Piya Roy, a young American marine biologist of Indian descent, arrives in this lush, treacherous landscape in search of a rare species of river dolphin and enlists the aid of a local fisherman and a translator. Together the three of them launch into the elaborate backwaters, drawn unawares into the powerful political undercurrents of this isolated corner of the world that exact a personal toll as fierce as the tides.

    Jayant Kaikini’s gaze takes in the people in the corners of Mumbai—a bus driver who, denied vacation time, steals the bus to travel home; a slum dweller who catches cats and sells them for pharmaceutical testing; a father at his wit’s end who takes his mischievous son to a reform institution. In this metropolis, those who seek find epiphanies in dark movie theaters, the jostle of local trains, and even in roadside keychains and lost thermos flasks. Here, in the shade of an unfinished overpass, a factory worker and her boyfriend browse wedding invitations bearing wealthy couples’ affectations—“no presents please”—and look once more at what they own. Translated from the Kannada by Tejaswini Niranjana, these resonant stories, recently awarded the DSC Prize for South Asian Literature, take us to photo framers, flower markets, and Irani cafes, revealing a city trading in fantasies while its strivers, eating once a day and sleeping ten to a room, hold secret ambitions close.

    Inside the Haveli This Indian novel takes the reader behind the scenes of an ongoing deeply rooted tradition and into a way of life that for outsiders has long been veiled with mystery.

    In both it is ultimately the women who suffer, whether, paradoxically, from a surfeit of feasting and family life in India, or from self-denial and starvation in the US. or both. Uma, the plain, older daughter still lives at home, frustrated in her attempts to escape and make a life for herself. Her Indian family is difficult , demanding but mostly, good hearted. Despite her disappointments, Uma comes through as the survivor, avoiding an unfulfilling marriage, liek her sister's or a suicidal one, like that arranged for her pretty cousin. And in America, where young Arun goes as a student, men in the suburbs char hunks of bleeding meat while the women don't appear to cook or eat at all - seems bewildering and terriying to the young Indian adolescent far from home.

    The novel was Cobalt Blue, the story of a brother and sister who fall in love with the same man, and how a traditional Marathi family is shattered by the ensuing events – a work that both shocked and spoke to Marathi readers.

    But the force of Jasmine's desires propels her explosively into a larger, more dangerous, and ultimately more life-giving world. In just a few years, Jasmine becomes Jane Ripplemeyer, happily pregnant by a middle-aged Iowa banker and the adoptive mother of a Vietnamese refugee. Jasmine's metamorphosis, with its shocking upheavals and its slow evolutionary steps, illuminates the making of an American mind; but even more powerfully, her story depicts the shifting contours of an America being transformed by her and others like her -- our new neighbors, friends, and lovers. In Jasmine, Bharati Mukherjee has created a heroine as exotic and unexpected as the many worlds in which she lives. "Rich…one of the most suggestive novels we have about what it is to become an American." -- The New York Times Book Review

    A prostitute, her lover and a policeman play for high stakes in BombDay. Injectionwala exposes chilling medical malpractices and a lovelorn vigilantes twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife and himself. Gritty love stories, manipulative cops and hard-boiled slumlords form the backdrop of this unputdownable thriller. Its MUMBAISTAN all the way. Mumbai, a city of dreams for many. But for others, a nightmare. Behind the façade of lustre and glamour churns a seething underbelly of squalor, corruption and crime. Mumbaistan’s three explosive crime novellas unravel the subterranean secrets of maximum city—from the teeming maw of Dharavi and the wanton streets of Kamathipura to the swank high-rises of Bandra. A prostitute, her lover and a policeman play for high stakes in Bomb-Day. Injectionwala exposes chilling medical malpractices and a lovelorn vigilante’s twisted game plan. In Coma Man, a man awakens from coma after twenty years, and sets out in search of his wife— and himself. Macabre love stories, conniving cops and hard-boiled slumlords form the backdrop of a schizophrenic city that is brooding...dying. Welcome to Mumbaistan; a gritty, compelling take on the megalopolis that lives on the edge.

    And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom? In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.

    The novel is based on a tale that perfectly blends history, legend, mystery, magic and realism.The novel sees two parallel stories in motion. One contextualizing existential suffering faced by King Bhartruhari of Ujjain due to getting an "Amruta Phala" (a divine magical fruit) in ancient times. The second & main story takes place in the current age, where a suave & successful businessman goes through similar existential dilemma. The way these two stories proceed together logically entwined, makes the book an engrossing read.

