Proposing models of hybridity, each of the book's major sequences develops a unique subject, rhythm, and form. Bringing to light the molten potential at the core of personality, the poems illuminate ways that language, as history read by anthropologists, discourse between lovers, gestures between parent and child, graffiti in temples, or even language as an event in itself (the very experience of words at play), incarnates presence. Addressing father and son relationships, and venerating erotic love, Gander's poems surge with vitality: the energy of active discovery.

    I AM Magic shows you exactly how to create magic in your own life.In this book, you’ll discover: •A better way of thinking about what you’re thinking!•How to focus on the good things and bring more of these your way•How to find delight in the everyday stuff•An easy to remember way of staying on the happiness trackYou no longer have to leave your life to chance. This book shows you how to take control of your own happiness and create a better life.If you don’t want to spend hours reading a book but you want the feel good factor , then you’ll love I AM Magic’s easy to remember rhymes, which set you up quickly and easily for a happy day, every day.

    TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.

    Wells to Sandra Bland and Black Lives Matter, black women freedom fighters have braved violence, scorn, despair, and isolation in order to lodge their protests. In A Bound Woman Is a Dangerous Thing, DaMaris Hill honors their experiences with at times harrowing, at times hopeful responses to her heroes, illustrated with black-and-white photographs throughout.For black American women, the experience of being bound has taken many forms: from the bondage of slavery to the Reconstruction-era criminalization of women; from the brutal constraints of Jim Crow to our own era’s prison industrial complex, where between 1980 and 2014, the number of incarcerated women increased by 700%.* For those women who lived and died resisting the dehumanization of confinement--physical, social, intellectual--the threat of being bound was real, constant, and lethal.In A Bound Woman Is a Dangerous Thing, Hill presents bitter, unflinching history that artfully captures the personas of these captivating, bound yet unbridled African-American women. Hill's passionate odes to Zora Neale Hurston, Lucille Clifton, Fannie Lou Hamer, Grace Jones, Eartha Kitt, and others also celebrate the modern-day inheritors of their load and light, binding history, author, and reader in an essential legacy of struggle.*(The Sentencing Project)

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    Some years later in 1977, Nan Shepherd published The Living Mountain, her prose bringing each contour of the Cairngorm mountains to life. These pioneering women set a precedent for a way of writing about wilderness that isn’t about conquering landscapes, reaching higher, harder or faster, but instead about living and breathing alongside them, becoming part of a larger adventure.The artists in this inspired collection continue Gwen and Nan’s legacies, redressing the balance of gender in outdoor adventure literature. Their creativity urges us to stop and engage our senses: the smell of rain-soaked heather, wind resonating through a col, the touch of cool rock against skin, and most importantly a taste of restoring mind, body and spirit to a former equanimity.With contributions from adventurers including Alpinist magazine editor Katie Ives, multi-award-winning author Bernadette McDonald, adventurers Sarah Outen and Anna McNuff, renowned filmmaker Jen Randall and many more, Waymaking is an inspiring and pivotal work published in an era when wilderness conservation and gender equality are at the fore.

    An Introduction and brief biographical notes on the poets are included.

    He is out of control by the time he is 13 -- running with gangs, stealing cars, fooling around with drugs and guns, and in general making his family’s life hell. Confronted with his growing recklessness and defiance, his mother, the poet Deborah Digges, decides to try to accept Stephen on his own terms--a course that stuns her family and leads to the breakup of her second marriage. Digges “shadows” him on his late-night forays so that she can understand his world, welcomes his gang into their apartment, and tries to see life through his eyes. When she discovers that children who are devoted to animals have an easier time forming attachments to other people, she fills their home with a menagerie of ailing or abandoned pets. She also turns to an unconventional therapist who offers unusual — but helpful — treatment.The Stardust Lounge isn’t your usual story of rebellious adolescence. The power of Digges’s memoir comes from her stubborn unwillingness to give up on Stephen. Even when things are roughest, Digges manages to see the intelligent, sensitive child behind the hostile behavior. However difficult the path she chooses, her story is ultimately a heartening one, and it’s impossible not to root for this family as it rebuilds itself.

    Thirty-seven poems of varying lengths are included, among them such well-known verses as "Adonais," "Ode to the West Wind," "Ozymandias," "The Cloud," "To a Skylark" "Hymn to Intellectual Beauty," and "Arethusa."Reprint of poems from Shelley: Poetical Works, Oxford University Press, 1905.

    At the turn of the millennium, we are witnessing the emergence of a vital--perhaps viral--new strain of female poetics: the "Gurlesque," a term that describes writers who perform femininity in their poems in a campy or overtly mocking manner, risking the grotesque to shake the foundations of acceptable female behavior and language. Built from the bric-a-brac of girl culture, these works charm and repel: this work is fun, subversive, and important. Poets include Brenda Coultas, Brenda Shaghnessy, Cathy Park Hong, Matthea Harvey, and Sarah Vap.

    Eliot. The Waste Land, first published in 1922, is one of Eliot's most influential works and has long been on the syllabus for A-Level English Literature. Four Quartets consists of four long poems, first published between 1935 and 1942. They are linked by common themes, and are individually Burnt Norton, East Coker, The Dry Salvages and Little Gidding. Schofield’s consummate renditions of these important works received huge acclaim when they were originally broadcast on BBC Radio 3.

    

    The collection revolves around the poems "Y Gaer" and "The Hillfort," the titles themselves suggesting the linguistic divide in Wales, from poems concerned with childhood, a Welsh landscape, and family to an outward-looking vision that is both geographic and historic.

    Although long celebrated for the great love lyric, To His Coy Mistress, the last century has seen his wider reputation as a poet grow significantly, as readers have acclaimed not only his technical excellence, but the appeal of his verse to such themes as poetry and politics, alternative sexualities and the criticism of violent persecution.Nigel Smith presents an authoritative text of Marvell's poetry, accompanied by extensive annotations giving an unprecedented record of literary, philosophical and theological analogues and allusions. Local points of interpretation are addressed - using the many hundreds of publications devoted to Marvell's life and works - and Marvell's canon is re-appraised: some poems considered dubious hitherto are added, and others excluded. In a headnote to each poem, the reader will find the fullest accounts yet published of matters of dating, sources, publication, historical context, and critical reception. The first complete, annotated edition of Andrew Marvell's verse for thirty years, this is an indispensable guide to the study of Marvell's poetryThis revised edition contains new information available since the original publication: newly recovered versions of some poems, further details of historical context and updated translations of all the Latin poems. It remains the first point of reference for scholar, student and general reader alike.

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.