"I am a woman. I am a fisherman. . . I am not a fisherwoman, fisherlady, or fishergirl. If anything else, I am a thirty-seven-year-old tomboy. It's a word I have never outgrown." Greenlaw also happens to be one of the most successful fishermen in the Grand Banks commercial fleet, though until the publication of Sebastian Junger's The Perfect Storm, "nobody cared." Greenlaw's boat, the Hannah Boden, was the sister ship to the doomed Andrea Gail, which disappeared in the mother of all storms in 1991 and became the focus of Junger's book.The Hungry Ocean, Greenlaw's account of a monthlong swordfishing trip over 1,000 nautical miles out to sea, tells the story of what happens when things go right -- proving, in the process, that every successful voyage is a study in narrowly averted disaster. There is the weather, the constant danger of mechanical failure, the perils of controlling five sleep-, women-, and booze-deprived young fishermen in close quarters, not to mention the threat of a bad fishing run: "If we don't catch fish, we don't get paid, period. In short, there is no labor union." Greenlaw's straightforward, uncluttered prose underscores the qualities that make her a good captain, regardless of gender: fairness, physical and mental endurance, obsessive attention to detail. But, ultimately, Greenlaw proves that the love of fishing -- in all of its grueling, isolating, suspenseful glory -- is a matter of the heart and blood, not the mind. "I knew that the ocean had stories to tell me, all I needed to do was listen." -- Svenja Soldovieri

    Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald - he recalls the time when, poor, happy, and writing in cafes, he discovered his vocation. Written during the last years of Hemingway's life, his memoir is a lively and powerful reflection of his genius that scintillates with the romance of the city.

    As First Lady of the United States of America—the first African American to serve in that role—she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare. In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her—from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world’s most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it—in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations—and whose story inspires us to do the same.

    But for the last fifty years, the novel’s celebrated author, Harper Lee, has said almost nothing on the record. Journalists have trekked to her hometown of Monroeville, Alabama, where Harper Lee, known to her friends as Nelle, has lived with her sister, Alice, for decades, trying and failing to get an interview with the author. But in 2001, the Lee sisters opened their door to Chicago Tribune journalist Marja Mills. It was the beginning of a long conversation—and a great friendship. In 2004, with the Lees’ blessing, Mills moved into the house next door to the sisters. She spent the next eighteen months there, sharing coffee at McDonalds and trips to the Laundromat with Nelle, feeding the ducks and going out for catfish supper with the sisters, and exploring all over lower Alabama with the Lees’ inner circle of friends. Nelle shared her love of history, literature, and the Southern way of life with Mills, as well as her keen sense of how journalism should be practiced. As the sisters decided to let Mills tell their story, Nelle helped make sure she was getting the story—and the South—right. Alice, the keeper of the Lee family history, shared the stories of their family. The Mockingbird Next Door is the story of Mills’s friendship with the Lee sisters. It is a testament to the great intelligence, sharp wit, and tremendous storytelling power of these two women, especially that of Nelle. Mills was given a rare opportunity to know Nelle Harper Lee, to be part of the Lees’ life in Alabama, and to hear them reflect on their upbringing, their corner of the Deep South, how To Kill a Mockingbird affected their lives, and why Nelle Harper Lee chose to never write another novel.

