Mary is one such dreamer, a little girl who learns to read by tracing the letters on her mother's tombstone and whose only escape from her strict father and overbearing stepmother is through the stories she reads and imagines. Unhappy at home, she seeks independence, and at the age of seventeen runs away with poet Percy Bysshe Shelley, another dreamer. She travels to Europe and surrounds herself with more poets and writers, including Lord Byron and John Polidori. On a stormy summer evening, Byron suggests a contest to see who can create the best ghost story. After nine months of daydreaming, 21-year-old Mary Shelley's terrifying tale is published, a novel that goes on to become a very well-known monster story.

    Ted Wallace is an old, sour, womanising, cantankerous, whisky-sodden beast of a failed poet and drama critic, but he has his faults too.Fired from his newspaper, months behind on his alimony payments and disgusted with a world that undervalues him, Ted seeks a few months repose and free drink at Swafford Hall, the country mansion of his old friend Lord Logan.But strange things have been going on at Swafford.  Miracles, Healings, Phenomena beyond the comprehension of a mud-caked hippopotamus like Ted...

    Written in the classic tradition of the Little House and the Rocky Ridge books, and based on diaries, letters, and other historical papers, these books offer a glimpse into America's adventurous past, as seen through the eyes of another girl from America's beloved frontier family.

    Instead she celebrates her Found Day, the day a housemaid and a cook to three eccentric Viennese professors found her and took her home. There, Annika has made a happy life in the servants' quarters, surrounded with friends, including the elderly woman next door who regales Annika with stories of her performing days and her countless admirers - especially the Russian count who gave her the legendary emerald, the Star of Kazan. And yet, Annika still dreams of finding her true mother. But when a glamorous stranger arrives claiming to be Annika's mother, and whisks her away to a crumbling, spooky castle, Annika discovers that all is not as it seems in her newfound home...

    The owls, hen, larks, and their nests in his beard, are among the fey fauna and peculiar persons inhabiting the uniquely inspired nonsense rhymes and drawings of Lear (20th child of a London stockbroker), whose Book of Nonsense, first published in 1846, stands alone as the ultimate and most loved expression in English of freewheeling, benign, and unconstricted merriment.

    The boy is mauled by Apron, the neighbor's ailing cow whom he helps, alone, to give birth. The grateful farmer brings him a gift—a newborn pig. His father at first demurs ("We thank you, Brother Tanner," said Papa, "but it's not the Shaker Way to take frills for being neighborly. All that Robert done was what any farmer would do for another") but is persuaded. Rob keeps the pig, names her, and gives her his devotion... He wrestles with grammar in the schoolhouse. He hears rumors of sin. He is taken—at last—to the Rutland Fair. He broadens his heart to make room even for Baptists. And when his father, who can neither read nor cipher, whose hands are bloodied by his trade, whose wisdom and mastery of country things are bred in the bone, entrusts Rob with his final secret, the boy makes the sacrifice that completes his passage into manhood.All is told with quiet humor and simplicity. Here are lives lived by earthy reason—in a novel that, like a hoedown country fiddler's tune, rings at the same time with both poignancy and cheer.

    Along with searchlight towers and armed guards, Manzanar ludicrously featured cheerleaders, Boy Scouts, sock hops, baton twirling lessons and a dance band called the Jive Bombers who would play any popular song except the nation's #1 hit: "Don't Fence Me In."Farewell to Manzanar is the true story of one spirited Japanese-American family's attempt to survive the indignities of forced detention—and of a native-born American child who discovered what it was like to grow up behind barbed wire in the United States.

    It is set in the time of the English Civil War and the Commonwealth. The story follows the fortunes of the four Beverley children who are orphaned during the war, and hide from their Roundhead oppressors in the shelter of the New Forest where they learn to live off the land.

    But when Joe's father loses his job, Lassie must be sold. Three times she escapes from her new owner, and three times she returns home to Joe, until finally she is taken to the remotest part of Scotland—too far a journey for any dog to make alone.But Lassie is not just any dog.First published in 1940, Lassie Come-Home has become one of the best-loved dog stories in the world. This beautiful edition showcases the original text and illustrations within a striking new jacket.

    She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

    But it is also a product of the times in which she grew up—dark, grotesque, often surprisingly bawdy, and a far cry from the polished, sparkling novels of manners for which she became famous. Drunken heroines, babies who bite off their mothers’ fingers, and a letter-writer who has murdered her whole family all feature in these highly spirited pieces. This edition includes all of Austen’s juvenilia, including her “History of England” and the novella Lady Susan, in which the anti-heroine schemes and cheats her way through high society. With a title that captures a young Austen’s original idiosyncratic spelling habits and an introduction by Christine Alexander that shows how Austen was self-consciously fashioning herself as a writer from an early age, this is a must-have for any Austen lover.

    His fearsome master has just one demand: steal Shakespeare's play "Hamlet"--or else. Widge has no choice but to follow orders, so he works his way into the heart of the Globe Theatre, where Shakespeare's players perform. As full of twists and turns as a London alleyway, this entertaining novel is rich in period details, colorful characters, villainy, and drama."A fast-moving historical novel that introduces an important era with casual familiarity." --School Library Journal, starred review

    She believes that Hitler is helping the world by dealing with what he calls the "Jewish problem." When Korinna discovers that her parents are secretly hiding Jews in their house and helping them to escape the city, she is shocked. And her loyalties are put to an extreme test when a neighbor tips off the Gestapo.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.