A comprehensive book that covers all aspects of choreography from the most fundamental techniques to highly sophisticated artistic concerns.  The Intimate Act of Choreography presents the what and how of choreography in a workable format that begins with basics- - time, space, force -- and moves on to the more complex issues faced by the intermediate and advanced choreographer -- form, style, abstraction, compositional structures, and choreographic devices.The format of the book evolved from the idea that improvisation is a good way to learn choreography.  This approach is in harmony with widely accepted dance philosophies that value the unique quality of each individual’s creativity.  After discussing a concept, the authors provide improvisations, and choreographic studies that give the student a physical experience of that concept.  The language is stimulating an innovative, rich in visual images that will challenge the choreographer to explore new directions in movement.The book is for serious dance students and professionals who are interested in both the practical and theoretical aspects of the art, dancers who are just starting to choreograph, and teachers who are seeking fresh ideas and new approaches to use with young choreographers.  (A Teacher’s Addendum offers suggestions on how to use the material in the classroom.)  It is a guide, a text, and an extensive resource of every choreographic concept central to the art form.

    I wanted not a tract, but a tapestry in which making is seen in the context of the other processes—sexuality, mortality—inseparable from it.""Bidart has patiently amassed as profound and original a body of work as any now being written in this country. He has given form for our age to what is most urgent and most private in the human soul: the ordeals of solitude and mortality and hunger and, recently, that action through which being speaks: the drive to make or create. Bidart’s poems sound like no one else’s; they look like no one else’s. . . . He is, in the feeling of our jury, one of the great poets of our time."—Louise Glück, jury chair, 2001 Wallace Stevens Award The Academy of American PoetsThe inaugural edition in Sarabande's Quarternote Chapbook Series which will feature a select group of poets by invitation onlyFrank Bidart's collections of poetry include Desire (1997), which received the 1998 Bobbitt Prize for Poetry from the Library of Congress and the Theodore Roethke Memorial Poetry Prize, and was nominated for the National Book Award, the National Book Critics Circle Award, and the Pulitzer Prize; In the Western Night: Collected Poems 1965-90 (1990); The Sacrifice (1983); The Book of the Body (1977); and Golden State (1973). Among his many honors are the Lila Acheson Wallace/Reader’s Digest Fund Writer’s Award, the Morton Dauwen Zabel Award given by the American Academy of Arts and Letters, the Shelley Award of the Poetry Society of America, and the Lannan Literary Award. He teaches at Wellesley College and lives in Cambridge, Massachusetts.

    His influential work spans many practices over a 23-year period, from music packaging to installation work to printmaking. Here, he reveals his personal notebooks, photographs, sketches, and abandoned routes to iconic Radiohead artworks. Arranged chronologically, each chapter is dedicated to a major work—whether an album cover, promotional piece, or a personal project—and is presented as a step-by-step working case study. Featuring commentary by Thom Yorke and never-before-seen archival material, this is the first deep dive into Donwood’s creative practice and the artistic freedom afforded to him by working for a major music act. It is a must-have for fans of the band and anyone interested in graphic design and popular culture.

    He's desperate to make amends for the mistakes he's made and convince Sierra their love deserves a second chance, but will she risk everything for another chance with the man who broke her heart? Fearless #2 - Lexi Brooks overcame adversity to build a successful real estate business that allows her to live life on her terms. She envisions travel, fun, and excitement, not marriage, kids, and commitment. But will Trey's sexy bodyguard, Josh, throw a wrench into her plans? Ruthless #3 - Marisa Turner has wanted her brother's best friend, Luc, forever. But she also wants a baby and it seems Luc isn't up to the challenge. She has to choose between the man she loves and the family she hopes to have. Fortunately, there's another man waiting in the wings to make her baby fantasy a reality. Reckless #4 - As a publicist, Avery Collins knows that mixing business with pleasure is a recipe for disaster so she has one rule. Her bedroom is off limits to clients, no matter how enticing and persistent they may be. Ty McCall is country music’s newest rising star, but he needs the best team in the business to help him make it to the top. That team includes Avery, who gave him the most unforgettable night of his life only to disappear the next morning. Note to Readers: The entire Nashville Nights and Nashville Nights Next Generation series is now available!

    But when the young members of the Christian Puppet Ministry put those teachings into practice, one devout young man's puppet takes on a shocking personality that no one could have expected. In this hilarious black comedy, a foul-mouthed sock puppet named Tyrone soon teaches those around him that the urges that can drive a person to give in to their darkest desires fit like a glove. In Hand to God, a "true tour de force" (New York Times), Robert Askins has written a play of "unerring perfection" (Huffington Post). The must-see hit of the 2015 Broadway season, starring Steven Boyer and Geneva Carr, garnered an Obie Award and five Tony Award nominations, including Best Play, following its sold out, critically acclaimed off-Broadway runs at MCC Theater and Ensemble Studio Theatre.

