After all, what’s he going to be able to do about it? He’s just this guy, stuck in a small town, pinned there by a load of student debt and a stalled writing career. Oh, and a wicked case of writer’s block.Or at least he was, until a dragon showed up in his bedroom. At midnight. Quoting Freud and muttering about the space-time continuum.So of course, Ian must Make a Choice and decide whether he wants to follow the dragon back into the Connectome and find his muse again, or stay in a house that surely wants to kill him, one repair bill at a time.Follow Ian on a rollicking adventure, where he finds out that he can make a difference. And that some things are worth fighting for.Even if all you have is a can opener.

    Ginger is at once a heartwarming personal memoir and an inside look at the heyday of Hollywood. More than 30 photographs.

    They were charged with 221 acts of sabotage designed to “ferment violent revolution.” Rusty was one of two individuals acquitted, and the rest received life sentences. In The World that was Ours, his wife, Hilda Bernstein, offers an astonishing personal account of the events leading up to the “Rivonia Trial” and describes how, as a white family with four children, they managed to fight a hostile and unjust regime.There was a long night ahead. We are unable to read. We listen all the time, listen for the sound of a car in anticipation that the police will come. If he is in the hands of the police, surely they will bring him to the house to search; they always raid after an arrest.Hilda Bernstein (1915–2006) lived in London, but in 1933 moved to South Africa where she married Lionel Bernstein. She was elected as a Communist to the Johannesburg City Council; helped found the multiracial Federation of South African Women; and worked closely with the African National Congress’ Women’s League in opposition to apartheid.

     Carlos was just another kid from the slums of Havana; the youngest son of a truck driver and a housewife, he ditched school with his friends and dreamed of becoming Cuba's best soccer player. Exasperated by his son's delinquent behavior, Carlos's father enrolled him in ballet school, subjecting him to grueling days that started at five thirty in the morning and ended long after sunset. The path from student to star was not an easy one. Even as he won dance competitions and wowed critics around the world, Carlos was homesick for Cuba, crippled by loneliness and self-doubt. As he traveled the world, Carlos struggled to overcome popular stereotypes and misconceptions; to maintain a relationship with his family; and, most of all, to find a place he could call home. This impassioned memoir is about more than Carlos's rise to stardom. It is about a young man forced to leave his homeland and loved ones for a life of self-discipline, displacement, and physical hardship. It is also about how the heart and soul of a country can touch the heart and soul of one of its citizens. With candor and humor, Carlos vividly depicts daily life in communist Cuba, his feelings about ballet -- an art form he both loves and hates -- and his complex relationship with his father. Carlos Acosta makes dance look effortless, but the grace, strength, and charisma we see onstage have come at a cost. Here, in his own words, is the story of the price he paid.

    The Member of the Wedding—which became an award-winning play and a major motion picture—showcases McCullers at her most sensitive, astute, and best.

    Derived from interviews with a wide range of  people who experienced or observed New York's 1991  Crown Heights racial riots, Fires In The  Mirror is as distinguished a work of  commentary on current Black-White tensions as it is a  work of drama.

    She was also blissfully unaware of the real situations facing today's immigrants. Until she met someone new. . . who happened to be undocumented.In Love Undocumented, Quezada takes readers on a journey deep into the world of the U.S. immigration system. Follow her as she walks alongside her new friend, meets with lawyers, stands at the U.S.–Mexico border, and visits immigrants in detention centers. With wisdom from Scripture, research, and these experiences, Quezada explores God’s call to welcome the stranger and invites Christians to consider how to live faithfully in the world of closed doors and high fences.Is it possible to abandon fear and cultivate authentic relationships with new arrivals?What if hospitality to immigrant and refugee neighbors puts us at personal risk?How can churches create safe spaces for those living at the precarious edge of our society?With Quezada as your guide, discover a subversive Savior who never knew a stranger. Get to know the God of the Bible, whose love and grace cross all borders. Respond to an invitation to turn away from fear and enter a bigger story.

