Her explorations go to the heart of democracy and love, and the historical and present endangerment of both.The poems of Dark Fields of the Republic are a theater of voices: of men and women, the dead and the living, over time and across continents. Rich writes out of conversations actual and imaginary, actions taken for better or for worse, out of histories and songs, humdrum and terrible events, out of the most intimate loves and love for the world. Through these poems, she extends the poet's reach of witness and power of connection, and invites the reader-listener to participate.

    Ali travels by water and by night, seeking the Far Mosque and its overarching paradox: that when God and Self are one, an ascent into Heaven is a voyage within.

    Levine had years earlier recognized Levis as "the most gifted and determined young poet I have ever had the good fortune to have in one of my classes"; after Levis's death, Levine edited the poems Levis had left behind. What emerged is this haunting collection, Elegy. The poems were written in the six years following publication of his previous book, The Widening Spell of the Leaves, and continue and extend the jazz improvisations on themes that gave those poems their resonance. There are poems of sudden stops and threats from the wild: an opossum halts traffic and snaps at pedestrians in posh west Los Angeles; a migrant worker falls victim to the bites of two beautiful black widow spiders; horses starve during a Russian famine; a thief, sitting in the rigging of Columbus’s ship, contemplates his work in the New World. The collection culminates in the elegies written to a world in which culture fragments; in which the beasts of burden—the horses, the migrant workers—are worked toward death; a world in which "Love's an immigrant, it shows itself in its work. / It works for almost nothing"; a world in which "you were no longer permitted to know, / Or to decide for yourself, / Whether there was an angel inside you, or whether there wasn't."Elegy, as Levine says, was "written by one of our essential poets at the very height of his powers. His early death is a staggering loss for our poetry, but what he left is a major achievement that will enrich our lives."

    With Radial Symmetry, she has created a transcendent body of poems that flourish in the liminal spaces that separate scientific inquiry from empathic knowledge, astute observation from sublime witness. Larson's inventive lyrics lead the reader through vertiginous landscapes—geographical, phenomenological, psychological—while always remaining attendant to the speaker's own fragile, creaturely self. An experienced research scientist and field ecologist, Larson dazzles with these sensuous and sophisticated poems, grappling with the powers of poetic imagination as well as the frightful realization of the human capacity for ecological destruction. The result is a profoundly moving collection: eloquent in its lament and celebration.Metamorphosis [excerpt]We dredge the stream with soup strainers and separate dragonfly and damselfly nymphs- their eyes like inky bulbs, jaws snapping at the light as if the world was full of tiny traps, each hairpin mechanism tripped for transformation. Such a ricochet of appetites insisting life, life, life against the watery dark, the tuberous reeds.

    It is 1989 and Community Care is about to reboot the industry of psychiatry. In a soon-to-be-closed asylum a bruised nurse, Adam Sands, is feeling less like a purveyor of kindness and more like a concentration camp guard with every passing drink. Many years later Adam has got used to the quiet life when his past finds him. Maybe this time he can do some good. Even make a diference. But redemption, like magic, can come from the strangest of places.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    – Shubhangi Swarup (Latitudes of Longing)

    US(a.) is a collection of poems that embodies the spirit of a culture that questions sentiments and realities, embracing a cross-section of pop culture, hip-hop, and the greater world politic of the moment. Williams explores what social media may only hint at—times and realities have changed; there is a connect and a disconnect. We are wirelessly connected to a past and path to which we are chained. Saul Williams stops and frisks the moment, makes it empty its pockets, and chronicles what’s inside. Here is an extraordinary book that will find its place in the hands and minds of a new generation.

    Fleeing his debtors, Adam abandons his family and takes to sleeping rough in a local park, where a fraternity of homeless men befriend him. As the months pass, Adam gradually learns to appreciate the tough new regime, until winter arrives early, threatening to turn his paradise into a nightmare. Starving, exhausted and sick of the constant infighting, Adam decides to return to his family. The men, however, have other plans for him. With time running out, and the stakes raised unbearably high, Adam is forced to question whether any of us can truly escape the wildness within.

