Their dream was to "liberate" the whole of Asia, and their starting point was British India, the richest of all imperial possessions.The bloody struggle that ensued, the full story of which has never been told, marked a dramatic new twist in the Great Game. Among the players were British Indian intelligence officers and the armed revolutionaries of the Communist International. There were also Muslim visionaries and Chinese warlords-as well as a White Russian baron who roasted his Bolshevik captives alive.Pieced together from secret archives, intelligence reports, and the long-forgotten memoirs of the players involved, here is an extraordinary tale of intrigue and treachery. Like Hopkirk's bestselling The Great Game, its theme is ominously topical in view of the violent events that still grip this turbulent region-from the Caucasus to Afghanistan-where the Great Game never really ended.

    Petersburg to Moscow is among the most important pieces of writing to come out of Russia in the age of Catherine the Great. An account of a fictional journey along a postal route, it blends literature, philosophy, and political economy to expose social and economic injustices and their causes at all levels of Russian society. Not long after the book’s publication in 1790, Radishchev was condemned to death for its radicalism and ultimately exiled to Siberia instead.Radishchev’s literary journey is guided by intense moral conviction. He sought to confront the reader with urgent ethical questions, laying bare the cruelty of serfdom and other institutionalized forms of exploitation. The Journey’s multiple strands include sentimental fictions, allegorical discourses, poetry, theatrical plots, historical essays, a treatise on raising children, and comments on corruption and political economy, all informed by Enlightenment arguments and an interest in placing Russia in its European context. Radishchev is perhaps the first in a long line of Russian writer-dissenters such as Herzen and Solzhenitsyn who created a singular literary idiom to express a subversive message. In Andrew Kahn and Irina Reyfman’s idiomatic and stylistically sensitive translation, one of imperial Russia’s most notorious clandestine books is now accessible to English-speaking readers.

    Soskice

     Additionally, as a lady-in-waiting, Countess Buxhoeveden attended on the Empress for much of the reign of Tsar Nicholas II, only leaving her side when the Imperial Family was removed to Tobolsk after the Tsar’s abdication in 1917. Thereafter, she followed the Empress to Tobolsk, and then to Ekaterinburg, where the entire Imperial Family, some of the Court suite and some of their servants met their deaths on July 17, 1918. The portrait the Countess paints of the Empress is of a warm, shy, kind and generous woman, devoted to Russia, her husband and her children, deeply charitable in word and deed, and a committed friend and mistress, but ill-starred, physically sick, maligned, misunderstood and much plotted against. The character descriptions in this book also include those for Tsar Nicholas, each of the children – OTMA and the Tsarevitch – Grand Duchess Ella (the Empress’ sister), Ania Vyrubova (the Empress’ most intimate friend), Rasputin and Kerensky (the Head of the Provisional Government that took power after the abdication of the Tsar and before the ascendancy of the Bolsheviks). The narrative also describes in detail the daily domestic life of the Imperial Family, and each of their trips to other parts of Russia and abroad in peace and war. It is rare for the author of any authorized biography to know her subject so familiarly and for so long, and to have been a first-hand witness to almost everything that happened for much of her life, and it is this that makes ‘The Tragic Empress’ such an intriguing and compelling book.

    

    The only comprehensive and definitive history by an acclaimed investigative journalist of the corruption and collusion between Russia and the Donald Trump.Is Donald Trump the most corrupt president in American history? A celebrated Associated Press reporter untangles the gripping story of Donald Trump's long, involved collusion with Russia in damning detail -- including new reporting never before published.

    This is his extraordinary story. His vivid inside view of a ruthless war on the Eastern Front gives a rare insight into the reality of the fighting and into the tactics and mentality of the Red Army's soldiers. In his own words, and with a remarkable clarity of recall, he describes what combat was like on the ground, face to face with a skilled, deadly and increasingly desperate enemy. The terrifying moments of action, the discomfort of existence at the front, the humorous moments, the absurdities and cruelties of army organization, and the sheer physical and psychological harshness of the campaign - all these aspects of a Soviet soldier's experience during the Great Patriotic War are brought dramatically to life in Mansur Abdulin's memoirs. Of special interest is the insight he offers into ordinary operations and daily life in the lower ranks of the Soviet army. As he tells his story he reveals much about the thinking of the men, their attitude to the war and their loyalties. He also sheds light on the tense relationships between the disparate national groups that were thrown together to create a huge fighting force. But most memorable are his honest, horrifying descriptions of combat, of being bombed and shelled, of trench warfare, of enduring tank attacks and friendly fire, and of coping with the wounded and the dead. The Author Mansur Gizzatulovich Abdulin was born a Tatar in Anzhero-Sudzhensk, near Tomsk in central Siberia, in 1923. He worked as a miner before volunteering to fight for the Red Army in June 1942. After completing his course at the Tashkent infantry school, he fought on the Stalingrad front, during the encirclement of the German 6th Army, participated in the bitter, decisive battle at Kursk and harried the Germans as they retreated across the Steppes to the banks of the Dnieper river where he was seriously wounded. After the war he returned to his work as a miner and he now lives in retirement at Novotroitsk near Orenburg in the Urals.

