If one half of the characters live their secret, interior lives apart from society, then the other half are looking for their own ways out: drugs, murder, revolution, betrayal, and infidelity.

    F. Powers's beautifully realized final work, is a comic foray into the commercialized wilderness of modern American life. Its hero, Joe Hackett, is a high school track star who sets out to be a saint. But seminary life and priestly apprenticeship soon damp his ardor, and by the time he has been given a parish of his own he has traded in his hair shirt for the consolations of baseball and beer. Meanwhile Joe's higher-ups are pressing for an increase in profits from the collection plate, suburban Inglenook's biggest business wants to launch its new line of missiles with a blessing, and not all that far away, in Vietnam, a war is going on. Joe wants to duck and cover, but in the end, almost in spite of himself, he is condemned to do something right.J. F. Powers was a virtuoso of the American language with a perfect ear for the telling cliché and an unfailing eye for the kitsch that clutters up our lives. This funny and very moving novel about the making and remaking of a priest is one of his finest achievements.

    Narrated in the first person by the protagonist and Crocadile member Duke, The Cool World recounts the story of Duke and his gang's adventures and travails as they deal with street life in the ghetto and a rival gang called the Wolves. Drug dealing, fights, prostitution, guns, and gambling are rampant throughout this engaging, slim novel that rarely has a dull moment. Written entirely in African-American street vernacular of the time, Miller—a caucasian academic—accomplished a great, and mostly unnoticed, linguistic and narrative feat with this novel.

    More freedom than she has ever imagined awaits her at Columbia University in the 1960s. There, Felicitas falls in love with the worst man for her -- with shattering results. Now she must turn again to the company of the women who love her as she struggles to embrace the future without betraying the past.

    Henley weaves her clear and powerful prose with an unforgettable story of a human heart unbinding itself in the most unjust of worlds.

    Its central character is Edward Cavan, a brilliant English professor, who commits suicide. His death sets off a shock wave among Cavan's friends -- and changes things for some of them forever."It is impossible not to be interested in (Sarton's characters) and concerned with what concerns them". -- The New Yorker

    A popular teacher at a midwestern college, she appears to be going somewhere. But Jane knows better. After a lifetime habit of looking to books for the answers to life's mysteries, she seems to be finding only more questions.Then her beloved grandmother suddenly dies, and Jane returns home for the funeral, where she is faced with the little dramas and fictions of both the past she has lived and the past she has only been told about. In the midst of it all, she is considering breaking off a long-term, long-distance affair, but like the family stories she tries to make sense of, she cannot seem to find a reason to claim a life of her own.

    ~ IF A YOUNG MAN finds his own father inconveniently ordinary, can he choose another? Jonathan Jaimison, the engagingly amoral hero, comes to New York from Silver City, Ohio for exactly such a purpose. Combing through his mother's diaries and the bars and cafes of Greenwich Village, Jonathan seeks out the writer or painter whose youthful indiscretion he believes he might have been, all the while committing numerous indiscretions of his own. By the end of the novel, Jonathan has figured out not only his paternity, but his maternity, and best of all, himself. Published in 1962, "The Golden Spur" was Dawn Powell's last novel.

    He was born in New York City to Jewish parents; his father was born in Poland. He went to college and earned his B.A. from New York University and went on to acquire an M.A. as well as a Ph.D. in English Literature from the University of Michigan, before spending most of his adult life in Berkeley, California.Going Places, his first book of short stories, made his reputation as one of the most brilliant of that era's fiction writers; the stories are urban, funny, and written in a private, hectic diction that gives them a remarkable edge. The follow-up, coming six years later (Michaels was perhaps not prolific enough to build a widely popular career), was I Would Have Saved Them If I Could, a collection as strong as the first.

    A Swedish scientist, an American journalist, and a young, French-speaking adventurer climb into a wicker gondola suspended beneath a huge, red-and-white balloon. The ropes are cut, the balloon rises, and the three begin their voyage: an attempt to become the first people to set foot on the North Pole, and return, borne on the wind. Philip Pullman says in his foreword: "Once I open any of MacDonald Harris’s novels I find it almost impossible not to turn and read on, so delightful is the sensation of a sharp intelligence at work. In The Balloonist , we see all of his qualities at their best."

    But in Guy's case, the legend is one of betrayal and infamy. For the scandal of his embezzlement brought down the delicately balanced structure of the Stock Exchange. The long-honored system of self-government by mutual trust among gentlemen came to an end with the default of one of its brightest stars.The story of Guy's fall is told by the three persons most intimately concerned: Guy himself, Rex Geer, his closest friend, and Angelica, his wife. We see him first through his own eyes — embittered, oddly proud of his peculiar distinction, and entirely unrepentant — the golden boy, the Wall Street manipulator, and finally the old man determined to justify himself to the grandchildren he will never see.Rex and Angelica in turn pick up the same threads of the story, but the threads change color subtly as they pass through different hands. In the end, the reader must decide for himself which is the real Guy Prime.Louis Auchincloss brings to the financial world the same authority and understanding he brought to the worlds of the law (Powers of Attorney), the private school (The Rector of Justin), and the old families of New York (Portrait in Brownstone). Virgilia Peterson, writing in the New York Times Book Review, called The Rector of Justin "not only a passionately interesting, but a spiritually important study of the American character of, and for our time." Her words hold true for The Embezzler.

    

    With wisdom and sympathy and spare eloquence, she writes of their inarticulate longings for communion and grace.Yet even the saddest situations are imbued with Thompson¹s characteristic humor and a wry glimmer of hope. With Who Do You Love, readers will discover a writer with rare insight into the resiliency of the human spirit and the complexities of love.

    Soon most of the SLA are dead, killed in a suicidal confrontation with police in Los Angeles, forcing Tania and her two remaining comrades--the pompous and abusive General Teko and his duplicitous lieutenant, Yolanda--into hiding, where they will remain for the next sixteen months. These are the months of Tania's sentimental education.

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.