The Oxford Book of Victorian Ghost Stories


Michael Cox - 1991
    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

100 Ghastly Little Ghost Stories


Stefan R. Dziemianowicz - 1993
    They represent more than 150 year's worth of writing, and include the greats: H.P. Lovecraft ("The Terrible Old Man"), Ambrose Bierce ("The Stranger"), Lafcadio Hearn ("A Dead Secret"), Oscar Wilde ("The Sphinx Without a Secret"), and J. Sheridan Le Fanu ("The Ghost and the Bone-Setter"). Best of all, a variety of human emotions and behavior come to the fore, from avarice (August Derleth's "Pacific 421") to revenge (Thorp McCluskey's "Black Gold"), from jealousy (Steve Rasnic Tem's "Daddy") to honor (Edith Nesbit's "John Charrington's Wedding") to love (Darrell Schwietzer's "Clocks"). Using a minimum of elements, each ghost story in this collection will entertain, captivate, and evoke a powerful response in readers. So be warned: you might not want to read these while you're all alone in the house...

American Supernatural Tales


S.T. JoshiHenry James - 2007
    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

Ghost Camera


Darcy Coates - 2014
    This gift comes at a steep price; the ghosts are resentful and hungry, and the cameras offer them a rare chance to reach their favourite prey… humans. Jenine didn’t know any of this when she found an abandoned Polaroid camera in a lighthouse. At first she assumes the ghostly shapes in the photos are a glitch or a prank – but then the spirits begin to hunt her down, and she’s forced into a deadly race to free herself from the camera’s curse.

Varney the Vampire; or, The Feast of Blood


James Malcolm Rymer - 1845
    Sold for a penny a chapter on the streets of London in 1845, Varney the Vampire is a milestone of Vampire fiction, yet ignored and overlooked for nearly 100 years, until now! The Critical Edition of Varney the Vampire; or, The Feast of Blood includes: · A critical introduction about the Penny Dreadful Press and the lore of the Mid 19th Century Vampire · Over 200 notes explaining references, historical information, and corrections to the text · A variety of 19th century essays explaining the horrors and dangers of (gasp!) reading Penny Dreadfuls · Contemporary critical essays on James Malcolm Rymer and his most famous Penny Dreadfuls: Varney the Vampire and Sweeney Todd · Four additional early Penny Dreadfuls detailing insanity, family cannibalism, torture gone wrong, and other bedtime stories · A reader's guide · Reproductions of the original woodcut illustrations

Blithe Spirit


Noël Coward - 1941
    Written in 1941, Blithe Spirit remained the longest-running comedy in British Theatre for years. Plotted around the central role of one of Coward's best loved characters, a medium Madame Arcati (originally played by Margaret Rutherford). Coward's play is a spirited charade about a man with 2 wives, one dead and another alive.

Wild Fell


Michael Rowe - 2013
    Built for his family by a 19th-century politician of impeccable rectitude, the house has kept its terrible secrets and its darkness sealed within its walls. For a hundred years, the townspeople of Alvina have prayed that the darkness inside Wild Fell would stay there, locked away from the light. Jameson Browning, a man well acquainted with suffering, has purchased Wild Fell with the intention of beginning a new life, of letting in the light. But what waits for him at the house is devoted to its darkness and guards it jealously. It has been waiting for Jameson his whole life - or even longer. And now, at long last, it has found him!