No fairy tale will ever seem quite the same again!Featuring writing from . . .Authors: Renée Ahdieh, Ameriie, Soman Chainani, Susan Dennard, Sarah Enni, Marissa Meyer, Cindy Pon, Victoria Schwab, Samantha Shannon, Adam Silvera, Andrew Smith, April Genevieve Tucholke, and Nicola YoonBookTubers: Benjamin Alderson (Benjaminoftomes), Sasha Alsberg (abookutopia), Whitney Atkinson (WhittyNovels), Tina Burke (ChristinaReadsYA blog and TheLushables), Catriona Feeney (LittleBookOwl), Jesse George (JessetheReader), Zoë Herdt (readbyzoe), Samantha Lane (Thoughts on Tomes), Sophia Lee (thebookbasement), Raeleen Lemay (padfootandprongs07), Regan Perusse (PeruseProject), Christine Riccio (polandbananasBOOKS), and Steph Sinclair & Kat Kennedy (Cuddlebuggery blog and channel).

    After months of accepting his lame excuses and strange behavior, his wife has had enough. She demands that he see a therapist, and George, desperate to save his unraveling marriage and redeem himself as a father and husband, reluctantly agrees. As he delves into his childhood memories, he begins to recall things he hasn’t thought of in twenty years. Events, people, and strange situations come rushing back. The odd, rambling letters his father sent home before he died. The jovial mother who started dating too soon after his father’s death. A boy who appeared one night when George was lonely, then told him secrets he didn’t want to know. How no one believed this new friend was real and that he was responsible for the bad things that were happening. Terrified by all that he has forgotten, George struggles to remember what really happened in the months following his father’s death. Were his ominous visions and erratic behavior the product of a grief-stricken child’s overactive imagination (a perfectly natural reaction to the trauma of loss, as his mother insisted)? Or were his father’s colleagues, who blamed a darker, more malevolent force, right to look to the supernatural as a means to end George’s suffering? Twenty years later, George still does not know. But when a mysterious murder is revealed, remembering the past becomes the only way George can protect himself–and his young family.A psychological thriller in the tradition of Donna Tartt’s The Secret History–with shades of The Exorcist–the smart and suspenseful A Good and Happy Child leaves you questioning the things you remember and frightened of the things you’ve forgotten.From the Hardcover edition.

    He is unhurt, but emotionally scarred. Haunted by the blast for many days, he seeks redemption. One day, while wandering near the blast site, he finds a half-burnt diary, written by someone who died on that fateful day.The burnt diary entrusts Deb with a strange responsibility - the last words of a dead man.Shrey, his best buddy since college, and Avantika, his girlfriend, unknowingly join him on his road trip, as he tries to put together the pieces of the dead guy's intriguing story.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    A place for Steve & Melody Samson to begin their new life together away from the noise and crime of the city. However, their new home – an idyllic cottage nestled deep within the dense solitude of Oakwell forest-has a disturbing history, hidden for generations by the locals. There is evil in Hope House, and the cursed forest that surrounds it. Evil that has awakened after lying dormant for decades, and has terrifying plans for the young couple.Once you hear the whispers, it may already be too late.

    Nesbit, Diana Wynne Jones, Gahan Wilson, and other literary luminaries. Sales of Unnatural Creatures benefit 826DC, a nonprofit organization dedicated to supporting students in their creative and expository writing, and to helping teachers inspire their students to write.

    Palahniuk channels both Stephen King and John Cheever in this singularly sinister and hilarious short story, straight from the passive-aggressive front lines of modern marriage, where a wife's frustration, along with the family cat, become weapons of mass destruction.Rachel married Ted because he was uncomplicated and loyal. But he was also devoted to his wretched house (done up in black granite, black appliances, even black dishware) and his first love, an old, flatulent cat named Belinda Carlisle. Once Rachel becomes pregnant, Ted reluctantly agrees to move and give up the cat. But the house doesn't sell, and Belinda Carlisle still haunts their home: every day the creature becomes fatter and more malodorous. When the house burns to the ground in a freak conflagration and the couple's daughter, April, is born blind soon thereafter, the marriage is never the same again. Only on a business trip three years later does Rachel begin to reckon with the damage.In an Orlando motel room far from Ted and April, Rachel wonders: Is her simple-minded husband more vindictive and manipulative than even Rachel could have imagined? How far will she go to keep the upper hand—a bit of emotional and physical torture, perhaps? Will she win the battle, only to lose so much else?If all is fair in love and war, there are few contemporary writers better equipped than Palahniuk to travel the extremes, right to the chilling intersection of "I do" and "I'm damned."

    They were all writers. While media is decorating the murders with sensationalist stories, and law enforcement is playing catch-up, the homicidal maniac remains elusive and secretive. Things get very interesting, when one day she decides to appear on an internet talk show for an honest fireside chat.