One, mourning a lost lover, finds herself sleepwalking at night. Another, who has embarked on a relationship with a man whose wife is in a coma, finds herself suddenly unable to stay awake. A third finds her sleep haunted by another woman whom she was once pitted against in a love triangle. Sly and mystical as a ghost story, with a touch of Kafkaesque surrealism, Asleep is an enchanting book from one of the best writers in contemporary international fiction.

    A lonely teenage girl falls in love with her foster brother as she watches him leap from a high diving board into a pool—a peculiar infatuation that sends unexpected ripples through her life. A young woman records the daily moods of her pregnant sister in a diary, taking meticulous note of a pregnancy that may or may not be a hallucination—but whose hallucination is it, hers or her sister's? A woman nostalgically visits her old college dormitory on the outskirts of Tokyo, a boarding house run by a mysterious triple amputee with one leg.Hauntingly spare, beautiful, and twisted, The Diving Pool is a disquieting and at times darkly humorous collection of novellas about normal people who suddenly discover their own dark possibilities.

    This is a curiously elegant and scandalous tale of sexual deception and revenge. Ibuki loves widow Yasuko who is young, charming and sparkling with intelligence as well as beauty. His friend, Mikame, desires her too but that is not the difficulty. What troubles Ibuki is the curious bond that has grown between Yasuko and her mother-in-law, Mieko, a handsome, cultivated yet jealous woman in her fifties, who is manipulating the relationship between Yasuko and the two men who love her.

    Keiko has never fit in, neither in her family, nor in school, but when at the age of eighteen she begins working at the Hiiromachi branch of “Smile Mart,” she finds peace and purpose in her life. In the store, unlike anywhere else, she understands the rules of social interaction ― many are laid out line by line in the store’s manual ― and she does her best to copy the dress, mannerisms, and speech of her colleagues, playing the part of a “normal” person excellently, more or less. Managers come and go, but Keiko stays at the store for eighteen years. It’s almost hard to tell where the store ends and she begins. Keiko is very happy, but the people close to her, from her family to her coworkers, increasingly pressure her to find a husband, and to start a proper career, prompting her to take desperate action…A brilliant depiction of an unusual psyche and a world hidden from view, Convenience Store Woman is an ironic and sharp-eyed look at contemporary work culture and the pressures to conform, as well as a charming and completely fresh portrait of an unforgettable heroine.

    The eight masterful stories in this new collection are all told in the first person by a classic Murakami narrator: a lonely man. Some of them (like With the Beatles, Cream and On a Stone Pillow ) are nostalgic looks back at youth. Others are set in adulthood--Charlie Parker Plays Bossa Nova, Carnaval, Confessions of a Shinagawa Monkey and the stunning title story. Occasionally, a narrator who may or may not be Haruki himself is present, as in The Yakult Swallows Poetry Collection. Is it memoir or fiction? The reader decides. The stories all touch beautifully on love and loss, childhood and death . . . all with a signature Murakami twist.'

    But like those same customers and staff, they hold many secrets. If examined carefully, they show the signs of innumerable extravagancies, of immeasurable pleasure and pain, and of the deep mysteries of the human heart.Hitomi, the inexperienced young woman who works the register at Mr. Nakano's thrift shop, has fallen for her coworker, the oddly reserved Takeo. Unsure of how to attract his attention, she seeks advice from her employer's sister, Masayo, whose sentimental entanglements make her a somewhat unconventional guide. But thanks in part to Masayo, Hitomi will come to realize that love, desire, and intimacy require acceptance not only of idiosyncrasies but also of the delicate waltz between open and hidden secrets.Animating each delicately rendered chapter in Kawakami's playful novel is Mr. Nakano himself, an original, entertaining, and enigmatic creation whose compulsive mannerisms, secretive love life, and impulsive behavior defy all expectations.

    He is in awe of her aloofness, her skill at slipping sandwiches into bags, and, most electric of all, her ice-blue eyelids. Every day he is drawn to the supermarket just to watch her in action. But life has a way of interfering – there is his mother, forever distracted, who can tell the fortunes of women; his grandmother, silently dying, who listens to his heart; and his classmate, Tutti, no stranger to pain, who shares her private thrilling world with him.Tender, warm, yet unsentimental, Ms Ice Sandwich is a story about new starts, parents who have departed, and the importance of saying goodbye.

    Winner of most of Japan’s top literary prizes for fiction, Kono Taeko writes with a disquieting and strange beauty, always foregrounding what Choice called "the great power of serious, indeed shocking events." In the title story, the protagonist loathes young girls, but she compulsively buys expensive clothes for little boys so that she can watch them dress and undress. The impersonal gaze Kono Taeko turns on this behavior transfixes the reader with a fatal question: What are we hunting for? And why? Now available in paperback for the first time, Toddler-Hunting Other Stories should fascinate any reader interested in Japanese literature––or in the growing world of transgressive fiction.

    With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel. A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple’s seppuku that follows.

    His people catch barely enough fish to live on, and so must distill salt to sell to neighboring villages. But this industry serves another, more sinister purpose: the fires of the salt cauldrons lure passing ships toward the shore and onto rocky shoals. When a ship runs aground, the villagers slaughter the crew and loot the cargo for rice, wine, and rich delicacies. One day a ship founders on the rocks. But Isaku learns that its cargo is far deadlier than could ever be imagined. Shipwrecks, the first novel by the great Japanese writer Yoshimura to be translated into English, is a stunningly powerful, Gothic tale of fate and retribution.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    Its twelve, stand-alone fragments follow the first year of her separation from her husband. The novel is full of light, sometimes comforting and sometimes dangerous: sunlight streaming through windows, dappled light in the park, distant fireworks, dazzling floodwater, desaturated streetlamps and earth-shaking explosions. The seemingly artless prose is beautifully patterned: the cumulative effect is disarmingly powerful and images remain seared into your retina for a long time afterwards.

    Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent social structures of a lost time.

    Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, "The Tale of Genji," fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, "The Pillow Book" is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

    They each focus intently on their specific jobs: one studies moss, one shreds paper, and the other proofreads incomprehensible documents. Life in the factory has its own logic and momentum, and, eventually, the factory slowly expands and begins to take over everything, enveloping these poor workers. The very margins of reality seem to be dissolving: all forms of life capriciously evolve, strange creatures begin to appear… After a while—it could be weeks or years—the workers don’t even have the ability to ask themselves: where does the factory end and the rest of the world begin?Told in three alternating first-person narratives, The Factory casts a vivid—if sometimes surreal—portrait of the absurdity and meaninglessness of modern life. With hints of Kafka and unexpected moments of creeping humor, Hiroko Oyamada is one of the boldest writers of her generation.