The more Fox dismisses her fears, the more Blythe begins to question her own sanity, and the more we begin to question what Blythe is telling us about her life as well.Then their son Sam is born–and with him, Blythe has the blissful connection she’d always imagined with her child. Even Violet seems to love her little brother. But when life as they know it is changed in an instant, the devastating fall-out forces Blythe to face the truth.The Push is a tour de force you will read in a sitting, an utterly immersive novel that will challenge everything you think you know about motherhood, about what we owe our children, and what it feels like when women are not believed.

    It follows Jonas Taylor before he released the Meg from the Mariana Trench. It shows what happened back when he thought he saw the Meg while on a trench dive and accidentally caused two of the men aboard to die.

    They are happy, and the day has been close to perfect. But what Joan sees as she hustles her son toward the exit gate minutes before closing time sends her sprinting back into the zoo, her child in her arms. And for the next three hours—the entire scope of the novel—she keeps on running. Joan’s intimate knowledge of her son and of the zoo itself—the hidden pathways and under-renovation exhibits, the best spots on the carousel and overstocked snack machines—is all that keeps them a step ahead of danger.A masterful thrill ride and an exploration of motherhood itself—from its tender moments of grace to its savage power—Fierce Kingdom asks where the boundary is between our animal instinct to survive and our human duty to protect one another. For whom should a mother risk her life?

    Please be advised that all emergency exits have been locked for this special nostalgia-curdled premiere of death. From crinkling celluloid to ferocious flesh—from the silver screen to your hammering heart—behold as a swarm of werewolves, serial killers, Satanists, Elder Gods, aliens, ghosts, and unclassifiable monsters are loosed upon your auditorium. Relax, and allow our ushers to help with your buckets of popcorn—and blood; your ticket stubs—and severed limbs; your comfort candy—and body bags. Kick back and scream as you settle into a fate worse than Hell. Tonight's director's cut is guaranteed to slash you apart.Edited by Joshua ViolaProduced in collaboration with the Colorado Festival of HorrorCover art by AJ Nazzaro and Joshua ViolaStory art by Xander SmithHeader art by Aaron LovettContents:FOREWORDBret and Jeanni SmithINTRODUCTIONPaul CampionALIEN PARASITES FROM OUTER SPACEWarren HammondRETURN OF THE ALIEN PARASITES FROM OUTER SPACEAngie HodappNEGATIVE CREEPAlvaro Zinos-AmaroHELLULOIDDayton Ward and Kevin DilmoreRISE, YE VERMIN!Betty RocksteadyTHE CRONENBERG CONCERTOKeith FerrellCREATURE FEATUREGary JonasINVISIBLEMario AcevedoSCREEN HAUNTOrrin GreyTHE DEVIL'S REELSean Eads and Joshua ViolaON THE ROCKSK. Nicole DavisCOMING ATTRACTIONSStephen Graham JonesLATE SLEEPERSSteve Rasnic TemSPECIAL MAKEUPKevin J. Anderson

    . .Early in life Belle Sorensen discovers the world is made only for men. They own everything: jobs, property, wives. But Belle understands what few others do: where women are concerned, men are weak.A woman unhampered by scruples can take from them what she wants. And so Belle sets out to prove to the world that a woman can be just as ruthless, black-hearted and single-minded as any man.Starting with her long suffering husband Mads, Belle embarks on a killing spree the like of which has never been seen before nor since.And through it all her kind, older sister Nellie can only watch in horror as Belle's schemes to enrich herself and cut down the male population come to a glorious, dreadful fruition . . .Based on the true story of Belle Sorensen whose murderous rampage began in Chicago in 1900, Triflers Need Not Apply is a novelistic tour de force exploring one woman's determination to pay men back for all they have taken.