    The journals are reproduced just as he wrote them, in his own handwriting, complete with poems, drawings, photo-collages, and song lyrics. In sharp distinction to his tabloid image, this is the candid self-portrait of a young poet with serious artistic ambitions—soon to rise to international fame with his acclaimed bands The Libertines and Babyshambles. An authentic piece of rock history for all of Pete’s fans, and anyone who cares about new directions in today’s music.

    With her performances, music mixes and surprises,she has made the club number one on the busy downtown Club Row. Cashe is the CEO of Bounce, Inc., a lucrative business that supplies bouncers to the clubs in the row. He has built the business from the ground up, starting off as a bouncer himself, but has long since taken a desk job and he prefers it that way. But when recent fights in the club have Jamie's boss Mickey concerned for her safety, he persuades Cashe to protect her in exchange for business expansion. The deal sounds easy enough, until Jamie and Cashe meet. The immediate and intense attraction between them can not be ignored, and leads to hostility. Although Cashe is in awe of the DJ extraordinaire, his past has left him broken, and barricaded against relationships. When Jamie tries to break through to Cashe, his confusing and hurtful behavior breaks her heart, and she gets fed up. But when threats to Jamie hit dangerous levels, the two are forced together. Will Cashe be able to let himself open to Jamie and find the love he never thought he could have? Or will the threats take their fate out of their hands?

      Witty, sarcastic Ethan and his three best friends are students at Selwyn Arts Academy, which has been hijacked by For Art’s Sake, a sleazy reality-television show. In the tradition of Ezra Pound, the foursome secretly writes and distributes a long poem to protest the show. They’re thrilled to have started a budding rebellion.   But the forces behind the show are craftier than they seem. The web of betrayal stretches farther than Ethan could have ever imagined, and it’s up to him, his friends, and a heroic gerbil named Baconnaise to save Selwyn.

    His grandfather was a jazz musician, and Sammy's indie rock band could be huge one day—if they don't self-destruct first. Winning the upcoming Battle of the Bands would justify all the band's compromises and reassure Sammy that his life's dream could become a reality. But practices are hard to schedule when Sammy's grandfather is sick and getting worse, his mother is too busy to help either of them, and his best friend may want to be his girlfriend. When everything in Sammy's life seems to be headed for major catastrophe, will his music be enough to keep him together?

    What's hiding behind those curtains on the stage? How does a huge set appear so quickly between scenes? Just two of the many questions answered in this visual compendium.

    Through the skillfully disarming use of clichéd language and homilies, the play explores with subtle grace and depth the way the death of a child tears one family apart, while showcasing the talents of a promising young playwright who "in [a] very modern way [is] making a rather old-fashioned case for the power of the written word" (Jason Zinoman, The New York Times).Fresh from its critically acclaimed off-off-Broadway run this past spring, God's Ear moves off-Broadway to the Vineyard Theatre in April 2008.

    For more than twenty years and from Blackwood, Wales to Tokyo, Japan, Nicky Wire has kept a personal visual history of the band in their various stages from Generation Terrorists through Holy Bible and right up to last year's remarkable album, Postcards from a Young Man. Edited down from over 1,000 of Wire's personal polaroids and with accompanying text by the man himself, Death of The Polaroid promises to be a rich, visual biography of one of the most loved and iconoclastic British bands of the past two decades.

    Jarvis may be an all-round irritant, but he's harmless & deep down he's got a heart of gold. As his oldest (& only) friend reflects on his life with Jarvis Ham, he wonders what it would have been like if they had never met.

    Script of Whiplash.A promising young drummer enrolls at a cut-throat music conservatory where his dreams of greatness are mentored by an instructor who will stop at nothing to realize a student's potential.

    Blood on the Tracks was composed as Dylan's twelve-year marriage began to unravel, and songs like "Tangled Up in Blue" and "Shelter from the Storm" have become templates for multidimensional, adult songs of love and loss. Yet the story behind the creation of this album has never been fully told; even the credits on the present-day album sleeve are inaccurate. Dylan recorded the album twice-once in New York City and again in Minneapolis, with a rag-tag gang of local musicians, quickly rewriting many of the songs in the process. For A Simple Twist of Fate, the authors have interviewed the musicians and producers, industry insiders, and others, creating an engaging chronicle of how one musician channeled his pain and confusion into great art.