    Over the next three decades, this mosaic of cultures was modernized and homogenized out of existence by the ruling might of the Soviet Union, then Nazi Germany, and finally, Polish and Ukrainian nationalism. By the 1950s, this no place emerged as a Ukrainian heartland, and the fertile mix of peoples that defined the region was destroyed.Brown's study is grounded in the life of the village and shtetl, in the personalities and small histories of everyday life in this area. In impressive detail, she documents how these regimes, bureaucratically and then violently, separated, named, and regimented this intricate community into distinct ethnic groups.Drawing on recently opened archives, ethnography, and oral interviews that were unavailable a decade ago, A Biography of No Place reveals Stalinist and Nazi history from the perspective of the remote borderlands, thus bringing the periphery to the center of history.We are given, in short, an intimate portrait of the ethnic purification that has marked all of Europe, as well as a glimpse at the margins of twentieth-century progress.

    The Dragon is a collection of fifteen of his short stories (including a 67 page novella) published between 1918 and 1935. It also includes an introduction by the translator, Mirra Ginsburg, and the text of the letter Zamyatin wrote to Stalin in which he asked to be allowed to "go abroad ... with the right to return as soon as it becomes possible in our country to serve great ideas without cringing before little men". The stories are all tales of everyday life before, during and after the revolution, but are rather hard to classify further — "realist fairy tales", perhaps.

    Suvorov takes the reader through the mind-freezing savagery of a penal glass-house and the extravagant idiocy of army maneuvers on the grandest scale. He shows how an officer is trained, and how the hierarchy of the Soviet army is achieved and maintained. He gives brutally frank portraits of the senior commanders and politicians, and of the petty bureaucrats and Party informers. There is much satiric humor in his Suvorov's vivid narrative, which includes his experiences not only in training and garrison but in action, such as the infamous crushing of the Czech uprising.

    Fortunately, D-Day paratrooper Joseph Beyrle met author Thomas H. Taylor in time to record Behind Hitler's Lines, the true story of the first American paratrooper to land in Normandy and the only soldier to fight for both the United States and the Soviet Union against Nazi Germany. It is a story of battle, followed by a succession of captures, escapes, recaptures, and re-escapes, then battle once more, in the final months of fighting on the Eastern Front. For these unique experiences, both President Bill Clinton and President Boris Yeltsin honored Joe Beyrle on the fiftieth anniversary of V-E Day. Beyrle did not strive to be a part of history, but history kept visiting him. Twice before the invasion he parachuted into Normandy, bearing gold for the French resistance. D Day resulted in his capture, and he was mistaken for a German line-crosser - a soldier who had, in fact, died in the attempt. Eventually Joe was held under guard at the American embassy in Moscow, suspected of being a Nazi assassin. Fingerprints saved him, confirming that he'd been wounded five times, and that he bore a safe-conduct pass written by marshal Zhukov after the Wehrmacht wrested Joe, at gunpoint, from execution by the Gestapo. In the ruins of Warsaw his life was saved again, this time by Polish nuns. Some of Joe's story is in his own words - a voice that will be among the last and best we hear firsthand from World War II.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Between Russia and Germany lay Poland, a nation that had only just recovered its independence after more than a century of foreign oppression. But it was economically and militarily weak and its misguided offensive to liberate the Ukraine in the spring of 1920 laid it open to attack. Egged on by Trotsky, Lenin launched a massive westward advance under the flamboyant Marshal Tukhachevsky. All that Great Britain and France had fought for over four years now seemed at risk. By the middle of August the Russians were only a few kilometers from Warsaw, and Berlin was less than a week's march away. Then the Miracle of the Vistula occurred: the Polish army led by Jozef Pilsudski regrouped and achieved one of the most decisive victories in military history. As a result, the Versailles peace settlement survived, and Lenin was forced to settle for Communism in one country. The battle for Warsaw bought Europe nearly two decades of peace, and communism remained a mainly Russian phenomenon, subsuming many of the autocratic and Byzantine characteristics of Russia's tsarist tradition.