    But she’s finally scored her big break, cast as an acrobatic witch in a circus-themed production of Macbeth in Phoenix, Arizona. And though it may not be Broadway, nothing can dampen her enthusiasm—not her flying cauldron, too-tight leotard, or carrot-wielding dictator of a director.But when one of the cast dies on opening night, Ivy is sure the seeming accident is “murder most foul” and that she’s the perfect person to solve the crime (after all, she does work part-time in her uncle’s detective agency). Undeterred by a poisoned Big Gulp, the threat of being blackballed, and the suddenly too-real curse, Ivy pursues the truth at the risk of her hard-won career — and her life.

    Wilkerson and a commentary by Spike Lee, this completely restored screenplay is the accurate and authoritative edition of Lorraine Hansberry's script and a testament to her unparalled accomplishment as a Black artist.The 1961 film version of A Raisin in the Sun, with a screenplay by the author, Lorraine Hansberry, won an award at the Cannes Film Festival even though one-third of the actual screenplay Hansberry had written had been cut out. The film did essentially bring Hansberry's extraordinary play to the screen, but it failed to fulfill her cinematic vision.Now, with this landmark edition of Lorraine Hansberry's original script for the movie of A Raisin in the Sun that audiences never viewed, readers have at hand an epic, eloquent work capturing not only the life and dreams of a Black family, but the Chicago--and the society--that surround and shape them.Important changes in dialogue and exterior shots, a stunning shift of focus to her male protagonist, and a dramatic rewriting of the final scene show us an artist who understood and used the cinematic medium to transform a stage play into a different art form--a profound and powerful film.

    In Olio Live - a very special one-night performance recorded live at the Minetta Lane Theater in February 2019 - poet Tyehimba Jess introduces listeners to his 2017 Pulitzer Prize-winning collection Olio. He is joined on stage by writer, editor, and Literaryswag founder Yahdon Israel, as well as a stellar cast of actors interpreting a selection of the poems from the collection. You’ll meet William "Blind" Boone, Sissieretta Jones, and a host of other characters, all based on real historical figures from the ragtime scene at the turn of the 20th century. As you listen, Jess’s poetry asks you to consider the nature of identity, performance, and ever-present history. Tyehimba Jess is the author of two books of poetry, Leadbelly and Olio. In addition to the Pulitzer Prize, Olio won the Anisfield-Wolf Book Award, The Midland Society Author’s Award in Poetry, and received an Outstanding Contribution to Publishing Citation from the Black Caucus of the American Library Association. Yahdon Israel is a writer, editor, and creator of Literaryswag. He has written for Avidly, The New Inquiry, Brooklyn Magazine, LitHub, and Poets and Writers. He is the host of the Literaryswag Book Club, and the host of LIT, a weekly web series about books and culture.