    She instantly knew that her voice—all women’s voices—were essential to shaping the future of this country, and that she had a greater purpose in life: to speak up and effect change. Now, in this extraordinary memoir, the senator, wife, and mother of two recounts her personal journey in public service and galvanizes women to reach beyond their busy lives and make a meaningful difference in the world around them.Off the Sidelines is a playbook for women who want to step up, whether in Congress or the boardroom or the local PTA. If women were fully represented in politics, Gillibrand says, national priorities would shift to issues that directly impact them: affordable daycare, paid family medical leave, and equal pay. Pulling back the curtain on Beltway politics, she speaks candidly about her legislative successes (securing federally funded medical care for 9/11 first responders, repealing Don’t Ask, Don’t Tell) and her crushing disappointments (failing by five votes to pass a bill protecting survivors of sexual assault in the military).Gillibrand also shares stories of growing up the daughter and granddaughter of two trailblazing feminists in a politically active family in Albany, New York, and retraces her nonlinear path to public office. She lays bare the highs and lows of being a young (pregnant!) woman in Congress, the joys and sacrifices every working mother shares, and the support system she turns to in her darkest moments: her husband, their two little boys, and lots of girlfriends.In Off the Sidelines, Gillibrand is the tough-love older sister and cheerleader every woman needs. She explains why “ambition” is not a dirty word, failure is a gift, listening is the most effective tool, and the debate over women “having it all” is absurd at best and demeaning at worst. In her sharp, honest, and refreshingly relatable voice, she dares us all to tap into our inner strength, find personal fulfillment, and speak up for what we believe in.

    The Marine Corps fighter pilot was often brutal, cruel, and violent; as Pat says, "I hated my father long before I knew there was an English word for 'hate.'" As the oldest of seven children who were dragged from military base to military base across the South, Pat bore witness to the toll his father's behavior took on his siblings, and especially on his mother, Peg. She was Pat's lifeline to a better world-that of books and culture. But eventually, despite repeated confrontations with his father, Pat managed to claw his way toward a life he could have only imagined as a child.Pat's great success as a writer has always been intimately linked with the exploration of his family history. While the publication of The Great Santini brought Pat much acclaim, the rift it caused with his father brought even more attention. Their long-simmering conflict burst into the open, fracturing an already battered family. But as Pat tenderly chronicles here, even the oldest of wounds can heal. In the final years of Don Conroy's life, he and his son reached a rapprochement of sorts. Quite unexpectedly, the Santini who had freely doled out physical abuse to his wife and children refocused his ire on those who had turned on Pat over the years. He defended his son's honor.The Death of Santini is at once a heart-wrenching account of personal and family struggle and a poignant lesson in how the ties of blood can both strangle and offer succor. It is an act of reckoning, an exorcism of demons, but one whose ultimate conclusion is that love can soften even the meanest of men, lending significance to one of the most-often quoted lines from Pat's bestselling novel The Prince of Tides: "In families there are no crimes beyond forgiveness."

    Her range of sensitivity—moral, intellectual, sensual, emotional, and spiritual— is remarkably broad. She recalls her childhood on the eastern shore of Maryland, her career change from psychology to art, and her path to a sculptural practice that would “set color free in three dimensions.” She reflects on the generous advice of other artists, watches her own daughters’ journey into motherhood, meditates on criticism and solitude, and struggles to find the way to express her vision. Resonant and true, encouraging and revelatory, Anne Truitt guides herself—and her readers—through a life in which domestic activities and the needs of children and friends are constantly juxtaposed against the world of color and abstract geometry to which she is drawn in her art. Beautifully written and a rare window on the workings of a creative mind, Daybook showcases an extraordinary artist whose insights generously and succinctly illuminate the artistic process.

    A zesty memoir of the celebrated writer's travels to England where she meets the cherished friends from 84, Charing Cross Road.

