Michaela DePrince was known as girl Number 27 at the orphanage, where she was abandoned at a young age and tormented as a "devil child" for a skin condition that makes her skin appear spotted. But it was at the orphanage that Michaela would find a picture of a beautiful ballerina en pointe that would help change the course of her life. At the age of four, Michaela was adopted by an American family, who encouraged her love of dancing and enrolled her in classes. She went on to study at the Jacqueline Kennedy Onassis School at the American Ballet Theatre and is currently a member of the Dutch National Ballet’s junior company. She has appeared in the ballet documentary "First Position," as well as on "Dancing with the Stars, Good Morning America," and "Nightline." In this engaging, moving, and unforgettable memoir, Michaela shares her dramatic journey from an orphan in West Africa to becoming one of ballet's most exciting rising stars.

    From this fundamental truth, diversity expert Howard Ross explores the biases we each carry within us. Most people do not see themselves as biased towards people of different races or different genders. And yet in virtually every area of modern life disparities remain. Even in corporate America, which has for the most part embraced the idea of diversity as a mainstream idea, patterns of disparity remain rampant. Why? Breakthroughs in the cognitive and neurosciences give some idea why our results seem inconsistent with our intentions. Bias is natural to the human mind, a survival mechanism that is fundamental to our identity. And overwhelmingly it is unconscious. Incorporating anecdotes from today's headlines alongside case studies from over 30 years as a nationally prominent diversity consultant, Ross help readers understand how unconscious bias impacts our day-to-day lives and particularly our daily work lives. And, he answers the question: "Is there anything we can do about it?" by providing examples of behaviors that the reader can engage in to disengage the impact of their own biases. With an added appendix that includes lessons for handling conflict and bias in the workplace, this book offers an invaluable resource for a broad audience, from individuals seeking to understand and confront their own biases to human resource professionals and business leaders determined to create more bias-conscious organizations in the belief that productivity, personal happiness, and social growth are possible if we first understand the widespread and powerful nature of the biases we don't realize we have.

    We hear the word, and we flinch. For some, it's paralyzingly painful to think about. For others, the very thought of it evokes bitter resentment. For all of us, the notion that some people have it inherently better than others, and for entirely arbitrary reasons, seems insurmountable, unresolvable. And yet until we talk about this issue--really get into it--we'll never fully understand it, never find our way forward through it.With honesty, humility, and grace, Amy Julia Becker introduces us to a childhood in a Southern state still finding its footing after the tension of the civil rights movement, and an adulthood in a Northern city whose social inequities have been carefully hidden from view. We're reminded that the white picket fences that seem so pristine and good and even virtuous can function as a wall, even a prison, that prevents us from knowing and loving our neighbors, and experiencing the world as it truly is and the God who invites us to carry a blessing into it.

    What’s it like to work at Walt Disney World?Amber Sewell spent two semesters “earning her ears” at the Happiest Place on Earth, first in the CareerStart Program and then in the better known Disney College Program.During her time backstage, as the Cast Member areas of the theme park are called, Amber kept a diary of her successes and her failures, her moments of delight and her moments of despair, and most of all, her discoveries about what happens when the pixie dust settles and the guests have gone home.Amber will never feel the same about Walt Disney World again.After you’ve read her book, neither will you.

    Long considered one of the best poets in America today, Baca was illiterate at the age of twenty-one and facing five to ten years behind bars for selling drugs. A Place to Stand is the remarkable tale of how he emerged after his years in the penitentiary -- much of it spent in isolation -- with the ability to read and a passion for writing poetry. A vivid portrait of life inside a maximum-security prison and an affirmation of one man's spirit in overcoming the most brutal adversity, A Place to Stand stands as proof there is always hope in even the most desperate lives -- (Fort Worth Morning Star-Telegram). A Place to Stand is a hell of a book, quite literally. You won't soon forget it. -- Luis Urrea, The San Diego Union-Tribune This book will have a permanent place in American letters. -- Jim Harrison

