, cook, and—because she doesn’t immediately get pregnant—find a job as well! But the job, at a glossy Hollywood gossip magazine, isn’t at all what Priya’s in-laws had in mind for a traditional Indian wife. She soon finds herself with a secret life that she must hide from her disapproving new family. All the while, she is growing into a marriage with a man whose loyalty is decidedly torn between his parents and his bride. This is hardly surprising, given that he met his wife only a week before their wedding. The question is, can this fragile new love survive the pull between tradition and ambition?

    Determined to conquer old ghosts, Mukundan decides to restore his childhood home and hires One-Screw-Loose Bhasi, an outcast painter, to oversee the renovations. A practitioner of a unique style of healing, Bhasi sets about mending his troubled friend, but the durability of Mukundan's transformation into a better man is soon called into question. With humor, wisdom, and a keen understanding of human frailty, Anita Nair has written a playful and moving account of the redemptive power of friendship.

    When it won the Carlos Palanca Grand Prize for the English Novel in 1999, it proved that fiction can be both popular and literary.F.H. Batacan has a degree in Broadcast Communication and a master's degree in Art Studies, both from the University of the Philippines in Diliman. She has worked as a policy researcher, broadcast journalist, web designer, and musician, and is currently a journalist based in Singapore. She previously won a prize for her short story "Door 59" in the 1997 Palanca awards, and her work has appeared in local magazines, as well as in the online literary magazine Web del Sol.

    As the daughter of starving refugees fleeing violent persecution in Persia, her fateful birth in a roadside tent sparked a miraculous reversal of family fortune, culminating in her father's introduction to the court of Emperor Akbar. She is called Mehrunnisa, the Sun of Women. This is her story.Growing up on the fringes of Emperor Akbar's opulent palace grounds, Mehrunnisa blossoms into a sapphire-eyed child blessed with a precocious intelligence, luminous beauty, and a powerful ambition far surpassing the bounds of her family's station. Mehrunnisa first encounters young Prince Salim on his wedding day. In that instant, even as a royal gala swirls around her in celebration of the future emperor's first marriage, Mehrunnisa foresees the path of her own destiny. One day, she decides with uncompromising surety, she too will become Salim's wife. She is all of eight years old -- and wholly unaware of the great price she and her family will pay for this dream.Skillfully blending the textures of historical reality with the rich and sensuous imaginings of a timeless fairy tale, The Twentieth Wife sweeps readers up in the emotional pageant of Salim and Mehrunnisa's embattled love. First-time novelist Indu Sundaresan charts her heroine's enthralling journey across the years, from an ill-fated first marriage through motherhood and into a dangerous maze of power struggles and political machinations. Through it all, Mehrunnisa and Salim long with fiery intensity for the true, redemptive love they've never known -- and their mutual quest ultimately takes them, and the vast empire that hangs in the balance, to places they never dreamed possible.Shot through with wonder and suspense, The Twentieth Wife is at once a fascinating portrait of one woman's convention-defying life behind the veil and a transporting saga of the astonishing potency of love.

    Between Em, the mother, driven frequently to hospital after her failed suicide attempts, and The Big Hoom, the father, trying to hold things together as best he could, they tried to be a family.

    Together, they imagine an epic battle between balance and chaos, a tale of a haunted house, a simple journey home that turns into a man's greatest nightmare, and even the end of the world.As the stories take shape, Sandy gets curious about Saleem's past and the several unanswered questions that he encounters… Why did Saleem stop writing? Why can he no longer finish stories? What is behind the locked door in his house? And… what is The Lost Story?Written like the premise, the stories in this book have each been done in two halves. One part by one author, and the second by the other, never discussing the story in between.

    Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

    internment of Japanese citizens during World War II, from the author of The Other Typist and Three-Martini Lunch.Louis Thorn and Haruto "Harry" Yamada -- Eagle and Crane -- are the star attractions of Earl Shaw's Flying Circus, a daredevil (and not exactly legal) flying act that traverses Depression-era California. The young men have a complicated relationship, thanks to the Thorn family's belief that the Yamadas -- Japanese immigrants -- stole land that should have stayed in the Thorn family. When Louis and Harry become aerial stuntmen, performing death-defying tricks high above audiences, they're both drawn to Shaw's smart and appealing stepdaughter, Ava Brooks. When the Japanese bomb Pearl Harbor and one of Shaw's planes mysteriously crashes and two charred bodies are discovered in it, authorities conclude that the victims were Harry and his father, Kenichi, who had escaped from a Japanese internment camp they had been sent to by the federal government. To the local sheriff, the situation is open and shut. But to the lone FBI agent assigned to the case, the details don't add up. Thus begins an investigation into what really happened to cause the plane crash, who was in the plane when it fell from the sky, and why no one involved seems willing to tell the truth. By turns an absorbing mystery and a fascinating exploration of race, family and loyalty, Eagle and Crane is that rare novel that tells a gripping story as it explores a terrible era of American history.

    Paloma has to admit, it feels good helping someone find their way in America—that is until Arun discovers Paloma's darkest secret, one that could jeopardize her own fragile place in this country.Before Paloma can pay Arun off, she finds him face down in a pool of blood. She flees the apartment but by the time the police arrive, there's no body—and no evidence that Arun ever even existed in the first place. Paloma is terrified this is all somehow tangled up in the desperate actions she took to escape Sri Lanka so many years ago. Did Paloma’s secret die with Arun or is she now in greater danger than ever before?

    Now, for the first time in North America, we step back to her extraordinarily assured debut about a widowed Muslim mother living in Aberdeen who falls in love with a Scottish secular academic. Sammar is a Sudanese widow working as an Arabic translator at a Scottish university. Since the sudden death of her husband, her young son has gone to live with family in Khartoum, leaving Sammar alone in cold, gray Aberdeen, grieving and isolated. But when she begins to translate for Rae, a Scottish Islamic scholar, the two develop a deep friendship that awakens in Sammar all the longing for life she has repressed. As Rae and Sammar fall in love, she knows they will have to address his lack of faith in all that Sammar holds sacred. An exquisitely crafted meditation on love, both human and divine, The Translator is ultimately the story of one woman’s courage to stay true to her beliefs, herself, and her newfound love.

    They delight in small rebellions against the Saudi cultural police—secret Western clothing, forbidden music, flirtations. But Leena wants college, independence—she wants a different life. Though her story is specific to her world (a world where it's illegal for women to drive, where a ten-year-old boy is the natural choice as guardian of a fatherless woman), ultimately it's a story about friendship, family, and freedom that transcends cultural differences.Author's Note: When I wrote this book, I was reflecting on the Saudi Arabia that I had lived in and left several years ago. It is also a work of fiction, and so much of it rests on my imperfect memory, anecdotes of others and research. Some plot events, such as the ones described at KAUST, are inventions and not historically accurate. I am really glad to say that Saudi Arabia is not what it was ten or even five years ago, and this book does not accurately reflect the experiences of women there today.