This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Narayan than this remarkable collection of stories celebrating work that spans five decades. Characters include a storyteller whose magical source of tales dries up, a love-stricken husband who is told by astrologers he must sleep with a prostitute to save his dying wife, a pampered child who discovers that his beloved uncle may be an impostor or even a murderer. Standing supreme amid this rich assortment of stories is the title novella. Told by the narrator's grandmother, the tale recounts the adventures of her mother, married at seven and then abandoned, who crosses the subcontinent to extract her husband from the hands of his new wife. Her courage is immense and her will implacable -- but once her mission is completed, her independence vanishes. Gentle irony, wryly drawn characters, and themes at once Indian and universal mark these humane stories, which firmly establish Narayan as one of the world's preeminant storytellers.

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    In 1962, Williams retitled and expanded The Parade into a full-length play. Both versions of the play are set on the fishing wharves and in the sand dunes of Provincetown, Massachusetts, and tell the story of a young playwright named August dealing with his unrequited love for another man. It was produced posthumously in Provincetown in 2006.

    By turns sad and funny, satiric and moving, Alan Ayckbourn's intelligent British comedy Woman in Mind charts, without sentimentality or heartless irony, a frowsy middle-aged Englishwoman's hopeless descent into psychosis.

    Recreation Department twenty-fourth annual one-act play tournament, The Arts Club Players present "The Dear Departed," by Stanley Houghton, directed by Herman P. Riess.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    "Once in a Lifetime" is a satire about three small-time vaudevillians who set out for Hollywood as films move from silents into sound.The 1936 Pulitzer Prize winner "You Can’t Take It With You" is about a zany family of hobby-horse enthusiasts. For thirty-five years Grandpa has done nothing but hunt snakes, throw darts, and avoid income-tax payments; his son-in-law makes fireworks in the basement, and other assorted family members write plays, operate amateur printing presses, and play the xylophone. They live in playful eccentricity until daughter Alice brings home her Wall Street boyfriend."The Man Who Came to Dinner" (1939) became a long-running hit. It portrays an eminent lecturer (based on Alec Woollcott) who accepts a dinner invite in a small Ohio town, slips on the ice outside his hosts’ home, and is forced to their sickbed. Convalescing he turns the house into bedlam with his wacky friends and diabolic pranks.Also included in this volume are “Men at Work” and “Forked Lightning,” two essays Kaufman and Hart wrote about each other.

    

    Their lives are hard—regulated by the seasons and by the ceaseless annual labours of hoeing and digging, planting and harvesting. But it is also a life of peace, lived in a well-knit community of wise elders and caring—though sometimes overbearing—neighbours and relatives. This peace is shattered when Kevi, a young hunter, lithe and possessed of an animal magnetism, better looking than any other man in the village, comes to them at harvest time offering help and a hunk of venison. Kevi falls in love with Atuonuo and proposes marriage. Atuonuo, young in years and unsure of her heart, turns him down. But love becomes menacing when Kevi, angered by the rejection, viciously turns on Atuonuo, and reveals a side of himself that neither mother nor daughter could have imagined in their worst nightmares.With grace and in restrained, lyrical prose, Easterine Kire draws upon legend and a profound understanding of human nature to weave a compelling tale of love and the demons it sometimes conjures.

    In one of the three sketches, which form part of this collection, the author brilliantly reveals himself to the world in a schizophrenic piece titled 'Saadat Hasan' calling 'Manto the writer' a liar, a thief and a failure! And in another titled 'In a Letter to Uncle Sam', Manto superbly couches his anti-imperialistic views in an innocent letter from a poor nephew to a capitalist and prosperous uncle in America.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.