    With a New Afterword for this Edition.When the first 'Superman' movie came out I was frequently asked 'What is a hero?'  I remember the glib response I repeated so many times.  My answer was that a hero is someone who commits a courageous action without considering the consequences - a soldier who crawls out of a foxhole to drag an injured buddy to safety.  And I also meant individuals who are slightly larger than life: Houdini and Lindbergh, John Wayne, JFK, and Joe DiMaggio.  Now my definition is completely different.  I think a hero is an ordinary individual who finds strength to persevere and endure in spite of overwhelming obstacles: a fifteen-year-old boy who landed on his head while wrestling with his brother, leaving him barely able to swallow or speak; Travis Roy, paralysed in the first thirty seconds of a hockey game in his freshman year at college.  These are real heroes, and so are the families and friends who have stood by them."The whole world held its breath when Christopher Reeve struggled for life on Memorial Day, 1995.  On the third jump of a riding competition, Reeve was thrown headfirst from his horse in an accident that broke his neck and left him unable to move or breathe.In the years since then, Reeve has not only survived, but has fought for himself, for his family, and for the hundreds of thousands of people with spinal cord injuries in the United States and around the world.  And he has written 'Still Me', the heartbreaking, funny, courageous, and hopeful story of his life.Chris describes his early success on Broadway opposite the legendary Katherine Hepburn, the adventure of filming 'Superman' on the streets of New York, and how the movie made him a star.  He continued to move regularly between film acting and theater work in New York, Los Angeles, and at the WIlliamstown Theatre Festival in the Berkshires.  Reunited with his 'Bostonians' director, James Ivory, in 1992, he traveled to England to work with Emma Thompson and Anthony Hopkins in 'The Remains of the Day'.The Man who cannot move has not stopped moving.  He has established a charitable foundation to raise awareness and money for research on spinal cord injuries.  His work as director of the HBO film 'In the Gloaming' earned him an Emmy nomination, one of five that the film received.  His speeches at the Democratic National Convention and the Academy Awards inspired people around the country and the world.  He has testified before Congress on behalf of health insurance legislation, lobbied for increased federal funding for spinal cord research, and developed a working relationship with President Clinton.With dignity and sensitivity, he describes the journey he has made -physically, emotionally, spiritually.  He explores his complex relationship with his parents, his efforts to remain a devoted husband and father, and his continuing and heroic battle to rebuild his life.This is the determined, passionate story of one man, a gifted actor and star, and how he and his family came to grips with the kind of devastating, unexplainable shock that fate can bring to any of us.  Chris and Dana Reeve have gathered the will and the spirit to create a new life, one responsive and engaged and focused on the future.

    But despite that familiarity, how much do we really know of the inner Julia?   Now more than 200 letters exchanged between Julia and Avis DeVoto, her friend and unofficial literary agent memorably introduced in the hit movie Julie & Julia, open the window on Julia’s deepest thoughts and feelings. This riveting correspondence, in print for the first time, chronicles the blossoming of a unique and lifelong friendship between the two women and the turbulent process of Julia’s creation of Mastering the Art of French Cooking, one of the most influential cookbooks ever written.Frank, bawdy, funny, exuberant, and occasionally agonized, these letters show Julia, first as a new bride in Paris, then becoming increasingly worldly and adventuresome as she follows her diplomat husband in his postings to Nice, Germany, and Norway.   With commentary by the noted food historian Joan Reardon, and covering topics as diverse as the lack of good wine in the United States, McCarthyism, and sexual mores, these astonishing letters show America on the verge of political, social, and gastronomic transformation.

    Book by Schaeffer, Edith

    It's no surprise that as a kid in the '80s, Wilsey found similarities between his own life and his beloved Lord of the Rings and Star Wars--his journey was fraught with unnerving characters too. Wilsey's father was a distant, wealthy man who used a helicopter when a moped would do and whose mandates included squeegeeing the stall after every shower. Much of Wilsey's youth was spent as subservient to, or rebelling against this imposing man. But the maternal figures in Wilsey's childhood were no less affecting. His mother, a San Francisco society butterfly turned globe-trotting peace promoter, seemed to behave only in extremes--either trying to convince young Sean to commit suicide with her, or arranging impromptu meetings with the Pope and Mikhail Gorbachev. And Dede, his demon of a stepmother, would have made the Brothers Grimm shiver. As always with memoirs one must take expansive sections of recalled dialogue with a grain of salt, but Wilsey's short, unflinching sentences keep his outlandish story moving too quickly for much quibbling. In the end, Wilsey says, "It took the unlikely combination of the three of them--mother, father, stepmother--to make me who I am." It's a fairly basic conclusion after 479 pages of turning every stone, but it's also one that renders his story--more than shocking or glorious--human. --Brangien Davis