    No other dancer of our time has generated the same excitement, for both men and women, on or off the stage. With Nureyev: The Life, Julie Kavanagh shows how his intense drive and passion for dance propelled him from a poor, Tatar-peasant background to the most sophisticated circles of London, Paris, and New York. His dramatic defection to the West in l961 created a Cold War crisis and made him an instant celebrity, but this was just the beginning. Nureyev spent the rest of his life breaking barriers: reinventing male technique, “crashing the gates” of modern dance, iconoclastically updating the most hallowed classics, and making dance history by partnering England’ s prima ballerina assoluta, Margot Fonteyn--a woman twice his age. He danced for almost all the major choreographers--Frederick Ashton, George Balanchine, Kenneth MacMillan, Jerome Robbins, Maurice Béjart, Roland Petit--his main motive, he claimed, for having left the Kirov. But Nureyev also made it his mission to stage Russia’s full-length masterpieces in the West. His highly personal productions of Swan Lake, The Nutcracker, Raymonda, Romeo and Juliet, and La Bayadère are the mainstays of the Paris Opéra Ballet repertory to this day. An inspirational director and teacher, Nureyev was a Diaghilev-like mentor to young protégés across the globe--from Karen Kain and Monica Mason (now directors themselves), to Sylvie Guillem, Elisabeth Platel, Laurent Hilaire and Kenneth Greve. Sex, as much as dance, was a driving force for Nureyev. From his first secret liaison in Russia to his tempestuous relationship with the great Danish dancer Erik Bruhn, we see not only Nureyev’s notorious homosexual history unfold, but also learn of his profound effect on women--whether a Sixties wild child or Jackie Kennedy and Lee Radziwill or the aging Marlene Dietrich. Among the first victims of AIDS, Nureyev was diagnosed HIV positive in 1984 but defied the disease for nearly a decade, dancing, directing the Paris Opéra Ballet, choreographing, and even beginning a new career as a conductor. Still making plans for the future, Nureyev finally succumbed and died in January 1993. Drawing on previously undisclosed letters, diaries, home-movie footage, interviews with Nureyev’s inner circle, and her own dance background, Julie Kavanagh gives the most intimate, revealing, and dramatic picture we have ever had of this dazzling, complex figure.

    Esther, a black seamstress, sews exquisite lingerie for clients who range from wealthy white patrons to prostitutes. She has saved enough to allow her to dream of one day opening a beauty salon for black women, and at thirty-five years old, longs for a husband and a future. When she begins to receive beautiful letters from a lonesome Caribbean man who is working on the Panama Canal, it looks like life may be about to take a different course.This is the acting edition of the play.

    Uncle Remus. Song of the South. Racist?Disney thinks so. And that's why it has forbidden the theatrical re-release of its classic film Song of the South since 1986.But is the film racist? Are its themes, its characters, even its music so abominable that Disney has done us a favor by burying the movie in its infamous Vault, where the Company claims it will remain for all time?Disney historian Jim Korkis does not think so.In his newest book, Who's Afraid of the Song of the South?, Korkis examines the film from concept to controversy, and reveals the politics that nearly scuttled the project. Through interviews with many of the artists and animators who created Song of the South, and through his own extensive research, Korkis delivers both the definitive behind-the-scenes history of the film and a balanced analysis of its cultural impact.What else would Disney prefer you did not know? Plenty.Korkis also pulls back the curtain on such dubious chapters in Disney history as:Disney's cinematic attack on venereal disease Ward Kimball's obsession with UFOs Tim Burton's depressed stint at the Disney Studios Walt Disney's nightmares about his stomping an owl to death Wally Wood's Disneyland Memorial Orgy poster J. Edgar Hoover's hefty FBI file on Walt Disney Little Black Sunflower's animated extinction Plus 10 more forbidden tales that Disney wishes would go away.Whether you're a film buff, an armchair academic, or a Disney fan eager to peek behind Disney's magical (and tightly controlled) curtain, you'll discover lots you never knew about Disney.With a foreword by Disney Legend Floyd Norman, Who's Afraid of the Song of the South? is both authoritative and entertaining.Jim Korkis is the best-selling author of Vault of Walt, and has been researching and writing about Disney for over three decades. The Disney Company itself uses his expertise for special projects. Korkis resides in Orlando, Florida.

    From TV's award-winning comedy mum, Lucy Beaumont, comes her hilarious debut on the trials and tribulations of motherhood.

    This eBook is going to offer you an inside look at some of these tips and tricks that you will be able to use in your own version of Minecraft.These 30 Sneaky Minecraft Tricks have all been tested to work and show you exactly how they can be done so that you can figure them out quite easily. These tricks range from finding the best enchantments to use on your gear to using a secret hidden method to see all ore underground without having to download a mod.Strap in and hang on for the ride of your life. This tips and tricks train track is covered in power rails and is ready to take off!DOWNLOAD NOW!