She didn't want to be a rancher's wife, so she makes the harrowing decision to leave all she's known, risking everything for the chance to choose her own fate in life. Now going by 'Thomas' she realizes hiding her identity is a rather small price to pay for the freedom to live her own life and the Klondike Gold Rush is the perfect opportunity to help her fund her endeavor.Rachel Harkes knew that marrying Roy would be her ticket out of her small town in Kansas. Two years into their marriage and still looking for more adventure, Roy decides they should try their luck and join the Klondike Gold Rush.When tragedy strikes and Thomas and Rachel are brought together at the top of the world in the unforgiving, arduous search for gold, can Thomas navigate her relationship with Rachel without revealing her secret? Will Rachel reconcile what she's known with the new, seemingly overwhelming reality she now finds herself in?

    Poppy Jenkins makes everyone smile. She’s the heart of Wells, a beautiful village in mid-Wales, leaving light and laughter in her wake. She has a doting family, an errant dog and a little sister with a nose for mischief. But she’s the only gay in the village and it’s a long time since she kissed a girl: the chance of romance in sleepy Wells is rarer than a barking sheep. If she doesn’t think too hard, life is cosy, until a smart sports car barrels into town with the last woman Poppy wants to see behind the wheel. Beautiful Rosalyn Thorn was once Poppy’s high school BFF even though she was trouble. Then one day she abandoned Wells and Poppy without explanation. Now the highflier is back and bound to cause fresh havoc in the village and with Poppy’s heart; folk are not happy. Wells needs to wake up to the 21st century and Rosalyn can help, but old prejudices die hard. If they can be friends it could be the chance to make everyone’s happy ever after. Couldn’t it?

    Tropical Storm took the lesbian reading world by storm when it was first written . . . Don't miss this exciting revised "author's cut" edition. Dar Roberts, corporate raider for a multi-national tech company, is cold, practical, and merciless. She does her job with razor-sharp accuracy. Friends are a luxury she cannot allow herself, and love is something she knows she'll never attain. Kerry Stuart left Michigan for Florida in an attempt to get away from her domineering politician father and the constraints of the overly conservative life her family forced upon her. After college she worked her way into supervision at a small tech company, only to have it taken over by Dar Roberts' organization. Her association with Dar begins in disbelief, hatred, and disappointment, but when Dar unexpectedly hires Kerry as her work assistant, the dynamics of their relationship change. Over time, a bond begins to form. But can Dar overcome years of habit and conditioning to open herself up to the uncertainty of love? And will Kerry escape from the clutches of her powerful father in order to live a better life? The answer to both questions is no - unless these two women can strengthen and cement the tenuous bond that forms between them. First they must face storms that neither expects . . . and live to tell the tale.

    A heart-wrenching, yet tender tale of two women whose boundless devotion to each other is continually challenged in nineteenth century America.

    Holly tells herself that the reason she hasn’t asked her girlfriend to move in (after four years of dating) is that she’s too busy–but it isn’t true. A very book-obsessed librarian, Holly has buried herself in so many romantic and magical stories, that at night, she dreams of a woman who will sweep her off her feet–something her indifferent girlfriend has never done. But one night, during an unusually vicious storm, magic and romance appear in Holly’s backyard in the form of a mysterious, gorgeous woman…wielding a sword. The dashing stranger’s name is Virago. She claims that she’s a warrior on the hunt for a great and terrible beast; that she, and the beast, slipped through a portal from their world into ours. Holly isn’t sure what to believe, but she is now responsible for a (possibly crazy) swordswoman who is bewildered by modern-day conveniences like escalators, but not by the chivalry of sweeping a woman off her feet. Can Holly help Virago find her own world again, or will that falling-in-love thing get in the way? And, of course, there’s the tiny problem of the beast Virago wounded that is now seeking revenge…

    America’s most-hated villain stars in a top-rated TV medical drama that she hates. Now, she’s been romantically linked to her perky, new co-star, Summer, due to the young woman’s clumsiness. As a closeted actress, that’s the last thing Elizabeth needs. If she could just get her dream movie role, life would be so much better. The only problem is that the eccentric French film-maker offering it insists on meeting her “girlfriend”, Summer, first.Summer Hayes is devastated when her co-star shuns her for accidentally sparking rumors they’re lovers. Now the so-called British Bitch has the audacity to ask Summer to pretend to be her girlfriend to get her a role? Elizabeth doesn’t even like Summer! Oh, how she’d love to tell her no. And Summer definitely would if it wasn’t for the fact she’s maybe a tiny bit in love with the impossible woman.A lesbian celebrity romance about gaining love, losing masks, and trying to stick to the script.106,000 words

    and it’s not that she likes girls. She has a rare and special gift: she can see how old other people will be when they pass away. Nothing she does changes this number, and that becomes especially clear when her mother dies in a car crash. With only one other person in the world who knows about and shares her gift, Harper is determined to keep her distance from everyone. Then she falls for Chloe… whose number is 16.That means that Chloe doesn’t have twelve months to live. She doesn’t even have six.She is going to be dead by the end of the summer, unless Harper can find a way to stop it.