    What propels this chronicle of her recovery is Sebold's indomitable spirit - as she struggles for understanding ("After telling the hard facts to anyone, from lover to friend, I have changed in their eyes"); as her dazed family and friends sometimes bungle their efforts to provide comfort and support; and as, ultimately, she triumphs, managing through grit and coincidence to help secure her attacker's arrest and conviction. In a narrative by turns disturbing, thrilling, and inspiring, Alice Sebold illuminates the experience of trauma victims even as she imparts wisdom profoundly hard-won: "You save yourself or you remain unsaved."

    Then Jackie’s thirty-eight-page will was read. Lee discovered that substantial cash bequests were left to family members, friends, and employees—but nothing to her. "I have made no provision in this my Will for my sister, Lee B. Radziwill, for whom I have great affection, because I have already done so during my lifetime," read Jackie’s final testament. Drawing on the authors’ candid interviews with Lee Radziwill, The Fabulous Bouvier Sisters explores their complicated relationship, placing them at the center of twentieth-century fashion, design, and style.In life, Jackie and Lee were alike in so many ways. Both women had a keen eye for beauty—in fashion, design, painting, music, dance, sculpture, poetry—and both were talented artists. Both loved pre-revolutionary Russian culture, and the blinding sunlight, calm seas, and ancient olive groves of Greece. Both loved the siren call of the Atlantic, sharing sweet, early memories of swimming with the rakish father they adored, Jack Vernou Bouvier, at his East Hampton retreat. But Jackie was her father’s favorite, and Lee, her mother’s. One would grow to become the most iconic woman of her time, while the other lived in her shadow. As they grew up, the two sisters developed an extremely close relationship threaded with rivalry, jealousy, and competition. Yet it was probably the most important relationship of their lives.For the first time, Vanity Fair contributing editor Sam Kashner and acclaimed biographer Nancy Schoenberger tell the complete story of these larger-than-life sisters. Drawing on new information and extensive interviews with Lee, now eighty-four, this dual biography sheds light on the public and private lives of two extraordinary women who lived through immense tragedy in enormous glamour.

    Through decades of music by one of the best-selling musicians of all time, who created classics like "Fire and Rain" and "Carolina in My Mind," James Taylor has doled out his history in the poetry of his work. Taylor says his early life is, "the source of many of my songs," and Break Shot is a tour of his first 21 years in rich, new detail. Praised by Forbes magazine as going "beyond the spoken word," Break Shot combines storytelling, music and performance to create a one-of-a-kind listening experience. Longtime fans will savor a crop of musical gems, including an unreleased recording of the beloved hymn "Jerusalem," selections from his newest release American Standard, as well as new original scoring by Taylor specially recorded for Break Shot and more from the Grammy Award-winning artist.Recorded in his home studio, TheBarn in western Massachusetts, Taylor tells the deeply personal story of his youth, which is entwined with the story of his family. What started as an idyllic tight unit soon became a family sent to different emotional corners—like a break shot in the game of pool, he says, when you slam the cue ball into the fifteen other balls and they all go flying off. By the time Taylor released his breakout second album in 1970, Sweet Baby James, he had seen the disintegration of his parents’ marriage and his family crumble in the aftermath. He had committed himself twice to a psychiatric hospital, battled depression, a heroin addiction, suffered a relapse, and traveled far away from the wood smoke and moonshine of the North Carolina landscapes in which he came of age. Despite it all, he was also on the cusp of superstardom and on his way to bringing light and joy to millions. He was 21.Journey with James Taylor to a time before he became a Rock & Roll Hall of Fame and Songwriters Hall of Fame inductee, a recipient of the Kennedy Center Honors and both the Presidential Medal of Freedom and the National Medal of Arts—and a beloved voice to millions.