There seems no way to save four hundred villagers from imminent and unsuspecting death; then the wise old man high on the mountain knows what he must do.

    When the poor man was unable to stand it any longer, he ran to the Rabbi for help.As he follows the Rabbi's unlikely advice, the poor man's life goes from bad to worse, with increasingly uproarious results. In his little hut, silly calamity follows foolish catastrophe, all memorably depicted in full-color illustrations that are both funnier and lovelier than any this distinguished artist has done in the past.It Could Always Be Worse is a 1977 New York Times Book Review Notable Children's Book of the Year and Outstanding Book of the Year, and a 1978 Caldecott Honor Book.

    There she initiates a gradual transformation, brightening the bakery and bringing smiles to customers' faces with the flowers she grows. But it is in a secret place that Lydia Grace works on her masterpiece, which she hopes will be powerful enough to make even Uncle Jim smile. Colored by a Depression-era setting, The Gardener introduces readers to a winsome young heroine, whose generosity will reward all who meet her. The Gardener is a 1997 New York Times Book Review Notable Children's Book of the Year and a 1998 Caldecott Honor Book.

    He kept them in a box beside his throne. But Ananse, the Spider man, wanted them -- and caught three sly creatures to get them. This story of how we got our own stories to tell is adapted from an African folktale.

    . .When a black snake threatens to destroy the Earth And poison her people's water, one young water protectorTakes a stand to defend Earth's most sacred resource.

    The memory of the doll Dulcy lost becomes more wonderful and exaggerated each time she talks about it.

    The noted artist illustrates her own selection of seventy-six traditional nursery rhymes.

    Johnny is leaving the farm because of hard times when his Journey Cake leads him on a merry chase that results in a farm yard full of animals and the family all together again.

    Time to go!"Hondo will have an adventure.Fabian will stay home.A dog named Hondo and his friend Fred are going to the beach for a day of excitement. Fabian the cat is left behind at home to play with the baby. Who will cause more trouble? And who will have more fun? Peter McCarty's exquisite illustrations and understated wit turn an ordinary day in the lives of two pets into a rare delight.

    When his parents go away overnight, he's left as the man of the house and promised a special reward if he can keep himself and the farm out of trouble. But that night a bad storm brings trouble--the kind that not even a full-grown man could handle easily. A Caldecott Honor Book. Illustrations. 48 pp. Ages 7-11. Pub: 7/97.

    A man of pure determination, he created the first life-size models of dinosaurs! This brilliant book is a fantastic nod to the genius of one man, and a glimpse into the beginning of an important era.As a boy in England, Benjamin Waterhouse Hawkins always wanted to be an artist. His passion led him to animals, and soon he was drawing and painting them with fervor. This eventually led to his true calling -- creating models of dinosaurs as they actually must have looked when they roamed the earth! With the help of scientist Richard Owen, he checked the fossil remains of dinosaurs against living animals and constructed a gigantic model. Among the first to witness his creation were Queen Victoria and Prince Albert, who reacted with pure amazement.In order to impress England's leading scientists with his work, Waterhouse Hawkins staged a lavish New Year's Eve dinner party and hosted the gala inside the body of his model! He also wanted the public to learn about the dinosaurs and their history, so he built smaller models, illustrated books, and lectured on the subject. His fame spread to the United States, and he was invited to New York, where he began to create model dinosaurs for a proposed Paleozoic Museum in Central Park. However, a corrupt politician put an end to the project, and vandals later broke into Waterhouse Hawkins's workshop and destroyed his models. Though distraught, he moved on to Princeton, where he built skeletons and created paintings about life on earth in the age of the dinosaurs. Eventually, Waterhouse Hawkins returned to England and continued his work, some of which can still be seen in Crystal Palace Park.Writer Barbara Kerley and illustrator Brian Selznick have weaved a spirited account of this largely forgotten man. Plenty of textual detail, research, and a good dose of wonderment make Kerley's narrative a delightful experience. And the awesome illustrations, which combine Waterhouse Hawkins's own grandeur with Selznick's talent for the bold and the beautiful, made the pages come to life. The fusion of scientific allure and sensational images is a stroke of brilliance. This phenomenal book stands as true testament to the devotion and power of an individual -- it would have made Waterhouse Hawkins proud. (Amy Barkat)

    With roots in American slave tales, Tops & Bottoms celebrates the trickster tradition of using one’s wits to overcome hardship. “As usual, Stevens’ animal characters, bold and colorful, are delightful. . . . It’s all wonderful fun, and the book opens, fittingly, from top to bottom instead of from side to side, making it perfect for story-time sharing.”--BooklistThis title has been selected as a Common Core Text Exemplar (Grades 2-3, Stories)

    Yet they all want her to dress just like them! Ella Sarah will have none of it--and when her flamboyantly dressed friends arrive, it's clear that Ella Sarah's favorite outfit is just right for her. Written and illustrated by Margaret Chodos-Irvine, this spirited, Caldecott Honor-winning story will gently nudge young children toward independence--providing plenty of exuberant colors and patterns to identify along the way.

    But what happens when the sign is taken down? Told with Freeman's typical humor and simplicity, the book features breathtaking vistas of San Francisco. Will's Quill tells the story of Willoughby Waddles, a goose in Shakespearean London who longs to be useful. When he befriends a young playwright named Will, Willoughby may have found the perfect way to help out--by giving up some goosefeathers. Could these feathers--and this friendship--be just what the playwright needs?

    an entirely absorbing narrative made all the more rich by its wordlessness." Kirkus Reviews hailed it as "a splendid debut."