If only the nightmare had ended when she was rescued. Instead, her real father exploited her tabloid-ready story for fame and profit—until Charlotte finally broke free from her ghoulish past and fled. Just when she thinks she has buried her personal hell forever, Charlotte is swept into a frightening new ordeal. Secretly dosed with an experimental drug, she’s endowed with a shocking new power—but pursued by a treacherous corporation desperate to control her.Except from now on, if anybody is going to control Charlotte, it’s going to be Charlotte herself. She’s determined to use the extraordinary ability she now possesses to fight the kind of evil that shattered her life—by drawing a serial killer out from the shadows to face the righteous fury of a victim turned avenger.

    They’re well aware that the first forty-eight hours are critical and after that, the odds usually point to a worst-case scenario. And despite Stevie Clark’s youth, he knows that, too; he’s seen the cop shows. He knows what each ticking moment may mean for Jude, his cousin and best friend.That, and there was that boy, Max Larsen...the one from years ago, found dead after also disappearing under mysterious circumstances. And then there were the animals: pets gone missing out of yards. For years, the residents of Deer Valley have murmured about these unsolved crimes…and that a killer may still be lurking around their quiet town. Now, fear is reborn—and for Stevie, who is determined to find out what really happened to Jude, the awful truth may be too horrifying to imagine.

    Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    Three child survivors. A religious fanatic who insists the three are harbingers of the apocalypse. What if he's right?The world is stunned when four commuter planes crash within hours of each other on different continents. Facing global panic, officials are under pressure to find the causes. With terrorist attacks and environmental factors ruled out, there doesn't appear to be a correlation between the crashes, except that in three of the four air disasters a child survivor is found in the wreckage. Dubbed 'The Three' by the international press, the children all exhibit disturbing behavioural problems, presumably caused by the horror they lived through and the unrelenting press attention. This attention becomes more than just intrusive when a rapture cult led by a charismatic evangelical minister insists that the survivors are three of the four harbingers of the apocalypse. The Three are forced to go into hiding, but as the children's behaviour becomes increasingly disturbing, even their guardians begin to question their miraculous survival.

    A manhunt ensues—though the authorities aren’t sure if it’s a man they should be looking for.Some suspect an escapee from the White Tower, a foreboding biotech facility owned by the Godfrey family—their personal fortune and the local economy having moved on from Pittsburgh steel—where, if rumors are true, biological experiments of the most unethical kind take place. Others turn to Peter Rumancek, a Gypsy trailer-trash kid who has told impressionable high school classmates that he’s a werewolf. Or perhaps it’s Roman, the son of the late JR Godfrey, who rules the adolescent social scene with the casual arrogance of a cold-blooded aristocrat, his superior status unquestioned despite his decidedly freakish sister, Shelley, whose monstrous medical conditions belie a sweet intelligence, and his otherworldly control freak of a mother, Olivia. At once a riveting mystery and a fascinating revelation of the grotesque and the darkness in us all, Hemlock Grove has the architecture and energy to become a classic in its own right—and Brian McGreevy the talent and ambition to enthrall us for years to come.

    Two boys are in hospital after a tragic accident. One of them is Ben.She thought she could trust Emma, her new friend, to look after her little boy. After all, Emma’s a kindred spirit—someone Sophie was sure she could bare her soul to, despite the village rumours. But Sophie can’t shake the feeling that she’s made an unforgivable mistake and now her whole family is in danger.Because how well does she know Emma, really? Should she have trusted her at all?Time is running out. Powerless to help her child, still hours from home, Sophie is about to discover the truth. And her life will never be the same.

    And that of strangers, too. Wherever she goes, she’s being watched. Each stalker is different from the last, except for one thing—their alarming obsession with Nicki.Desperate times call for desperate measures, and Nicki’s father is turning to someone who can protect her: retired private detective and ex–Navy SEAL Jon Lancaster. Teaming up with FBI agent and former abduction victim Beth Daniels, Lancaster can help—his way. He’s spent most of his career dispatching creeps who get off on terrorizing the vulnerable. Unlicensed, and unrestricted, he plays dirty…But this case is unusual. Why so many men? Why this one girl? Does Nicki have something to hide? Or do her parents?Trawling the darkest depths of southern Florida, Lancaster faces a growing tide of secrets and deception. And the deeper he digs, the more he realizes that finding the truth won’t be easy. Because there’s more to this case than meets the eye.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    Hotly pursued by the police, they crash into the suburban home of an accountant and take the family hostage. Soon the mafia are on the scene.

    Weird. Crazy. These are the names tossed around seventeen-year old Jane Watts by her fellow classmates. But things aren’t always as they seem. Sometimes there’s a reason for talking to yourself in the hallway at school.Adjusting to her new home and school after an abrupt move, Jane just wants to be like everyone else at school. Although she does manage to make one friend, Evan — sixteen, charming and protective. Evan is everything a girl could want in a best friend, with one minor caveat: He’s dead.Caught somewhere between life and death, Evan is tied to Jane and the living world, unable to complete the journey to the other side. She thinks he’s here to be her friend, to take care of her, and that’s why no one else can see or hear him.That is, until a new boy shows up at school after a rumored stretch in juvie. Connor can see Evan and is not convinced that the ghost is completely honest. Past experience taught him how ghosts tend to need something from the humans they connect to and Evan, despite his arguments, isn’t any different.Jane is resentful of Connor’s intrusion but soon realizes that her ghostly friend has secrets about his past. And now Evan's family, still reeling from his tragic death, is in danger. Jane must face her fears and battle Evan’s human demons to free both of them.

