How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    But one particular string of bad news stories – and a terrifying brush with her own mortality – sent her looking for answers about how vulnerable each of us is to a life-changing event. What are our chances of actually experiencing one? What do we fear most and why? And when the worst does happen, what comes next?In this wise and layered book, Leigh talks intimately with people who’ve faced the unimaginable, from terrorism to natural disaster to simply being in the wrong place at the wrong time. Expecting broken lives, she instead finds strength, hope, even humour. Leigh brilliantly condenses the cutting-edge research on the way the human brain processes fear and grief, and poses the questions we too often ignore out of awkwardness. Along the way, she offers an unguarded account of her own challenges and what she’s learned about coping with life’s unexpected blows.Warm, candid and empathetic, this book is about what happens when ordinary people, on ordinary days, are forced to suddenly find the resilience most of us don’t know we have.

    That is, until she finds herself on a school ski trip - and falling in love with the new girl. Peta will need to decide which rules to keep, and which rules to break…'I'm Peta Lyre,' I mumble. Look people in the eye if you can, at least when you greet them. I try, but it's hard when she is smiling so big, and leaning in.Peta Lyre is far from typical. The world she lives in isn't designed for the way her mind works, but when she follows her therapist's rules for 'normal' behaviour, she can almost fit in without attracting attention.When a new girl, Sam, starts at school, Peta's carefully structured routines start to crack. But on the school ski trip, with romance blooming and a newfound confidence, she starts to wonder if maybe she can have a normal life after all.When things fall apart, Peta must decide whether all the old rules still matter. Does she want a life less ordinary, or should she keep her rating normal?A moving and joyful own voices debut.'Honest, perceptive and gutsy; I loved tuning into Peta's world.' - Emily Gale

    Yet she refuses to forget her best friend Elizabeth, who she is convinced is missing and in terrible danger.But no one will listen to Maud—not her frustrated daughter, Helen, not her caretakers, not the police, and especially not Elizabeth's mercurial son, Peter. Armed with handwritten notes she leaves for herself and an overwhelming feeling that Elizabeth needs her help, Maud resolves to discover the truth and save her beloved friend.This singular obsession forms a cornerstone of Maud's rapidly dissolving present. But the clues she discovers seem only to lead her deeper into her past, to another unsolved disappearance: her sister, Sukey, who vanished shortly after World War II.As vivid memories of a tragedy that occurred more than fifty years ago come flooding back, Maud discovers new momentum in her search for her friend. Could the mystery of Sukey's disappearance hold the key to finding Elizabeth?

    When her Aussie-soap-obsessed grandma sends her to Australia to recover, it seems a great opportunity for some rest and relaxation while she figures out what's next.But when Beth arrives in Australia things get off to a rocky start. To begin with, she's on the wrong coast and there are deadly creatures everywhere. And if that weren't enough, her neighbours are driving her crazy. She's staying in the beautiful Margaret River wine region, right next door to a family-owned vineyard. It should be perfect, but the boisterous Hardy clan just don't seem able to leave her alone. The usually reserved Beth is soon reluctantly embroiled in their family disputes and romantic entanglements. And eldest son Clayton Hardy is proving surprisingly persistent.The more Beth gets to know Clayton and the Hardys, the more she sees what she wants for her future. But as the end of summer approaches, her past comes back to haunt her and will test her newfound relationships to the limit.From the author of Fly In Fly Out comes this entertaining and touching story about family, friendship and love among the grapevines.

    She starts visiting a website for “completers”— www. through-the-light.com.While she’s on the site, Daelyn blogs about her life, uncovering a history of bullying that goes back to kindergarten. When she’s not on the Web, Daelyn’s at her private school, where she’s known as the freak who doesn’t talk.Then, a boy named Santana begins to sit with her after school while she’s waiting to for her parents to pick her up. Even though she’s made it clear that she wants to be left alone, Santana won’t give up. And it’s too late for Daelyn to be letting people into her life... isn't it?National Book Award finalist Julie Anne Peters shines a light on how bullying can push young people to the very edge.

    It’s about ten-year-old Super Agent Gully and his case of a lifetime. And about beautiful, reckless, sharp-as-knives Nancy. It’s about tragi-hot Luke, and just-plain-tragic Mia Casey. It’s about the dark underbelly of a curious neighborhood. It’s about summer, and weirdness, and mystery, and music. And it's about life and death and grief and romance. All the good stuff.