    As Tala’s wedding day approaches, simmering tensions come to boiling point and the pressure mounts for Tala to be true to herself.Moving between the vast enclaves of Middle Eastern high society and the stunning backdrop of London’s West End, I Can’t Think Straight explores the clashes between East and West, love and marriage, conventions and individuality, creating a humorous and tender story of unexpected love and unusual freedoms.

    Bertrice Martin—a widow, some seventy-three years young—has kept her youthful-ish appearance with the most powerful of home remedies: daily doses of spite, regular baths in man-tears, and refusing to give so much as a single damn about her Terrible Nephew. Then proper, correct Miss Violetta Beauchamps, a sprightly young thing of nine and sixty, crashes into her life. The Terrible Nephew is living in her rooming house, and Violetta wants him gone. Mrs. Martin isn’t about to start giving damns, not even for someone as intriguing as Miss Violetta. But she hatches another plan—to make her nephew sorry, to make Miss Violetta smile, and to have the finest adventure of all time. If she makes Terrible Men angry and wins the hand of a lovely lady in the process? Those are just added bonuses. Author’s Note: Sometimes I write villains who are subtle and nuanced. This is not one of those times. The Terrible Nephew is terrible, and terrible things happen to him. Sometime villains really are bad and wrong, and sometimes, we want them to suffer a lot of consequences.

    Their destinies come together one fateful afternoon when the feared outlaw makes the choice to rescue a young woman in trouble. For her part, Josie Hunter considers the brief encounter at an end once the girl is safe, but Rebecca Cameron has other ideas...

    But her dreams become a nightmare when Louisa is sent to Wildthorn Hall: labeled a lunatic, deprived of her liberty and even her real name. As she unravels the betrayals that led to her incarceration, she realizes there are many kinds of prison. She must be honest with herself - and others - in order to be set free. And love may be the key...

    Stephen grows to be a war hero, a bestselling writer and a loyal, protective lover. But Stephen is a woman, and her lovers are women. As her ambitions drive her, and society confines her, Stephen is forced into desperate actions.The Well of Loneliness was banned for obscenity when published in 1928. It became an international bestseller, and for decades was the single most famous lesbian novel. It has influenced how love between women is understood, for the twentieth century and beyond.

    Jenna McGovern has spent her whole life training for the stage. She’s taken dance classes, voice lessons, and even earned her performance degree from one of the most prestigious musical theater programs in the nation. At graduation, she’s stunned when a chance audition lands her a prime supporting role in the hottest Broadway touring production in the country. In more exciting news, Jenna discovers acclaimed television star Adrienne Kenyon is headlining the production. Jenna settles easily in to life on tour and has a promising career laid out in front of her, if only she plays her cards right. She’s waited for this opportunity her entire life and will let nothing stand in her way. The one thing she didn’t prepare for, however, was Adrienne. Her new costar is talented, beautiful, generous, and the utmost professional. As the two women grow closer onstage and off, they must learn how to fit each other into a demanding lifestyle full of unexpected twists and difficult decisions. But is Jenna ready to sacrifice what she’s worked so hard for in exchange for a shot

    She is consumed—both by a craving for human blood, and by an obsession to find her attacker and bring him to justice. Alexa is determined to be everything that Valentine needs, but when Val's appetite outstrips Alexa's ability to nourish her, Alexa risks her life to save her lover. Will Valentine be able to control her thirst—for blood and for vengeance? And can Valentine and Alexa's relationship endure against seemingly impossible odds?

    She's a very successful real estate agent, happily married to a man who encourages her to live the independent life she loves; and they're actively working to have a baby.The wrench in the works is that Blair favors adoption, while her husband David desperately wants to have a biological child. The fates are against them, and they finally seek the help of a group of reproductive specialists. One of the doctors, a surgeon named Kylie Mackenzie, eventually becomes a good friend to Blair. And she needs all of the friends she can get when things start to go horribly wrong at home. As her marriage teeters on the brink of collapse, she relies more and more on Kylie's friendship.Kylie's happily gay; Blair's happily straight. But the way they structure their relationship leads friends and family to privately question whether the pair is setting themselves up for heartache. They eventually come to a crossroads, which could either destroy their friendship or turn it into what each of them has been seeking. The question is whether each woman can change her view of herself and her needs. The answer is all that matters.