    While Honolulu celebrates with champagne and fireworks, someone is making away with the Bishop Museum's portrait of King Kalakaua and its curator. A series of brutal murders follows, and an unlikely pair, newspaper reporter Mina Beckwith and visiting playwright Ned Manusia, find themselves investigating a twisted trail of clues in an attempt to recover the painting and uncover the killer.Honolulu in the 1930s is a unique (and volatile) mix of the provincial and the urban, East and West, islander and mainlander. Mina and Ned, both of Polynesian descent, confront the complexities and contradictions of Island life as their investigation takes them into the heart of Honolulu society and close-knit local families, whose intricate histories and relationships will have a direct impact on future lives and events. A lively cast of characters aids Mina and Ned in their search for answers: Cecily Chang, an antiques and explosives expert, steers them through Chinatown's back alleys; Hinano Kahana, a hula chanter and dancer, brings Ned closer to solving an ancient riddle; Mina's grandmother, Hannah, helps them unlock a secret from the past.Prewar Honolulu comes to life in this thoroughly entertaining mystery that evokes a colorful bygone era.

    The play tells the story of Lincoln and Booth, two brothers whose names were given to them as a joke, foretelling a lifetime of sibling rivalry and resentment. Haunted by the past, the brothers are forced to confront the shattering reality of their future.

    So when Nora inherits her late uncle's home in a small southeast Alaskan town, she leaves behind everything she's ever known in search of something better. Tucked away from the rest of the world, in a land where one false step can mean the difference between life and death, Nora must learn how to rely on herself for survival... and to open her heart to new possibilities.Water's Edge is the first book in the Alaskan Frontier Romance series.

    While displaying tenderness and a disarming honesty, Perry catalogs racial degradations committed on the campuses of elite universities and liberal bastions like San Francisco while coming of age in America.The essays in Some of Us Are Very Hungry Now take the form of personal reflection, multiple choice questions, screenplays, and imagined talk-show conversations, while traversing the daily minefields of childhood schoolyards and midwestern dive-bars. The impression of Perry’s personal journey is arresting and beguiling, while announcing the author’s arrival as a formidable American voice.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    When Amir and his wife Emily (Heidi Armbruster), a white artist influenced by Islamic imagery, host a dinner party, what starts out as a friendly conversation escalates into something far more damaging.

    This is the only independent biography of Bruce Lee, and it is complete in terms of both the martial arts and the movies.

    Now they look back on a half- century of their personal and political struggles to maintain a healthy marriage and to create the record of distinguished accomplishment that earned each a Presidential Medal for Lifetime Achievement in the Arts.With Ossie and Ruby overflows with consummate storytelling skill developed by decades in the spotlight. From their early years as struggling actors in Harlem's black theater to Broadway and Hollywood stardom, they regale the reader with colorful, entertaining tales of the places they've been and the people they've met. But their charming humor is leavened with a more serious side, as they share their experiences of keeping a family together in a world where scandal and divorce is the rule, and of being artists and political activists in an era of intense racial ferment. Born into the struggle, their characters were shaped by the dynamic collisions of life, politics, and art; and from those experiences, they achieved some sense of their worth as married people, friends, and lovers.Warm, positive, and compelling, this is a book that will surprise and challenge readers everywhere -- black and white, male and female, young and old. Lifting the veil of public image, media hype, and mystique, Ossie and Ruby speak of the real-life dilemmas and rewards of their lifelong search for purpose and value.

    How can this wildly diverse quartet—separated by cultural chasms and vastly different perspectives on history—navigate a complicated, hilarious thicket of privilege, representation, and of course school district regulations? The schools are waiting, and the pageant must go on!

    Here is a necessary and singular look at the life of one of the great figures of the 20th Century: the dynamic Balanchine, founder of The New York City Ballet, collaborator of Stravinsky, and inspiration to countless fans over the course of his long and storied career. George Balanchine is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.