         With over fifty new poems from Britain's favourite poet, You Made Me Late Again! is an essential addition to Pam Ayres' incomparable collection of works. Pam's poems are observant, witty and poignant in equal measure. In 'The Swifts' and 'The Pyracantha Anthem' she marvels at nature, while 'A Patient's Prayer' and 'Litter Moron' offer wry views on Modern Britain. From the dog being afraid of the toaster to your son leaving home for university; and from the search for that perfect swimsuit to becoming a gran for the first time -- Pam's poems are beautifully crafted, and her subjects the everyday and the universal. Delightfully illustrated, most of the poems in You Made Me Late Again! are brand new, yet it also features several firm favourites from her stage shows, published for the first time, such as 'The Make-up Lady' and 'Tippy Tappy Feet'.

    Or that she'll fall head over heels for the man.Jonathan isn't happy to discover a drop-dead gorgeous redhead has invaded his island. But his anger soon turns to attraction. After one failed marriage, he has guarded his heart, but Rhianna's sudden appearance makes him yearn to throw caution to the wind.To live fully in the present, Rhianna must resolve her own murky past, unravel the secret that haunts JT, foil the plans of a sleazy, blackmailing private investigator and help Jonathan find his muse. Only then can Rhianna find the love she's been searching for, and finally become...Lancelot's Lady.By bestselling author Cheryl Kaye Tardif, writing as Cherish D'Angelo*Winner of the 2010 Textnovel Editor's Choice Award. 2009 Semi-finalist in the Dorchester Publishing "Next Best Celler" contest, hosted by Textnovel. Voted #1 Most Popular for first 3 months of contest; #3 Most Popular for last 2 months.“From the cold rocky shores of Maine to the extravagant mansions of Miami to a lush tropical island in the Bahamas, Cherish D'Angelo takes her heroine through a series of breathtaking romantic adventures that mirror the settings, often in surprisingly ironic ways. A page turner in the best possible sense.” ―Gail Bowen, author of the award-winning Joanne Kilbourn series“Romance, mystery, danger, black-mail, and twists and surprises, this tale contains them all… Despicable intentions threaten every character in this finely crafted tale of sweet tension…Lancelot’s Lady is a non-stop adventure combined with the agonizing struggle to not give in to the magnetism between them. Enticing. Fun.” ―Midwest Book Review“Cherish D'Angelo has got that mythical “voice” down to a fine art.” ―Jennifer L. Hart, author of River Rats“Lancelot's Lady is riveting. It holds on and won't let you go! Cherish D’Angelo’s descriptive powers are amazing. She summons up scenes like genies from bottles!” ―Susan J. McLeod, author of Soul and Shadow"Tardif, already a big hit in Canada...a name to reckon with south of the border." ―BOOKLIST

    What is admirable about Duffy', commented Robert Nye in The Times, is that she celebrates such places without sentimentalizing them, and wrings the last drop of meaning from each visit.' Carol Ann Duffy was born in Glasgow in 1955. Her awards include first prize in the 1983 National Poetry Competition; three Scottish Arts Council Book Awards; Eric Gregory, Somerset Maugham and Dylan Thomas Awards in Britain and a 1995 Lannan Literary Award in the USA. In 1993 she received the Forward Poetry Prize and the Whitbread Poetry Award for her acclaimed fourth collection Mean Time. On May 1, 2009 she was named the Poet Laureate of the United Kingdom.

    Includes "The Spell of the Yukon," "The Heart of the Sourdough," "While the Bannock Bakes," and "The Squaw Man."

    In Melbourne the body of another woman has been found - this time, after catching a late tram home.The Atlantic has run out of the English alphabet, when christening hurricanes this season. The earth is on fire - from the redwoods of California, to Australia's east coast. The sea draws back, and tsunamis lash out in Samoa and Sumatra. Water rises in Sulawesi and Nagasaki. Bloated cod are surfacing, all along the Murray Darling.The virus arrives, and the virus thrives. Authorities seal the public housing towers up, and truck in one cop to every five residents. Notre Dame is ablaze - the cathedral spire blackened, and teetering.Out in Biloela, the deportation vans have arrived. Every Friday, in cities all across the world, children are walking out of school. The wolves are circling. The wolves are circling.These poems speak of the world that is, and sing for a world that may one day be.