    They live in a honey-colored house in a picture-perfect Cotswolds village, with rambling, unkempt gardens stretching beyond. Pragmatic Meg, dreamy Beth, and tow-headed twins Rory and Rhys all attend the village school and eat home-cooked meals together every night. Their father is a sweet gangly man named Colin, who still looks like a teenager with floppy hair and owlish, round-framed glasses. Their mother is a beautiful hippy named Lorelei, who exists entirely in the moment. And she makes every moment sparkle in her children's lives.Then one Easter weekend, tragedy comes to call. The event is so devastating that, almost imperceptibly, it begins to tear the family apart. Years pass as the children become adults, find new relationships, and develop their own separate lives. Soon it seems as though they've never been a family at all. But then something happens that calls them back to the house they grew up in -- and to what really happened that Easter weekend so many years ago.Told in gorgeous, insightful prose that delves deeply into the hearts and minds of its characters, The House We Grew Up In is the captivating story of one family's desire to restore long-forgotten peace and to unearth the many secrets hidden within the nooks and crannies of home.

    Thankfully, it's temporary. Her lifelong dream of travelling the world is just months away from becoming reality. All she has to do is ride out the last few months of high school, which is easier said than done thanks to a trio of mean girls known as The Beautifuls.When Adam Décarie arrives in town, all the way from New York, life takes an unexpected turn. His arrival sets off a chain of events that alters her life forever, convincing her of one thing. Fate brought him to her.

    Now in a dynamic new Kevin Brooks repackaging!Meet Martyn Pig. His name may be bad, but his life is worse.Martyn's life is miserable, and it always has been. His mother is gone. His father hates him. But at least things can't get any worse. Or so he thought.When his father dies in a sudden accident, Martyn realizes that for the first time in his life, he has a choice. Sure, he could report what happened - and move in with his horrible Aunty Jean. Or he could get rid of the body and move on with the rest of his life. So Martyn comes up with a foolproof plan to hide the body. Hey, what could go wrong?

    Though the message on the kitchen white board is written in Marley's hand, her mother Rachel knows there has to be some other explanation. Marley would never run away.As the days pass and it sinks in that the impossible has occurred, Rachel and her husband Paul are informed that the police have "limited resources." If they want their 14-year-old daughter back, they will have to find her themselves. Desperation becomes determination when Paul turns to Facebook and Twitter, and launches FindMarley.com.But Marley isn't the only one with secrets.With public exposure comes scrutiny, and when Rachel blows a television interview, the dirty speculation begins. Now, the blogosphere is convinced Rachel is hiding something. It's not what they think; Rachel would never hurt Marley. Not intentionally, anyway. But when it's discovered that she's lied, even to the police, the devoted mother becomes a suspect in Marley's disappearance.Is Marley out there somewhere, watching it all happen, or is the truth something far worse?

    Every summer, Bethany and her family leave Indianapolis for West Virginia's Coal River Valley. For Bethany's mother, the trips are a reminder of the coalmines and grinding poverty of her childhood, of a place she'd hoped to escape. But her loving relatives, and Bethany's friendship with Reana Mae, keep them coming back. But as Bethany grows older, she realizes that life in this small, close-knit community is not as simple as she once thought. . .that the riverside cabins that hold so much of her family's history also teem with scandalous whispers. . .and that those closest to her harbor unimaginable secrets. Amid the dense woods and quiet beauty of the valley, these secrets are coming to light at last, with a force devastating enough to shatter lives, faith, and the bond that Bethany once thought would last forever. Spanning four decades, Sherri Wood Emmons' debut is a haunting, captivating novel about the unexpected, sometimes shocking events that thrust us into adulthood--and the connections that keep us tethered, always, to our pasts.

    The way you’re made up, the important stuff, I reckon you’re born with that . . . when it matters, when it really matters, we are who we are.Nate’s had it tough. An abusive father. His mother dead. He’s done things he regrets.But he’s never met anyone like Gem. She’s a tiny piece of wonderful and she’ll change everything he knows about himself. Is this the beginning of happiness? Or is there more hardship around the corner?

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    The infant didn't wake when the woman placed her gently in the shopping bag she had brought with her. There is CCTV footage of what happened next, and most Australians would have seen it, either on the internet or the news.The woman walked out to the car park, towards an old Corolla. For a moment, she held the child gently against her breast and, with her eyes closed, she smelled her.She then clipped the infant into the car, got in and drove off.That is where the footage ends.It isn't where the story ends, however.It's not even where the story starts.