As the government enforces tighter restrictions, Luo in turn tightens the reins on the waste workers in his employ. Ruthlessness is his means of survival.Scott Brandle has come to Silicon Isle representing TerraGreen Recycling, an American corporation that stands to earn ungodly sums if they can reach a deal to modernize the island’s recycling process.Chen Kaizong, a Chinese American, travels to Silicon Isle as Scott’s interpreter. There, Kaizong is hoping to find his heritage, but finds more questions instead. The home he longs for may not exist.As these forces collide, a dark futuristic virus is unleashed on the island, and war erupts between the rich and the poor; between Chinese tradition and American ambition; between humanity’s past and its future.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    They are decisive and fearless. Every object, icon, or historical moment has a soul with a voice. In these poems these soulful ones elbow their way to the surface of the page, smartly into the contemporary now.”—Joy Harjo, prize citationfrom “The Piano Speaks”     For an hour I forgot my fat self,     my neurotic innards, my addiction to alignment.     For an hour I forgot my fear of rain.     For an hour I was a salamander     shimmying through the kelp in search of shore,     and under his fingers the notes slid loose     from my belly in a long jellyrope of eggs     that took root in the mud.

    With his harem of over three hundred wives, and dominion over both the human and demonic realms, he is truly the most powerful protagonist—in a trashy web novel series!At least, that's what Shen Yuan, online alias "Peerless Cucumber," believes as he finishes reading the final chapter in Proud Immortal Demon Way. But when a combination of rage and a poor meal choice leads to his death, Shen Yuan finds himself reborn into the world of the web novel, in the body of Shen Qingqiu—the beautiful but cruel teacher to a young Luo Binghe. Although as Shen Qingqiu, he now has incredible power and abilities as a cultivator, he’s destined to be horrifically punished for crimes against the protagonist, so this new Shen Qingqiu has only one course of action: get into Luo Binghe’s good graces before the young man’s rise to power. That’s the only way he’ll escape the awful fate of a true scum villain!

    A wild thriller and deadly game of cat-and-mouse from one of China's most popular authors. For fans of Jo Nesbo, Se7en, and Hong Kong police cinema.The brutal murder of respected police officer Sergeant Zheng Haoming sends shock waves through Chengdu, a modern metropolis in the heart of China's stunning Sichuan province. He had been obsessed by an unsolved, eighteen-year-old murder case until an entity calling itself Eumenides (after the Greek goddess of vengeance and retribution) releases a terrifying manifesto. Is the manifesto a sick joke, or something more sinister? Soon, the public starts nominating worthy targets for Eumenides to kill, and, two days later, Sergeant Zheng is dead. Eumenides' cunning game is only getting started. The police receive a "death notice," a chilling note announcing the the killer's next target, the crimes they have committed, and the date of their execution. The note is both a challenge and a taunt to the police. When the first victim dies in public, under their complete protection, the police are left stunned. More death notices are coming. The chase is on.Death Notice is an explosive, page-turning thriller filtered through a vibrant cultural lens. Zhou Haohui expertly adds an exhilarating new perspective to the twists and tropes of the genre all fans love, making for a uniquely propulsive and entertaining read.

    Liu Pei, the legitimate heir to the Han throne, elects to fight for his birthright and enlists the aid of his sworn brothers, the impulsive giant Chang Fei and the invincible knight Kuan Yu. The brave band faces a formidable array of enemies, foremost among them the treacherous and bloodthirsty Ts'ao Ts'ao. The bold struggle of the three heroes seems doomed until the reclusive wizard Chuko Liang offers his counsel, and the tide begins to turn.Romance of the Three Kingdoms is China's oldest novel and the first of a great tradition of historical fiction. Believed to have been compiled by the play-wright Lo Kuan-chung in the late fourteenth century, it is indebted to the great San-kuo chi (Chronicles of the Three Kingdoms) completed by the historian Ch'en Shou just before his death in 297 CE. The novel first appeared in print in 1522. This edition, translated in the mid-1920s by C. H. Brewitt-Taylor, is based on a shortened and simplified version which appeared in the 1670s. An Introduction to this reprint by Robert E. Hegel, Professor of Chinese and Comparative Literature at Washington University, provides an insightful commentary on the historical background to the novel, its literary origins and its main characters.

    A regular columnist for MTV.com, Willis-Abdurraqib brings his interest in pop culture to these poems, analyzing race, gender, family, and the love that finally holds us together even as it threatens to break us. Terrance Hayes writes that Willis-Abdurraqib "bridges the bravado and bling of praise with the blood and tears of elegy." The poems in this collection are challenging and accessible at once, as they seek to render real human voices in moments of tragedy and celebration.

    The Japanese have taken Nanking. A group of terrified schoolgirls hides in the compound of an American church. Among them is Shujuan, through whose thirteen-year-old eyes we witness the shocking events that follow. Run by Father Engelmann, an American priest who has been in China for many years, the church is supposedly neutral ground in the war between China and Japan. But it becomes clear the Japanese are not obeying international rules of engagement. As they pour through the streets of Nanking, raping and pillaging the civilian population, the girls are in increasing danger. And their safety is further compromised when prostitutes from the nearby brothel climb over the wall into the compound seeking refuge. Short, powerful, vivid, this beautiful novel transports the reader to 1930s China. Full of wonderful characters, from the austere priest to the irreverent prostitutes, it is a story about how war upsets all prejudices and how love can flourish amidst death.

