Enter the weird and wonderful world of Laura Dockrill …I draw like a left-handed baby, I can hardly spell my own name and watching me use a glue-stick is a bit like watching a large bear trying to ram his own head into a pocket-sized cat-flap …no, really.But once the book is finished, when I can see the pages coming together, getting thicker and thicker, detailed and covered with stories and my imagination recorded on pages …everything at last makes sense (to me at least).I did this because I have got things to say. I've got pictures I want you to see and characters I want you to meet - the crying ice-skating boy, the Rolf Harris obsessive, the rude girl in McDonalds with the chocolate milkshake and the try-hard Mighty Boosh watching mum.I don't keep a diary. I think they’re crap.But this is much more than a diary. This is my map.

    Includes four tales - Wolf in Shadow, as John Shannow seeks revenge, The Last Guardian, a reptilian army swarms the post-holocaust world, Ghost King in which Culain and a boy face the terror of the Witch Queen and the Last Sword of Power in which a new age dawns over Roman Britain.

    The only good news is that Steven, her increasingly distant teenage son, is about to move back in with her. The bad news is that Bob, her ex-husband, wants the house. Trisha's mind is unexpectedly made up when she inherits a place in the Highlands. Having pictured a rural idyll, she finds rain, sheep, a jaywalking dog and kamikaze midges. And more rain. Her social life is so limited that she even contemplates joining the Inversnechty Mental Health Awareness Group just for the craic. Then three nurses on holiday leave from Saudi invite Trisha to a ceilidh. A night of whisky-fuelled high jinks with a frozen salmon ensues which leads to a significant encounter with Spider, the local Lothario, and a dramatic discovery that will change Trisha's future forever.

    All the essays in the collection focus on storytelling. Warm, funny and entertaining, they discuss Philip's own stories, the craft of writing, other storytellers and the importance of stories in our culture.

    Before joining the ranks of the unemployed, however, he's approached by a representative of billionaire geneticist Dr. Edwina Sabacthani, who makes him an offer no starving ethicist could refuse. Born and bred on Isla de Sangre, a private island off the Florida coast, Edwina's beautiful and intelligent adolescent daughter, Londa, has recently survived a freak accident that destroyed both her memory and her sense of right and wrong. Londa's soul, in short, is an empty vessel—and it will be Mason's job to fill it. Exploring his new surroundings, our hero encounters a lush Eden abounding in bizarre animals and strange vegetation engineered by Edwina and her misanthropic collaborator, Dr. Vincent Charnock. And Londa, though totally lacking a conscience, proves a vivacious young woman who quickly captivates her new teacher as he attempts to recalibrate her moral compass with the help of Western civilization's greatest ethical thinkers, living and dead. But there's trouble in this tropical paradise. Mason soon learns that he isn't the only private tutor on Isla de Sangre, nor is Londa the only child in residence whose conscience is a blank slate. How many daughters does Edwina Sabacthani really have, and how did she bring them into being? Undaunted by these mysteries, Mason continues to instruct Londa, hoping that she can lead a normal life when she eventually ventures forth into human society. His apprentice, however, has a different agenda. Her head crammed with lofty ideals, her heart brimming with fearsome benevolence, and her bank account filled to bursting, Londa undertakes to remake our fallen world in her own image by any and all means necessary.

    When Linda Pastan's first book was published in 1971, the Jerusalem Post wrote, she "in large measure fulfilled Emerson's dream -- the revelation of 'the miraculous in the common.'" Since then, Pastan has continued to explore the complexities, passion, and dangers under the surfaces of ordinary life. She speaks in the voices of Penelope and Eve; of daughter, mother, and wife. The new book follows work that over thirty years both darkens and deepens with time.

    It is the tale of a pair of young scholars researching the lives of two Victorian poets. As they uncover their letters, journals, and poems, and track their movements from London to Yorkshire—from spiritualist séances to the fairy-haunted far west of Brittany—what emerges is an extraordinary counterpoint of passions and ideas.Man Booker Prize Winner (1990)

    Thrown dramatically into the upper classes, he struggles desperately to learn the etiquette and rules of polite society. But as he soon discovers, becoming a 'true gentleman' is neither as easy nor as desirable as it at first appears.

