A high school art history teacher, newly single and desperately lonely, he envies his queer students their freedom to live openly the youth he lost to fear and shame.   So when he runs into his childhood friend Oscar Burnham at a wedding in Washington, D.C., he can’t help but see it as a second chance. Now thirty-five, the men haven’t seen each other in a decade. But Oscar has no interest in their shared history. Instead, he’s outraged by what he sees as the death of gay culture: bars overrun with bachelorette parties; friends getting married, having babies. While Oscar and Sebastian struggle to find their place in a rapidly changing world, each is drawn into a cross-generational friendship that treads the line between envy and obsession: Sebastian with one of his students and Oscar with an older icon of the AIDS era. And as they collide again and again, both men must come reckon not just with one another, but with themselves. Rich with sharply drawn characters and contemporary detail, provocative, and emotionally profound, Let’s Get Back to the Party is sure to appeal to readers of Garth Greenwell, Alan Hollinghurst, Claire Messud, and Rebecca Makkai.

    Some families are torn apart forever by one small act, one solitary mistake. In my family it was a series of small explosions; consistent, passionate, pathetic. Cruel words, crude threats... We spurred each other on till we reached a crescendo of pain and we retired exhaused to our rooms, in tears or in fury.Ari is nineteen, unemployed and a poofter who doesn't want to be gay. He is looking for something - anything - to take him away from his aimless existence in suburban Melbourne. He doesn't believe in anyone or anything, except the power of music. All he wants to do is dance, take drugs, have sex and change the world.For Ari, all the orthodoxies of family, sex, politics and work have collapsed. Caught between the traditional Greek world of his parents and friends and the alluring, destructive world of clubs, chemicals and anonymous sex, all Ari can do is ease his pain in the only ways he knows how.Written in stark, uncompromising prose, Loaded is a first novel of great passion and power.

    With wry abandon and a beguiling heart, Everything Is Awful and You're a Terrible Person is a deadpan, tragicomic exploration of love, desire, and dysfunction in the twenty-first century.Daniel Zomparelli is editor and founder of Poetry Is Dead magazine, and the author of the poetry collections Davie Street Translations and (with Dina Del Bucchia) Rom Com. This is his first work of fiction.

    In Vanishing Rooms, the author amply demonstrates his literary promise with a compelling love story of interracial sex and urban violence set in Manhattan’s West Village in the 1970s.

    After the death of his son, his life shattered, Raphael regrets that he didn’t lie about some perfect paradise, and he pushes away everything that once mattered to him—his lover, his job, his reputation as a top architect. Then he meets Brian, a homeless, maybe hopeless kid. A Second Chance Brian’s a street kid. When he disappears, Raphael realizes that he cannot fail another person, and he launches a full-out search. What he finds both breaks his heart and begins to heal it. A Little Magic The price of saving Brian is high, maybe too high. But Raphael is no stranger to sacrifice, and he’ll risk everything to save Brian and reunite with the man Raphael now loves. The question is—How? Like the architecture of the opera house Raphael designs, the steps to regaining his life will depend not just on careful planning, but faith, hope, and maybe just the magic of love.“The Opera House, is a moving and emotional story about about gay men and their children, all struggling with big issues — from leukemia to abandonment, devastating loss to unbridled joy — in a way that’s remarkably touching, sometimes funny, and often unexpected. Remarkable, must-read novel from an emerging master storyteller.” Diane Anderson-Minshall, editor at large, Advocate magazine

    In a 1950s Paris swarming with expatriates and characterized by dangerous liaisons and hidden violence, an American finds himself unable to repress his impulses, despite his determination to live the conventional life he envisions for himself. After meeting and proposing to a young woman, he falls into a lengthy affair with an Italian bartender and is confounded and tortured by his sexual identity as he oscillates between the two. Examining the mystery of love and passion in an intensely imagined narrative, Baldwin creates a moving and complex story of death and desire that is revelatory in its insight.

    . . both urgent and convincing."--The New York Times Book Review In this sequel to David Feinberg's national bestseller Eighty-Sixed, B.J. Rosenthal navigates life with an HIV-positive diagnosis amidst the "constant tide of deaths" in New York City during the AIDS crisis.

    Through a computer screen, a high-school boy falls in love with his oldest friend; in a dorm room, a college boy opens up to his newest. At a hospital, a young man looks into his future; on snowy Cape Cod, he connects with his past. In the passenger seat of his car, a grown man seizes the day with a soldier; under summer fireworks, he shares his story.Ollie shows us how even the most ordinary days can move us in profound ways. In "The Youth & Young Loves of Oliver Wade," we see that our lives may be just a series of moments, but it's these moments that become our momentum.A stand-alone companion to "The Painting of Porcupine City."

    Tropez -- dapper American expatriate Stuart Cosling, his ravishing French wife Helene, and their stunningly handsome son Robbie. To his parents, Robbie was still a boy, but in the spring of 1938, on a cruise of the Greek islands, Robbie discovered the pleasures of manhood. It wasn't until a certain season in St. Tropez that Robbie discovered the endless passion that comes only once with first love.

    For 15-year-old Sam, a wanna-be punk rocker who writes bad haiku poetry, his middle-class suburban life feels like a prison. Mistaking lust for fate, Sam becomes obsessed with Clay, a 17-year-old surfer, outwardly cool but equally adrift. The violence and tumult of Clay's search for identity propels him, with desperately confused Sam in his wake, through the hardest decisions and obstacles of their young lives.24-year-old Blair Mastbaum graduated from the University of California, Berkeley, with a degree in fine arts. He was a fashion model for six years, and now lives in Beverly Hills, where he is hard at work on his second novel.