    African & African American Studies. "I get this pinwheel relationship to wisdom & history when I read Simone White. I'm in her dream, but it's a remarkable solidly packed one informed by the quotidian rarity of for instance a prose disquisition on lotion and skin and haircare especially in winter. Like Dana Ward's, her work sends me searching. Like what part of speech is here. As I'm wondering Simone sometimes exits first, and I even feel that a real piece of her poem is adamantly not here and that is her privacy, her power & her skill so what kind of quest is it, this beautiful complex & alive work. Here's my best guess. OF BEING DISPERSED is an ur text of the fourth wave of feminism which we come to realize is ocean and women are now standing on it and amidst this clatter of voices Simone White walks." Eileen Myles "In Simone White's poetry the action is always multiple, palpable, sounding as thought, coming forward through this highly sensitized plane, sudden and hovering, exchanging centers, afflicted and added to by company. The continuous listening company demands company including imaginary self, receding boundaries, the horseman on the night's street, the live, the loved, the drunk, the words, the turnstile, the endless destructive projections people force and the rendering of that listening into irreducible depths of tone, wit, and perception constitute much of what makes OF BEING DISPERSED a masterful book. Buzzing word-love marking time beat by beat, being the ground inside and out, makes up the rest." Anselm Berrigan "Macaronic plenitude of language instantiates places and states of mind. If Edouard Glissant says that we write in the presence of all the world's languages, then we have in Simone White's OF BEING DISPERSED, an underground stream reaching the surface of the page in lines acrobatic and limber, fluent in code switch, mood shift and modes of inquiry. I read White's volume as a poetic lens on the specificities of the diaspora and the 'dispersed, ' written with baroque skepticism, feminist vision and attention to the complications of a Black yet to be storyed any/where." Erica Hunt"

    Memory is dangerous in a country built to function on national amnesia. A single act of public remembrance might expose the frailty of the state's carefully constructed edifice of accepted history, one kept aloft by strict censorship, blatant falsehood, and willful forgetting. Though the consequences of Tiananmen Square are visible everywhere throughout China, what happened there has been consigned to silence. In The People's Republic of Amnesia, NPR's China correspondent Louisa Lim offers an insider's account of this seminal tragedy, revealing the enormous impact it had on China and the reverberations still felt today. Official hypocrisy and the government's obsession with maintaining stability and silence have deepened June 4th's impact on the nation's psyche. Lim interweaves portraits of eight individuals whose lives have been shaped by June 4--including the two women who started Tiananmen Mothers, one of the first and most prominent grassroots organizations outside the Chinese government's control; a student survivor involved in the protests; a soldier who took part in the suppression; and a high-ranking government administrator who played a role in ordering the tanks into the square. In the process she offers a textured, intimate, and haunting look at the national tragedy and an unhealed wound.

    The title novella, "Raise the Red Lantern," which became a critically acclaimed film, tells the story of Lotus, a young woman whose father's suicide forces her to become the concubine of a wealthy merchant. Crushed by loneliness, despair, and cruel treatment, Lotus finds her descent into insanity both a weapon and a refuge."Nineteen Thirty-Four Escapes" is an account of a family's struggles during one momentous year; plagued by disease, death, and the shady promise of life in a larger town, the family slowly disintegrates.Finally, "Opium Family" details the last years of a landowning clan whose demise is brought about by corruption, lust, and treachery -- fruits of the insidious crop they harvest.

    Fairchild’s The Art of the Lathe is a collection of poems centering on the working-class world of the Midwest, the isolations of small-town life, and the possibilities and occasions of beauty and grace among the machine shops and oil fields of rural Kansas.

    She’s lost everything: her home, status, and respectability. Yet the only thing she longs for is Lily, the elegant tortoiseshell cat she shared with her husband. As Shinako pleads for Lily’s return, Shozo’s reluctance to part with the cat reveals his true affections, and the lengths he’ll go to hold onto the one he loves most.A small masterpiece, A Cat, a Man, and Two Women is a novel about loneliness, love, and companionship of the most unexpected kind. In this story of Japanese society and manners, Tanizaki gives us a perfectly-formed oddball comedy, and a love triangle in which the only real rival is feline.‘A tour de force – catnip.’ – New York Times‘One of the finest pieces of literature concerning cats ever written.’ – Choice‘Tanizaki is a very brilliant novelist.’ – Haruki Murakami‘A really great writer . . . Tanizaki has got this warm, ticklishness to his strangeness.’ – David Mitchell‘The outstanding Japanese novelist of the century.’ – Edmund White, New York Times Book Review‘Even his lighter-hearted fictions . . . make us hold our breath, and the endings don’t let us quite exhale.’ – John Updike

    Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence.Central to Huelle’s imagery is the vision of the refugee – be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends’ doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it – like the Chinese ‘Book of Changes’ – can decode their story. What we do with this text, this clue, Huelle seems to say, is up to us.