    A perfect stranger. A perfect nightmare. When British twenty-somethings Ruth and Adam are offered the chance to spend the summer housesitting in New York, they can’t say no. Young, in love and on the cusp of professional success, they feel as if luck is finally on their side.So the moment that Eden turns up on the doorstep, drenched from a summer storm, it seems only right to share a bit of that good fortune. Beautiful and charismatic, Eden claims to be a friend of the homeowners, who told her she could stay whenever she was in New York.They know you’re not supposed to talk to strangers—let alone invite them into your home—but after all, Eden’s only a stranger until they get to know her.As suspicions creep in that Eden may not be who she claims to be, they begin to wonder if they’ve made a terrible mistake…

    It was their dream house, and he wants to honor her with it.Lexi Ellis takes a job as his nanny and immediately falls in love with his two young daughters, especially Gaia. But something feels off in the isolated house nestled in the forest along the fjord. Lexi sees mysterious muddy footprints inside the home. Aurelia's diary appears in Lexi's room one day. And Gaia keeps telling her about seeing the terrifying Sad Lady…Soon Lexi suspects that Aurelia didn't kill herself and that they are all in danger from something far more sinister lurking around them.

    Or a countdown to something terrible.It is 180 minutes to discover who you will die for and what men will kill for.In rural Somerset in the middle of a blizzard, the unthinkable happens: a school is under siege. Told from the point of view of the people at the heart of it, from the wounded headmaster in the library, unable to help his trapped pupils and staff, to teenage Hannah in love for the first time, to the parents gathering desperate for news, to the 16 year old Syrian refugee trying to rescue his little brother, to the police psychologist who must identify the gunmen, to the students taking refuge in the school theatre, all experience the most intense hours of their lives, where evil and terror are met by courage, love and redemption.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    If you break the rules, you get three warnings. If you exceed your limit, what happens is absolutely terrifying. Reissue.

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.

    Prepare to never look at your phone the same way again . . .Kate Collins has been ghosted.She was supposed to be moving in with her new boyfriend Scott, but all she finds after relocating to Brighton is an empty apartment. Scott has vanished. His possessions have all disappeared.Except for his mobile phone.Kate knows she shouldn't hack into Scott's phone. She shouldn't look at his Tinder, his calls, his social media. But she can't quite help herself.That's when the trouble starts. Strange, whispering phone calls from numbers she doesn't recognise. Scratch marks on the walls that she can't explain. And the growing feeling that she's being watched.Kate refuses to leave the apartment - she's not going anywhere until she's discovered what happened to Scott. But the deeper she dives into Scott's digital history the more Kate realises just how little she really knows about the man she loves.

    Pray they are hungry.Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

    Once she restores it to the attic, she starts hearing whispers, her loving husband becomes a stranger, and her baby daughter learns a chilling new word. Maybe Ana has unlocked the house’s secrets. Or maybe she’s becoming just a little unhinged herself.Brandi Reeds’s Oak Avenue is part of Dark Corners, a collection of seven heart-stopping short stories by bestselling authors who give you so many new reasons to be afraid. Each story can be read in a single sitting. Or, if you have the nerve, you can listen all by yourself in the dark.

      Teo Avelar is a loner. He lives with his paraplegic mother and her dog in Rio de Janeiro, he doesn't have many friends, and the only time he feels honest human emotion is in the presence of his medical school cadaver—that is, until he meets Clarice. She's almost his exact opposite: exotic, spontaneous, unafraid to speak her mind. An aspiring screenwriter, she's working on a screenplay called Perfect Days about three friends who go on a road trip across Brazil in search of romance. Teo is obsessed. He begins to stalk her, first following her to her university, then to her home, and when she ultimately rejects him, he kidnaps her and they embark upon their very own twisted odyssey across Brazil, tracing the same route outlined in her screenplay. Through it all, Teo is certain that time is all he needs to prove to Clarice that they are made for each other, that time is all he needs to make her fall in love with him. But as the journey progresses, he digs himself deeper and deeper into a pit that he can't get out of, stopping at nothing to ensure that no one gets in the way of their life together. Both tense and lurid, and brimming with suspense from the very first page, Perfect Days is a psychological thriller in the vein of Patricia Highsmith's The Talented Mr. Ripley—a chilling journey in the passenger seat with a psychopath, and the English language debut of one of Brazil's most deliciously dark young writers.