They’re still reeling from his older brother’s death in a gang-related shooting just a few months earlier. Then Lolly’s mother’s girlfriend brings him a gift that will change everything: two enormous bags filled with Legos. Lolly’s always loved Legos, and he prides himself on following the kit instructions exactly. Now, faced with a pile of building blocks and no instructions, Lolly must find his own way forward. His path isn’t clear—and the pressure to join a “crew,” as his brother did, is always there. When Lolly and his friend are beaten up and robbed, joining a crew almost seems like the safe choice. But building a fantastical Lego city at the community center provides Lolly with an escape—and an unexpected bridge back to the world. David Barclay Moore paints a powerful portrait of a boy teetering on the edge—of adolescence, of grief, of violence—and shows how Lolly’s inventive spirit helps him build a life with firm foundations and open doors.

    But Reha’s parents don’t understand why she’s conflicted—they only notice when Reha doesn’t meet their strict expectations. Reha feels disconnected from her mother, or Amma, although their names are linked—Reha means “star” and Punam means “moon”—but they are a universe apart.Then Reha finds out that her Amma is sick. Really sick.Reha, who dreams of becoming a doctor even though she can’t stomach the sight of blood, is determined to make her Amma well again. She’ll be the perfect daughter, if it means saving her Amma’s life.

    Sometimes, you have to choose yourself. This is the story of Lalani Sarita, a twelve-year-old girl who lives on the island of Sanlagita in the shadow of a vengeful mountain. When she makes a fateful wish that endangers her already-vulnerable village, she sets out across the distant sea in search of life's good fortunes. Grown men have died making the same journey. What hope does an ordinary girl have?Inspired by Filipino folklore, Lalani of the Distant Sea introduces readers to a landscape of magical creatures, such as Bai-Vinca, the enormous birdwoman; Ditasa Ulod, part woman, part eel; the mindoren, a race of creatures modeled after the water buffalo; and the whenbo -- trees that eat the souls of the dead.

    Save the town. Get the girl. Make Abuela proud. Can thirteen-year-old Arturo Zamora do it all or is he in for a BIG, EPIC FAIL? For Arturo, summetime in Miami means playing basketball until dark, sipping mango smoothies, and keeping cool under banyan trees. And maybe a few shifts as junior lunchtime dishwasher at Abuela's restaurant. Maybe. But this summer also includes Carmen, a cute poetry enthusiast who moves into Arturo's apartment complex and turns his stomach into a deep fryer. He almost doesn't notice the smarmy land developer who rolls into town and threatens to change it. Arturo refuses to let his family and community go down without a fight, and as he schemes with Carmen, Arturo discovers the power of poetry and protest through untold family stories and the work of Jose Marti.

    There, in the room they soon dub the ARTT Room (short for "A Room to Talk"), they discover it's safe to talk about what's bothering them—everything from Esteban's father's deportation and Haley's father's incarceration to Amari's fears of racial profiling and Ashton's adjustment to his changing family fortunes. When the six are together, they can express the feelings and fears they have to hide from the rest of the world. And together, they can grow braver and more ready for the rest of their lives.

    She is happy just hanging out with her best friend, Soojin. Except now that she’s in middle school everything feels different. Soojin is suddenly hanging out with Emily, one of the “cool” girls in the class, and even talking about changing her name to something more “American.” Does Amina need to start changing too? Or hiding who she is to fit in? While Amina grapples with these questions, she is devastated when her local mosque is vandalized.

    Her dreams are temporarily dashed when–as the eldest daughter–she must stay home from school to take care of her siblings. Amal is upset, but she doesn’t lose hope and finds ways to continue learning. Then the unimaginable happens–after an accidental run-in with the son of her village’s corrupt landlord, Amal must work as his family’s servant to pay off her own family’s debt.Life at the opulent Khan estate is full of heartbreak and struggle for Amal–especially when she inadvertently makes an enemy of a girl named Nabila. Most troubling, though, is Amal’s growing awareness of the Khans’ nefarious dealings. When it becomes clear just how far they will go to protect their interests, Amal realizes she will have to find a way to work with others if they are ever to exact change in a cruel status quo, and if Amal is ever to achieve her dreams.

    Neely is looking for when he says everyone in class must answer an important question using the scientific method. But Natalie's botanist mother is suffering from depression, so this is The Question that's important to Natalie. When Mr. Neely suggests that she enter an egg drop competition, Natalie has hope. Eggs are breakable. Hope is not.Natalie has a secret plan for the prize money. She's going to fly her mother to see the Cobalt Blue Orchids--flowers that survive against impossible odds. The magical flowers are sure to inspire her mother to love life again. Because when parents are breakable, it's up to kids to save them, right?An extraordinary story about the coming-of-age moment when kids realize that parents are people, too, and that talking about problems is like taking a plant out of a dark cupboard and giving it light. Think THE FOURTEENTH GOLDFISH meets THE THING ABOUT JELLYFISH.

    With a school bus falling from the sky. But no one saw it happen. They were all too busy— Talking about boogers. Stealing pocket change. Skateboarding. Wiping out. Braving up. Executing complicated handshakes. Planning an escape. Making jokes. Lotioning up. Finding comfort. But mostly, too busy walking home. Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.

    In a partnership with We Need Diverse Books, industry giants Kwame Alexander, Soman Chainani, Matt de la Peña, Tim Federle, Grace Lin, Meg Medina, Walter Dean Myers, Tim Tingle, and Jacqueline Woodson join newcomer Kelly J. Baptist in a story collection that is as humorous as it is heartfelt. This impressive group of authors has earned among them every major award in children’s publishing and popularity as New York Times bestsellers. From these distinguished authors come ten distinct and vibrant stories.

    With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up.But soon, Maisie’s anxieties and dark moods start to hurt as much as the pain in her knee. How can she keep pretending to be strong when on the inside she feels as roiling and cold as the ocean?

    Just when Summer thinks nothing else can possibly go wrong, an emergency whisks her parents away to Japan, right before harvest season leaving Summer and her little brother, Jaz, in the care of their elderly grandparents, Obaachan and Jiichan.Obaachan and Jiichan are old fashioned, very demanding, and easily disappointed. Between helping Obaachan cook for the workers and with all the other chores, and worrying about her little brother, who can't seem to make any friends, Summer has her hands full. But when a welcome distraction turns into a big mess, causing further disappointment, Summer realises she must try and make her own luck as it might be the only way to save her family.

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    And now that her parents are divorced (and getting along WORSE than ever), Isabella feels more like a push-me-pull-me toy.One week she’s Isabella with her dad, his girlfriend Anastasia, and her son Darren living in a fancy house where they are one of the only black families in the neighborhood. The next week she’s Izzy with her mom and her boyfriend John-Mark in a small, not-so-fancy house that she loves.Being split between Mom and Dad is more than switching houses, switching nicknames, switching backpacks: it’s also about switching identities. If you’re only seen as half of this and half of that, how can you ever feel whole?

    Donte wishes he were invisible. As one of the few black boys at Middlefield Prep, he feels as if he is constantly swimming in whiteness. Most of the students don't look like him. They don't like him either. Dubbed the "Black Brother," Donte's teachers and classmates make it clear they wish he were more like his lighter skinned brother, Trey. Quiet, obedient. When an incident with "King" Alan leads to Donte's arrest and suspension, he knows the only way to get even is to beat the king of the school at his own game: fencing. With the help of a former Olympic fencer, Donte embarks on a journey to carve out a spot on Middlefield Prep's fencing team and maybe learn something about himself along the way.