    All that there was then, was earth… There are raconteurs and mischief-mongers in our ranks and I have no doubt they shall pervert the truth with their self-serving versions. The events of history – this history of our land – shall thus inevitably have many versions, doubtless. But, I was there with General Ramm, I fought by his side…”-Sanjaay, official chronicler of General RammAround 12000 B.C., Hindustan (or Hind) as we know it today, comprised five kingdoms of man, sandwiched between Parbat – the kingdom of the Gods in the north, and Lunka – the kingdom of the demons in the south. The ‘Legend of Ramm’ unravels the story of the military general called Ramm in the kingdom of Ayodh and how his actions came to define our world as we know it today.

    His once prosperous landowning family has slipped low down the class ladder. Arif ’s sole ambition in life is to crack the civil service examination and become an IAS officer. He believes this will restore the family’s fortunes and works hard at his studies. Until his first glimpse of Sumitra, a voluptuous long-haired beauty. Married, Hindu and several years older than him, she is wrong for him in every way. It is the beginning of an infatuation that will consume his life.‘Reading Patna Blues is like pedalling your way through a littleknown India. It is certain to fill you with inexplicably candid and absolutely stunning tales. Patna Blues marks an impressive debut and brings us an important voice.’ —Anees Salim‘I am familiar not only with the places where this novel is set, the cramped rooms, the names of shops, or the streets, but, it seems to me, even the people, their little joys, their struggles, their often irrational hopes and desires, their guilt, and their beauty. Part literary novel, part-pulp fiction, Patna Blues is a report from a rarely seen world in Indian writing in English, the contemporary lives of provincial Muslims.’ —Amitava Kumar

    enthralling’ BIBEK DEBROY‘A magical and thought-provoking adventure, Ahalya will intrigue and mesmerize readers’ CHITRA BANERJEE DIVAKARUNI‘An enigmatic tale about purity, chastity, seduction and redemption’ NAMITA GOKHALE‘Brilliant and intriguing’ ANAND NEELAKANTANIt is known that Ahalya was cursed by her husband, Gautam, for indulging in a physical relationship with Indra. But is there another story to Ahalya's truth? Who was Indra anyway? A king? A lover? A philanderer? The first book of the Sati series, Ahalya hinges on these core questions, narrating the course of her life, from innocence to infidelity.In the Sati series, Koral Dasgupta explores the lives of the Pancha Kanyas from Indian mythology, all of whom had partners other than their husbands and yet are revered as the most enlightened women, whose purity of mind precedes over the purity of body. The five books of the Sati series reinvent these women and their men, in the modern context with a feminist consciousness.

    A drunkard in a Mumbai slum tries to compete with the torrential rain, even as it washes his dwelling away. An army man at the border has become so accustomed to speaking over the wireless that he ends every sentence with ‘Over!’ And in the title story, a cop drags a dead cow from Vinayak Rao Patwardhan Road to the adjoining Bapu Road, since the latter is so much easier to spell.From real-life stories about Javed Akhtar, Sahir Ludhianvi and Kuldip Nayyar to tales set in Kashmir, in the hinterland, in the modern megapolis and on the LoC, from anecdotes of love and betrayal to fables of courage and conviction, this is an enthralling collection available in English for the very first time.

    The size of the Deol family – it put any Sooraj Barjatya movie to shame.2. The fertility of the Deol family – they reproduced faster than any other species known to mankind.It’s been four years since their wedding, and Mona and Ramit have done the unthinkable – they’ve remained childless. Of course, that also means that they’ve battled that one question day in and day out: ‘Koi Good News?’It doesn’t matter that they have been happy to be child-free – they are married; they are expected to make babies. After all, there are grandparents, great-grandparents, uncles, aunts and even colony aunties in waiting.Now, the truth is, Ramit and Mona had been trying to conceive for the past one year. But having a baby isn’t as easy as it’s made out to be.Finally, aided by the wine at their highly glamorous neighbours’ party, Mona gets pregnant. And so begins a crazy journey – complete with interfering relatives, nosy neighbours, disapproving doctors, and absolutely no privacy!Honest, relevant and thoroughly irreverent, Koi Good News? is the funniest book you’ll read this year.

    But even after her death, Savitri remains in the house, invisible yet constantly audible. Gradually, the inmates begin to rely on Savitri’s voice to have their lives managed.One day, Savitri falls silent. Soon afterwards, Moom, a young girl of 11 or 12 mysteriously appears in Agarwal House. And her arrival reveals several secrets.