His earlier visits allow him to compare his "chosen homeland" to a past time and a fundamentally unchanged zone, neglected by Franco and Spain itself. At once, then, "Nijar Country" doubles time and space, the first of its many such doublings.Walls graffitied FRANCO, FRANCO, FRANCO preside over destitution, hopeless hopes, and labored lives ended before death, so inhabitants dream of escaping, some having returned only to recall cities regretfully. One boy, pointedly named Juan, implores the narrator (our Juan?) to take him away. The boy may embody a past Juan of whom the present man is avatar--and what about the other Juans in the book?Readers of Goytisolo's later books, such as "Juan the Landless," may be surprised by "Nijar Country"'s precociously complex counterpoint, so deftly manipulated as to possibly escape detection.Goytisolo has written other "travelogs," each accomplishing multiple purposes. Here his vocabulary and grammar sound Nijar's soulful culture. Peter Bush's flexible translation admirably hurdles such potential obstacles of diction and expression.

    Each corpse is posed in a way whose meaning no one can fathom. Which is precisely the point the murderer is trying to make.Elisenda Domènech, the solitary and haunted head of the city’s newly-formed Serious Crime Unit, is determined to do all she can to stop the attacks. She believes the attacker is drawing on the city’s legends to choose his targets, but her colleagues aren’t convinced and her investigation is blocked at every turn.Battling against the increasing sympathy towards the killer displayed by the press, the public and even some of the police, she finds herself forced to question her own values. But when the attacks start to include less deserving victims, the pressure is suddenly on Elisenda to stop him. The question is: how?With City of Good Death Chris Lloyd launches a gripping new series sure to appeal to readers of Val McDermid and the Inspector Montalbano novels. Rich in atmosphere, local detail and featuring an unforgettable heroine, it also announces the arrival of a major new British crime writing talent.Chris Lloyd lived in Catalonia for over twenty years, besides brief spells in Bilbao, Madrid, Grenoble and a mill in Devon. He has written and contributed to several travel books about Spain for Rough Guides, travelling extensively around the country. Now back in South Wales, he works as a Catalan and Spanish translator. This is his first novel.

    To read Mr. Lewis, wrote Fouad Ajami in The Wall Street Journal, is to be taken through a treacherous terrain by the coolest and most reassuring of guides. Youare in the hands of the Islamic world's foremost living historian. Now this sure-handed guide takes us through treacherous terrain indeed--the events of 1492, a year laden with epic events and riven by political debate.With elegance and erudition, Lewis explores that climactic year as a clash of civilizations--a clash not only of the New World and the Old, but also of Christendom and Islam, of Europe and the rest. In the same year that Columbus set sail across the Atlantic, he reminds us, the Spanish monarchycaptured Granada, the last Muslim stronghold on the peninsula, and also expelled the Jews. Lewis uses these three epochal events to explore the nature of the European-Islamic conflict, placing the voyages of discovery in a striking new context. He traces Christian Europe's path from being aprimitive backwater on the edges of the vast, cosmopolitan Caliphate, through the heightening rivalry of the two religions, to the triumph of the West over Islam, examining the factors behind their changing fortunes and cultural qualities.Balanced and insightful, this far-reaching discussion of the encounters between Islam, the West, and the globe provides a new understanding of the distant events that gave shape to the modern world.

    General Juan del Águila has been sprung from a prison cell to command the last great Spanish armada. His mission: to seize a bridgehead in Queen Elizabeth's England and hold it.Facing him is Charles Blount, a brilliant English strategist whose career is also under a cloud. His affair with a married woman edged him into a treasonous conspiracy—and brought him to within a hair’s breadth of the gallows.Meanwhile, Irish insurgent Hugh O’Neill knows that this is his final chance to drive the English out of Ireland. For each man, this is the last throw of the dice. Tomorrow they will be either heroes or failures.These colorful commanders come alive in this true story of courage and endurance, of bitterness and betrayal, and of drama and intrigue at the highest levels in the courts of England and Spain.

     When Jack Waldie and his wife Nicola buy a house in rural Spain they intend to start a new life there, away from the hustle and bustle of Glasgow, but when things go awry between them Jack chooses to keep the spacious old place and moves there to write his crime novels in peace. In the small village in an area known as Spanish Lapland, due to its ever decreasing population, Jack befriends key local people who refuse to allow their birthplace to die. When he’s persuaded to look for a lodger in order to further their aims, the scene is set for a far more eventful summer than he anticipated.

