It’s a contract that follows him throughout his days, a contract he can’t escape. Or can he? One night on the road, he must decide whether to keep running or surrender. . . Either choice has its price.A short story.

    For the anthology of the same name, see Beyond the Aquila RiftBeyond the Aquila Rift: it's shorthand for the trip no one ever hopes to make by accident. The one that will screw up the rest of your life, the one that creates the ghosts you see haunting the shadows of company bars across the whole Bubble. Men and women ripped out of time, cut adrift from families and lovers by an accident of an alien technology we use but rarely comprehend

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.

    You gotta meet with him and do what he says, or else."A woman agrees to take part in a creature's sick game to save the child she loves. A girl and her mother move into a nightmare house. Two brothers embark on a high-seas treasure hunt.In this haunting collection, Briana Morgan shares stories of love, loss, and horrors both real and imagined.

    Outside the walls of Consilience, half the country is out of work, gangs of the drug-addicted and disaffected menace the streets, warlords disrupt the food supply, and overcrowded correctional facilities churn out offenders to make room for more.The Consilience prison, Positron, is something else altogether. The very heart of the community and its economic engine, it’s a bold experiment in voluntary incarceration. In exchange for a house, food, and what the online brochure hails as “A Meaningful Life,” residents agree to spend one month as inmates, the next as civilians, working as guards or whatever’s required.Stan and Charmaine have no complaints—until the day Stan discovers an erotic note under the fridge of the house he and Charmaine must share with another couple while they’re back inside Positron. It’s a missive of erotic longing, pressed with a vivid lipstick kiss: “I’m starved for you!” it breathes. If Stan rarely thought about the house’s other residents before—they’ve never met them and don’t know their names; it’s not allowed—now he can’t stop thinking about them, especially the note’s sex-addled author, a woman apparently named Jasmine, so unlike his girlish wife, Charmaine. He HAS to meet her, but in this highly ordered and increasingly surveilled world, disorderly thoughts are a risk, and breaking the rules has dire consequences.

    Like the flaming projectiles his protagonists often launch into the sky, these stories crackle with energy and violence and a furious beauty. Benjamin Percy is a force. -- Anthony Doerr

    Think Clark Gable with larceny in his heart and a price on his head. A price put there by the German Gestapo. But Blacky's always got an angle, and this time it s as audacious as they come. He'll hide in plain sight, impersonating the crowned head of a Balkan kingdom. He'll become The Iron Duke.Can he pull it off? Win the love of a country...and of a beautiful woman? All Blacky has to do is risk everything and, for once in his life, find a way to do the right thing. Get in on the deception as the audio version of The Iron Duke puts you in the middle of the royal con game. "Filled with realistic sound effects...and a classic film noir atmosphere, this inspired and well-polished entertainment will immerse listeners." —Publishers WeeklyHubbard and Gable were fast friends and fellow adventurers. While Hubbard was writing for Columbia Pictures in 1937, the studio often called upon him to doctor scripts for Gable—giving him a unique knowledge of the man and inspiration for characters like Blacky Lee.*An AudioFile Award Winner

    

    Years ago, they witnessed an unthinkable crime that would haunt them forever. Throughout their lives, they have longed for salvation. Now, they live in fear…For Amelia Sorenson, it is just a harmless game. A tantalizing peek inside her father's case files. Just to see what he knows about her secret lover. But for Crowe, the man she adores, it is something far more dangerous—something that could destroy them all…

    The magic of the Hollows runs full force into the technological sophistication of The Drafter when a device capable of carrying a city’s data stream pulls Rachel, the bounty hunter witch of the Hollows, between realities, marooning her in a world where the supernatural holds no sway. To get Rachel and Jenks home, Peri, the dangerous renegade of 2030, must decide what will chart her future: her blind trust in those who grant her power, or her intuition telling her to believe.

    He runs across a barker with a strange power over the crowd: attractive women leave their men and disappear into an unmarked tent, never to be seen again, and the men wander away, forgetting that they ever had girlfriends or wives. When Granuaile falls under the barker’s influence and enters the tent, Atticus isn’t about to forget it and move on. He and his Irish wolfhound, Oberon, pursue her and discover the horrifying secret to the carnival’s success.

    A Bonus Chapter from "Before I Wake".

    In each of her stories, Danielle Evans explores the non-white American experience with honesty, wisdom, and humor. They are striking in their emotional immediacy, based in a world where inequality is a reality, but the insecurities of young adulthood and tensions within family are often the more complicating factors. One of the most lauded debuts of the year, Before You Suffocate Your Own Fool Self announces a major new talent in Danielle Evans.

    Winner of six Emmys (he was nominated nine times), two Sylvania Awards, on Peabody Award, and one Christopher Award for his teleplays, Serling came as close as anyone to dominating an era that abounded with talented men. His plays "Requiem for a Heavyweight" and "Patterns" are usually the first items on the lips of television aficionados reminiscing about the good old days. Yet as television changed, Rod Serling kept pace. He became producer and chief writer for the famous "Twilight Zone" series. These bizarre and fantastic adventures into the occult and demonic were without doubt one of the most creative, imaginative and successful enterprises in the history of television.Now Rod Serling has applied his prodigious writing talents to a new medium: one in which he is perhaps destined to make his greatest mark. The three novellas that compromise THE SEASON TO BE WARY betray the skillful hand of a master storyteller and prose stylist. Fired with a savage yet disciplined irony, paced with deliberate cadence that rises to a starting denouement, each story explores the theme of a terrible vengeance delivered for terrible deeds performed.In "The Escape Route," ex-Gruppenfuehrer Joseph Strobe - ex-deputy assistant commander of Auschwitz, ex-confidant of Heinrich Himmler - putters about his little rathole in Buenos Aires chewing over the good times he had breaking Jews. Yet his snug little world is turned upside down b the capture of Adolf Eichmann, and Strobe soon finds himself on the wrong end of a terrifying hunt."Color Scheme" recounts the life and times of the great King Connacher, racist and rabble-rouser, who makes his living on the stump, preaching the lynching gospel, only to find himself one summer evening the victim of an extraordinary case of mistaken identity.In "Eyes," Miss Claudia Menlo, who in her fifty lifeless years has been denied nothing that she wanted - except her sight - manipulates people with the same purposeful indifference with which she fondles the expensive bric-a-brac in her lavishly cluttered dwelling. Yet her insistant will is brutally thwarted by the one set of circumstances she cannot control.Serling has infused these simple, forceful tales with an extraordinary richness of character and detail. There is, for example, the Prussian officer Gruber, who cannot stomach the pigs like Strobe he helped create and with whom he is forced to share his guilt. And there is Indian Charlie Hatcher, the most memorable portrait of a burned-out prizefighter since Serling's own justly famous Mountain Rivera.The power, the drive, the complexity and subtlety of these novellas mark Rod Serling as one of the most important and graceful fiction writers. Mr. Serling is a graduate of Antioch College and lives in Southern California with his wife and two children.

    Kite-class cargo ships like Menkalinan get burned-out veterans, techs who’ve been warned off-planet, medics who weren’t much good on the ground. The Gliese-D run isn’t quite the end of the line, but it’s getting there. No cachet, no rewards, no future; their trading posts get Kites full of cargo that the crew never ask questions about, because if it’s headed for Gliese-D, it’s probably something nobody wanted.A year into the Deep, Amadis Reyes wakes up. Menkalinan is sounding the alarm; something’s wrong. The rest of the crew are dead.That’s not even what’s wrong.