    Stephen Fry's breathtakingly outrageous debut novel, by turns eccentric, shocking, brilliantly comic and achingly romantic.Adrian Healey is magnificently unprepared for the long littleness of life; unprepared too for the afternoon in Salzburg when he will witness the savage murder of a Hungarian violinist; unprepared to learn about the Mendax device; unprepared for more murders and wholly unprepared for the truth.The Liar is a thrilling, sophisticated and laugh out loud hilarious novel from a brilliantly talented writer.

    Carol Shields' first novels, "Small Ceremonies" and "The Box Garden," each told from the viewpoint of a sister, published as one.

    The story begins with the death of the community's esteemed rabbi, which sets in motion plans for a memorial service and the search for a replacement. The rabbi's nephew and likely successor, Dovid, calls his cousin Ronit in New York to tell her that her father has died. Ronit, who left the community long ago to build a life for herself as a career woman, returns home when she hears the news, and her reappearance exposes tears in the fabric of the community.Steeped in Jewish philosophy and teachings, Disobedience is a perceptive and thoughtful exploration of the laws and practices that have governed Judaism for centuries, and continue to hold sway today. Throughout the novel, Alderman retells stories from the Torah -- Judaism's fundamental source -- and the interplay between these tales and the struggles of the novel's unique characters wields enormous power and wisdom, and will surely move readers to tears.

    After a few sessions with his new friends Rose and Sherry at a romance book club, well, the more romances they read, the more they're convinced they can do better. And do they ever! They join their creative forces to become "Pamela Clarice," self-published romance novelist. When they look for a cover model for their first book, Dane sees the photos that will change his life. Paul Musegetes is the world's most popular romance cover model, and the most secretive. Dane soon finds himself obsessed with this supernaturally handsome man, and when he meets Paul at the Romance Writers' Ball on the Summer Solstice, he and Paul connect for one night of passion...After that night, Dane's a writing machine. He can't stop writing romances, and every story he touches turns to gold. But he also finds that he can't write anything but romances. And soon he's spending every waking moment of every day writing another after another...Then Dane finds out that this Midas touch has a heavy price. When the year is over, he'll never write again. Not a romance, not a serious novel. Nothing. Not even a grocery list. And that leaves him with only one option - find Paul, and get him to break the curse. But before he can do that, he'll have to track down Paul's equally mysterious photographer, Jackson da Vinci...

    And 'A Good Man,' one of the most important. Rarer than the newness, the wit, the vivid readability, is the deep caring understanding, the wholeness, the truth which this astonishing, haunting writer creates her people. 'A Good Man' will be a revelation, an epiphany to many a reader."—Tillie Olsen"In Annie Oakley's Girl, people are so much larger, their motives, dreams and mysteries so much more complex than you ever imagined. Love is so much more dangerous, grief so much more powerful, hope so much more tenuous and necessary. I read everything Rebecca Brown writes, watch for her books and hunt down her short stories. She is simply one of the best contemporary lesbian writers around, and Annie Oakley's Girl is stunning."—Dorothy AllisonPublished in 1993 by City Lights, this collection includes seven stories: "Annie," "The Joy of Marriage," "Folie a Deux," "Love Poem," "The Death of Napoleon: Its Influence on History," "A Good Man," and "Grief."Rebecca Brown is the author of a dozen books of prose including The Last Time I Saw You, The End of Youth, The Dogs, The Terrible Girls (City Lights) and The Gifts of the Body (HarperCollins)."Brown's fourth (The Terrible Girls, 1992, etc.) mixes fantasy, conjecture, and some realism in seven stories that feature atmospheric neo-feminist allegories and fables. The two longest pieces are the most striking: "Annie" (originally published in Adam Mars-Jones's Mae West is Dead: Recent Lesbian & Gay Fiction) is about the narrator's love affair with Annie Oakley—it's part historical pastiche, part touching daydream, and part biting satire. Juxtaposing the narrator's western daydreams with grittier realism, Brown manages to force upon her narrator the kind of rude awakening best displayed by Tim O'Brien in Going after Cacciato. She also has a good deal of fun along the way: in one instance, Annie Oakley signs autographs at Saks—"the release of her authorized biography coincides with the arrival of the special line of new fall fashions—Annie Oakley Western Wear." "A Good Man" (which first appeared in Joan Nestle and Naomi Holoch's Women on Women II) is a tribute to a decent man dying of AIDS, nursed off and on by his lesbian friend; the striking "Folie a Deux" posits a couple who deliberately cripple themselves—one deaf, one blind—so that "Each of us had something the other didn't have"; and the remaining four stories, published in Britain in 1984, are dreamlike fables. In the best, "Love Poem," the narrator and "you," an artist (the second person becomes a tic in several of these), sneak into the Tate and destroy the artist's work; "The Joy of Marriage" is a touching but ideological look at a honeymoon; "Grief" is about a woman sent off by her clique to a foreign country—she never returns. Occasionally moving, the story's too obliquely personal to make enough sense to a wider audience. Imagistic, edgy fictions about postmodern longing in a world off its screws—and where sadness seems to be a woman's only fate."—Kirkus Reviews