When she discovers a little broomstick shortly afterwards, she is astonished to feel it jump in to action. Before she can gather her wits, it is whisking her over the treetops, above the clouds, and in to the grounds of Endor College, where: 'All Examinations Coached for by A Competent Staff of Fully-Qualified Witches.' Here she discovers evidence of a terrible experiment in transformation - deformed and mutant animals imprisoned in cages. In the moment after her broomstick takes off, she realises that Tib has been captured. Returning to the College the following day, she manages to free the animals, but not before the Head of the college, Miss Mumblechook, and her colleague, Doctor Dee, have seen her. Mary manages to flee... but the evil pair are in hot pursuit!

    Redwall Abbey, tranquil home to a community of peace-loving mice, is threatened by Cluny the Scourge savage bilge rat warlord and his battle-hardened horde. But the Redwall mice and their loyal woodland friends combine their courage and strength.

    48 tales from all over the world include The Emperor's New Clothes, The Tinder-box, How to Tell a True Princess, and The Nightingale, from Andersen, Grimm, Hungary, Poland, Russia, Germany, France, England, American Indians, and Iceland.

    Anything anyone tells her to do, Ella must obey. Another girl might have been cowed by this affliction, but not feisty Ella: "Instead of making me docile, Lucinda's curse made a rebel of me. Or perhaps I was that way naturally." When her beloved mother dies, leaving her in the care of a mostly absent and avaricious father, and later, a loathsome stepmother and two treacherous stepsisters, Ella's life and well-being seem to be in grave peril. But her intelligence and saucy nature keep her in good stead as she sets out on a quest for freedom and self-discovery as she tries to track down Lucinda to undo the curse, fending off ogres, befriending elves, and falling in love with a prince along the way. Yes, there is a pumpkin coach, a glass slipper, and a happily ever after, but this is the most remarkable, delightful, and profound version of Cinderella you'll ever read.Gail Carson Levine's examination of traditional female roles in fairy tales takes some satisfying twists and deviations from the original. Ella is bound by obedience against her will, and takes matters in her own hands with ambition and verve. Her relationship with the prince is balanced and based on humor and mutual respect; in fact, it is she who ultimately rescues him. Ella Enchanted has won many well-deserved awards, including a Newbery Honor.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    But his wife must be a witch of the darkest powers . . .A sorcery competition is held to discover which witch is the most potent and fiendish, and glamorous Madame Olympia conjures up a thousand plague-bearing rats Belladonna, the white witch, desperately wants to be a wicked enchantress, but her magic produces flowers instead of snakes. How can she become more devilish than all the other witches?

    At over 400 pages, it contains excerpts from Dahl's best-loved fiction for children and his autobiographical material. There are stories, rhymes, and memoirs as well as unpublished poetry and letters. Lavishly produced and illustrated in full-color, it features artwork by such prominent illustrators as Quentin Blake, Lane Smith, and Raymond Briggs.

    As Bilbo Baggins takes his final voyage to the Undying Lands, he must say goodbye to Middle-earth. Poignant and lyrical, the song is both a longing to set forth on his ultimate journey and a tender farewell to friends left behind. Pauline Baynes’s jewel-like illustrations lushly depict both this final voyage and scenes from The Hobbit, as Bilbo remembers his first journey while he prepares for his last.

    Barrie. Peter Pan, the boy who refused to grow up, is one of the immortals of children's literature. J.M. Barrie first created Peter Pan as a baby, living in secret with the birds and fairies in the middle of London, but as the children for whom he invented the stories grew older, so too did Peter, reappearing in Neverland, where he was aided in his epic battles with Red Indians and pirates by the motherly and resourceful Wendy Darling. With their contrary lures of home and escape, childhood and maturity, safety and high adventure, these unforgettable tales are equally popular with children and adults.

    Bartholomew and Hettie are changelings--Peculiars--and neither faeries nor humans want anything to do with them.One day a mysterious lady in a plum-colored dress comes gliding down Old Crow Alley. Bartholomew watches her through his window. Who is she? What does she want? And when Bartholomew witnesses the lady whisking away, in a whirling ring of feathers, the boy who lives across the alley--Bartholomew forgets the rules and gets himself noticed.First he's noticed by the lady in plum herself, then by something darkly magical and mysterious, by Jack Box and the Raggedy Man, by the powerful Mr. Lickerish . . . and by Arthur Jelliby, a young man trying to slip through the world unnoticed, too, and who, against all odds, offers Bartholomew friendship and a way to belong.Part murder mystery, part gothic fantasy, part steampunk adventure, The Peculiar is Stefan Bachmann's riveting, inventive, and unforgettable debut novel.

    Maybe it’s true. But what is he now? A terrifying monster running wild in the sewers? The Daily Scourge is sure of it. A victim of “Rodent Delusion”? The hospital nurse says yes. A lucrative fairground freak? He is to Mr. Tapscrew. A champion wriggler and a budding thief? That’s what Billy thinks. Or just an ordinary small boy, though a little ratty in his habits? Only three people believe this version of the story. And it may take a royal intervention—and a bit of magic—to convince the rest of the world.Set against the backdrop of a Royal Wedding—and a playful parody of the press, I Was a Rat! is a magical weaving of humor, fairy tale, and adventure.

    When Kansas farm girl Dorothy flies away to the magical Land of Oz, she fatally flattens a wicked witch, liberates a living scarecrow and is hailed by the Munchkin people as a great sorceress but all she really wants to know is: how does she get home?

    Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.

    K. Rowling, that will be treasured for years to come.

    Complete with illustrations by Fables artist Mark Buckingham, it is a spirited, highly original tale of adventure, suspense, and everlasting friendship.Max 'the Wolf' is a top notch Boy Scout, an expert at orienteering and a master of being prepared. So it is a little odd that he suddenly finds himself, with no recollection of his immediate past, lost in an unfamiliar wood. Even odder still, he encounters a badger named Banderbrock, a black bear named Walden, and McTavish the Monster (who might also be an old barn cat) - all of whom talk - and who are as clueless as Max. Before long, Max and his friends are on the run from a relentless group of hunters and their deadly hounds. Armed with powerful blue swords and known as the Blue Cutters, these hunters capture and change the very essence of their prey. For what purpose, Max can't guess. But unless he can solve the mystery of the strange forested world he's landed in, Max may find himself and his friends changed beyond recognition, lost in a lost world...