    Braudel's scope embraces the natural world and material life, economics, demography, politics, and diplomacy.

    Her parents have died, her food is dwindling and the rent is due. When a stranger arrives bearing a note from an uncle, inviting Katka to join him and his wife in America, she leaves all that she has held dear to rebuild her life across the ocean. On the voyage to New York, she becomes friends with the stranger and begins to fall in love. But at Ellis Island, they are separated when he is detained by authorities as a suspected anarchist. Alone, Katka continues her journey to her uncle’s house on the rough and tumble Iron Range in northern Minnesota. Soon she is immersed in a lively community of iron miners and begins publishing an underground newspaper about their struggles and the heroism of the women on the Iron Range, as they are swept into a tumultuous strike that will change their lives forever. “Under Ground” is a work of fiction inspired by true events.

    Likely to become the standard work in English, the book treats the entire Iberian Peninsula and all of the people who inhabited it, from the coming of the Visigoths to the reign of Ferdinand and Isabella.Integrating a wealth of information about the diverse peoples, institutions, religions, and customs that flourished in the states that are now Spain and Portugal, Professor O'Callaghan focuses on the continuing attempts to impose political unity on the peninsula. He divides his story into five compact historical periods and discusses political, social, economic, and cultural developments in each period. By treating states together, he is able to put into proper perspective the relationship among them, their similarities and differences, and the continuity of development from one period to the next. He gives proper attention to Spain's contacts with the rest of the medieval world, but his main concern is with the events and institutions on the peninsula itself.Illustrations, genealogical charts, maps, and an extensive bibliography round out the book. It will be welcomed by teachers of Spanish and Portuguese history and literature, as well as by medievalists, as the fullest account to date of Spanish history in the Middle Ages.

    This unique edition includes his most famous play, Fuente Ovejuna, as well as The Knight from Olmedo and Punishment without Revenge. Presented here in superb translation, these plays embody the very best of Lope's dramatic art.

    His highly regarded Sonatas tetralogy, which appeared from 1902 to 1905, was hailed as the pinnacle of Spanish modernist prose and the beginning of modern Spanish literature.The Sonatas, named for the four seasons, represent the memoirs of the Marquis of Bradomín, a Galician Don Juan. The Spring Sonata takes place in his youth, when he is consumed with passion for a beautiful young aristocratic woman--a paragon of purity whose chief desire in life is to join a convent. The story of their romance, a tale of ardor and innocence, is lively, moving, and surprising.In addition to its detailed background information, the introduction features summaries of the other three Sonatas. This new translation is the first and only annotated edition of Spring Sonata and the only available dual-language edition.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    In this important as well as fascinating study, Watt traces Islam's influence upon Spain & European civilization--from the collapse of the Visigoths in the 8th century to the fall of Granada in the 15th, & considers Spain's importance as a part of the Islamic empire. Particular attention is given to the golden period of economic & political stability achieved under the Umayyads. Without losing themselves in detail & without sacrificing complexity, the authors discuss the political, social & economic continuity in Islamic Spain, or al-Andalus, in light of its cultural & intellectual effects upon the rest of Europe. Medieval Christianity found models of scholarship in the Islamic philosophers & adapted the idea of holy war to its own purposes while the final reunification of Spain under the aegis of the Reconquista played a significant role in bringing Europe out of the Middle Ages. A survey essential to anyone seeking a more complete knowledge of European or Islamic history, the volume also includes sections on literature & philology by Pierre Cachia.

    In fact, each setback they experience just seems to immerse them deeper into a life they have totally fallen in love with. 'Seriously Mum, Who's that Chicken?' is the latest installment of their adventures as they continue to seize the day, living off-grid and loving every minute.

    Its history reads like a history of pleasure itself. It is also a story of invasions and migrations, of artists and conmen, of drop-outs and love-ins. The Carthaginians established a cult to their goddess of sex there, and named the island after Bez, their god of dance. Roman centurions in need of a bit of down time between campaigns would go to Ibiza to get their kicks. And over the centuries, cultures around the Med have used the island either as a playground or a dump for the kind of people who didn't quite fit in back home, but who you'd probably quite like to meet at a party...This is the history of Ibiza, the fantasy island, framed by one long, golden summer where anything can happen - and it usually does.

    Translation of: Orphee noir, originally published 1948 as the preface to Anthologie de la nouvelle poesie negre et malgache de langue francaise, edited by Leopold Sedar Senghor.