    Since then, she's written eight more, three of which have been short-listed for England's prestigious Booker Prize, and one of which, Offshore, won. Now she's back with her tenth and best book so far, The Blue Flower. This is the story of Friedrich von Hardenberg--Fritz, to his intimates--a young man of the late 18th century who is destined to become one of Germany's great romantic poets. In just over 200 pages, Fitzgerald creates a complete world of family, friends and lovers, but also an exhilarating evocation of the romantic era in all its political turmoil, intellectual voracity, and moral ambiguity. A profound exploration of genius, The Blue Flower is also a charming, wry, and witty look at domestic life. Fritz's family--his eccentric father and high-strung mother; his loving sister, Sidonie; and brothers Erasmus, Karl, and the preternaturally intelligent baby of the family, referred to always as the Bernhard--are limned in deft, sure strokes, and it is in his interactions with them that the ephemeral quality of genius becomes most tangible. Even his unlikely love affair with young Sophie von Kühn makes perfect sense as Penelope Fitzgerald imagines it. The Blue Flower is a magical book--funny, sad, and deeply moving. In Fritz Fitzgerald has discovered a perfect character through whom to explore the meaning of love, poetry, life, and loss. In The Blue Flower readers will find a work of fine prose, fierce intelligence, and perceptive characterization.

    That play, and the others that followed, have been produced all over the world. This anthology includes Kane's never-before-published Channel 4 screenplay, Skin. Complete Plays include Blasted, Phaedra's Love, Cleansed, Crave, 4.48 Psychosis, and Skin.

    Yet the novel is much more. Written in sparse prose that is shockingly clear—the descriptions of electronic treatments are particularly harrowing—it combines real-life characters and events with fictional ones in a work that examines the insanity of war like no other. Barker also weaves in issues of class and politics in this compactly powerful book. Other books in the series include The Eye in the Door and the Booker Award winner The Ghost Road.

    

    With no memory of where they've been. And they haven't aged a day. Some have returned with startling new abilities... Eleven-year-old Maia can see the future, and she's never wrong. So when she has a vision of Mount Rainier starting to erupt, the National Threat Assessment Command takes her warning very seriously. But to track down the unknown returnee who may trigger the volcanic eruption, NTAC agents Tom Baldwin and Diana Skouris must uncover the astounding truth behind one of the greatest unsolved crimes of the twentieth century.... And they've got competition. Ruthless enemies are working against them and somehow managing to keep one step ahead of the desperate agents. With the future closing in on them, Tom and Diana must foil a lethal conspiracy -- before Seattle and the entire Pacific Northwest go the way of ancient Pompeii.

    But with success comes the envy of New York society lady Payton Fitzsimmons. When her husband dies and the cracks begin to show in Carolina's world, the one constant is loyal customer, Seth.

    Through a collage aesthetic and a multiplicity of voices, these poems take us from coast to coast, New York to LA, and toward uneasy questions about intimacy, love, death, and the human spirit. Dimitrov critiques America’s long-lasting obsessions with money, celebrity, and escapism—whether in our personal, professional, or family lives. What defines a life? Is love ever enough? Who are we when together and who are we by ourselves? These questions echo throughout the poems, which resist easy answers. The voice is both heartfelt and skeptical, bruised yet playful, and always deeply introspective.from "Water"What is aging exactly?There are new jobs and peopleand someone dies before noon every day.I am swimming and swimming…in May or an ocean,I don’t see the reason. “But that’s unimportant,” you said.“Just keep doing it over again until one day you can’t.”Spring excites us and we know what it is every time.The minutes in meetings are life’s most undistinguished;that’s obvious. And what’s obvious makes us all foolsthen fast friends.Alex Dimitrov is the author of Together and by Ourselves (Copper Canyon Press, 2017), Begging for It (Four Way Books, 2013), and the online chapbook American Boys (Floating Wolf Quarterly, 2012). He is the recipient of the Stanley Kunitz Prize from the American Poetry Review and a Pushcart Prize. His poems have been published in Poetry, The Yale Review, Kenyon Review, Slate, Tin House, Boston Review, and the American Poetry Review. He is the Senior Content Editor at the Academy of American Poets where he edits the popular online series Poem-a-Day and American Poets magazine. He has taught creative writing at Rutgers University-New Brunswick, Marymount Manhattan College, Bennington College, and lives in New York City.