    When Jon is finally ready to confess his feelings, he's suddenly kidnapped by his substitute teacher who is obsessed with H.P. Lovecraft and has a plot to save humanity.Mourning the disappearance of Jon and facing the reality he may never return, Chloe tries to navigate the rites of entering young adulthood and "fit in" with the popular crowd, but thoughts of Jon are never far away. When Jon finally escapes, he discovers he now has an uncontrollable power that endangers anyone he has intense feelings for. He runs away to protect Chloe and find the answers to his new identity—but he's soon being tracked by a detective who is fascinated by a series of vigilante killings that appear connected. Whisking us on a journey through New England and crashing these characters' lives together in the most unexpected ways, Kepnes explores the complex relationship between love and identity, unrequited passion and obsession, self-preservation and self-destruction, and how the lines are often blurred between the two.

    At The Seattle Mirror, he is competing for the single full-time job being offered through the paper's intense intern program. But unlike the program's other young reporters, who attended big name schools and worked at other big metro dailies, Wade put himself through community college, and lacked the same experience. Wade struggles with his haunting past as he pursues the story of Karen Harding, a college student whose car was found abandoned on a lonely stretch of highway in the Pacific Northwest. How could this beloved young woman with the altruistic nature simply vanish? Wade battles mounting odds and cut-throat competition to unearth the truth behind Karen Harding's disturbing case. Her disappearance is a story he cannot give up, never realizing the toll it could exact from him. The Dying Hour is a bone-chilling, mesmerizing page-turner that introduces readers to an all-too-human young hero who journeys into the darkest regions of the human heart to confront a nightmare. The International Thriller Writers (ITW), selected The Dying Hour as a finalist for a Thriller Award for Best Paperback Original, 2006. Rick Mofina is a former journalist who has interviewed murderers on death row, flown over L.A. with the LAPD and patrolled with the Royal Canadian Mounted Police near the Arctic. He's also reported from the Caribbean, Africa and Kuwait's border with Iraq. His books have been published in nearly 30 countries, including an illegal translation produced in Iran. His work has been praised by James Patterson, Dean Koontz, Michael Connelly, Lee Child, Tess Gerritsen, Jeffery Deaver, Sandra Brown, James Rollins, Brad Thor, Nick Stone, David Morrell, Allison Brennan, Heather Graham, Linwood Barclay, Peter Robinson, Håkan Nesser and Kay Hooper. The Crime Writers of Canada, The International Thriller Writers and The Private Eye Writers of America have listed his titles among the best in crime fiction. As a two-time winner of Canada's Arthur Ellis Award, a three-time Thriller Award finalist and a two-time Shamus Award finalist, the Library Journal calls him, “One of the best thriller writers in the business."

    On a rare night out, she meets a man in a bar and sparks fly. Though he leaves after they kiss, she’s thrilled she finally connected with someone.When Louise arrives at work on Monday, she meets her new boss, David. The man from the bar. The very married man from the bar…who says the kiss was a terrible mistake but who still can’t keep his eyes off Louise.And then Louise bumps into Adele, who’s new to town and in need of a friend, but she also just happens to be married to David. David and Adele look like the picture-perfect husband and wife, but then why is David so controlling, and why is Adele so scared of him?As Louise is drawn into David and Adele’s orbit, she uncovers more puzzling questions than answers. The only thing that is crystal clear is that something in this marriage is very, very wrong, but Louise can’t guess how wrong―and how far a person might go to protect their marriage’s secrets.

    His arrival causes cheeks to flush and arms to fold in disapproval. No one in the village - living or dead - will tell what happened to the teenage mother who abandoned him as a baby, despite Mahony's certainty that more than one of them has answers. Between Mulderrig’s sly priest, its pitiless nurse and the caustic elderly actress throwing herself into her final village play, this beautiful and darkly comic debut novel creates an unforgettable world of mystery, bloody violence and buried secrets.

    Did one of them kill to get it?Prep school sweethearts Ian and Andi Copeland are envied by everyone they know. They have successful businesses, a beautiful house in St. Louis, and their eldest daughter, Cassidy, is following in their footsteps by attending prestigious Glenlake Academy. Then, a submerged car is dredged from the bottom of a swimming hole near the campus. So are the remains of a former writer-in-residence who vanished twenty years ago—during Ian and Andi’s senior year.When Cassidy’s journalism class begins investigating the death, Ian and Andi’s high school secrets rise to the surface. Each has a troubled link to the man whose arrival and sudden disappearance once set the school on edge. And each had a reason to want him gone. As Cassidy unwittingly edges closer to the truth, unspoken words, locked away for decades, will force Ian and Andi to question what they really know—about themselves, about the past, and about a marriage built on a murderous lie.