(doubling possible.) / 5 ints. or unit set. Recently revived on Broadway to great acclaim, this is the rollicking tale of three down and out troupers who decide to head for Hollywood and try their luck with the newly invented talkies. Due to a series of consistent blunders, the most stupid of the three is carried to pinnacles of fame and fortune until he's literally made a god of the industry. It's a fast paced and wild romp and a marvelous spoof of tinsel land.

    The family in focus is that of two brothers, Jiten and Nitin, who run an advertising agency and are married to sisters: Dolly and Alka. Their mother, Baa, moves between the two households, attached more to her memories of the past than to any present reality. Marital friction, sibling rivalry, the traditional tension between mother-in-law and daughters-in-law, the darker moments of business and personal dealings, the play takes us through the entire gamut of emotional experience as it winds to a climactic finish. With its relentless pace, crisp idiom and unflinching insight into the urban milieu, this is a play that confirms Mahesh Dattani's reputation as India's most influential playwright.

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    This book is an integration of 21 stories by Munshi Premchand, some of them are Ansuon ki holi, Namak ka Daroga, Shatranj ke Khiladi and many more.

    In Delhi, he meets three guys who join his dramatic journey—they all want to change the country. They all aspire to become IAS officers. They all want to take the ‘never-seen-before-types dowry’! As expected, they mess up with a very proper college professor. There begins a chase, funnier than Tom and Jerry… Will the professor find them? Will their dreams ever come true? Find out in this laughathon full of clichés straight from the cow belt of India!Note: This book is in the Hindi language and has been made available for the Kindle, Kindle Fire HD, Kindle Paperwhite, iPhone and iPad, and for iOS, Windows Phone and Android devices.

    Ms. Herzog writes with keen sensitivity to the complex weave of feelings embedded in all human relationships, with particular attention to the way we tiptoe around areas of radioactive emotion." - New York Times"Whatever the ideal contemporary American drama is, it has to look a lot like The Great God Pan. It is provocative and subtle, slowly, carefully revelatory, sweetly moving, thought-provoking, funny and insightful." - New York Observer"An intelligent, delicately articulate writer." - Village Voice"A moving and unsettling look at the nature of identity and the vagaries of memory. With subtlety and compassion, Herzog contemplates how well we can really know ourselves." - BackstageJamie's life in Brooklyn seems just fine: a beautiful girlfriend, a burgeoning journalism career, and parents who live just far enough away. But when a possible childhood trauma comes to light, lives are thrown into a tailspin. Unsettling and deeply compassionate, The Great God Pan tells the intimate tale of what is lost and won when a hidden truth is suddenly revealed.Amy Herzog's plays include 4000 Miles (Pulitzer Prize finalist), After the Revolution and Belleville. Ms. Herzog is the recipient of numerous awards, including the Whiting Writers' Award, an Obie Award and the Helen Merrill Award for Aspiring Playwrights.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    Vasudeva was in a quandary as to how much money would satisfy all his needs. And Jinadatta hoped that his father-in-law would help him out of bankruptcy. These tales told by Jain monks in ancient times are as relevant today as they were long ago.

    The people, including five comic characters abandoned or greatly diminished in the later play, "Uncle Vanya," for which Chekhov borrowed his own characters and material, do not allow themselves to be daunted. This translation of The Wood Demon was produced by the Mark Taper Forum as a classics lab workshop production in 1992...

    It premiered in April 2000 at the Gielgud Theatre, Shaftesbury Avenue, London, starring Kathleen Turner as Mrs RobinsonCalifornia in the 60s. Benjamin's got excellent grades, very proud parents and, since he helped Mrs Robinson with her zipper, a fine future behind him… A cult novel, a classic film, a quintessential hit of the 60s, now Benjamin's disastrous sexual odyssey is brought vividly to life in this world stage premiere production."Terry Johnson is that rare creature: a moralist with wit. He writes with responsible gaiety" (Guardian)

    

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.

    A short critical essay which considers the significance of the title.

    Using the oral story-telling tradition, Rao has brought to the fore not just the social and cultural life of generations of Dalits, but their art forms. Through the stories of successive generations, we are taken on a journey to their heart from those who were exploited to those who discover their humanity through defiance. The reminiscences of Ruth take us to her husband Reuben's family in Yennela Dinni, to the boy Yellanna, his being chased away by his caste superiors , his music, his son Sivaiah's escape from the drought along with his wife, the latter's conversion to Christianity, the brutality against him and other Dalit Christians, the birth of Reuben when things seem to fall apart and he is later left in an orphanage, and then to Reuben's search for his roots. This faithful translation from the Telugu, arousing pity for all that is pitiable and rage at what man has done to man, points to the growing awareness of people's rights and how they are driven to armed struggle.