In a desperate search for peace, they travel back to a place filled with loving memories. By chance, they run into each other, and the summer they shared as teenagers causes old feelings to resurface. Will the sweet memories be enough for them to give love a second chance?

    Alfred and Guinevere are two children who have been sent by their parents to spend the summer at their grandmother's house in the country. There they puzzle over their parents' absence and their relatives' habits, play games and pranks, make friends and fall out with them, spat and make up. Schuyler has a pitch-perfect ear for the children's voices, and the story, told entirely through snatches of dialogue and passages from Guinevere's diary, is a tour de force of comic and poetic invention. The reader discovers that beneath the book's apparently guileless surface lies a very sophisticated awareness of the complicated ways in which words work to define the often perilous boundaries between fantasy and reality, innocence and knowledge.

    Amy Fusselman’s compact, beautifully digressive essay feels both surprising and effortless, fueled by broad-ranging curiosity, and, fundamentally, joy.

    The Proof brings us quickly back to the West, where two punks, plus a new recruit  (“Wannafuck?” is the opening line as the two punk lesbians accost the chubby and shy Marcia on a quiet street in Buenos Aires), take control of a local supermarket with dire consequences for the hostages. These two Aira works are as different as night and day. Nevertheless, sex, identity, and modern day economics figure deeply in both of these fast-paced, edgy fictions.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    Her art depicts things that have been forgotten, lost, or which have yet to come. The images are always beautiful—but they also drive people mad. She creates her wondrous images in secret, but one day a stranger comes... One who is just as mysterious as Grace herself.The Vampire’s Image is a story of paranormal romance, 6500 words long.

    The tale tells of lost love, beauty, and the magic of a foggy Christmas Eve night that leads to an unexpected event. An earlier version of this story appeared about 20 years ago in Lake Superior Magazine. Since then it has only been published in Italian and German.© 2011 Brian Freeman

    The only thing that the high-flying career girl is missing is love. When she spots a gorgeous man who seems to be following her everywhere she goes, she wonders if fate is trying to throw them together. But with her job on the line can she afford to make time for this handsome, mysterious stranger?

    They’ve relied on each other, laughed with each other, kept each other sane. But now Devin is dead, and Ginny is floundering to find a way to cope with the loss and continue living when the one person she’s always relied on is gone. So she does what she’s always done. She pours her frustrations into texts to Devin, or at least to Devin’s useless phone number. She sends her pain and anger out into the void of cellular data with no hope of response. Until the day when someone does respond. Ginny knows that this person—this Not-Devin—won’t ever replace her best friend, but maybe he can help her heal, or at least give her a reason to smile again.

    The How To Skinny by India "Indy" Savage Nightingale and Alison "Ally" Nightingale Zano, Rock Chicks.

    His writing skills have not improved (despite using Raymond Chandler's typewriter to bang out his hard-boiled prose), but his crime solving prowess is still first rate. He'll need it, since murder seems to abound in the little Appalachian town of St. Germaine, North Carolina. St. Germaine is in a season of change: a couple of new shops have appeared on the square; the Great Smoky Mountain Renaissance Festival has just opened out at Camp Possumtickle; and St. Barnabas Church has a new priest, straight from France. As well as having his Episcopal appointment from the bishop, Father Moneyduck is also a famous mystery author and detective. It's a good thing, because the police department has a raft of homicides on its hands with no end in sight. Of course, they do things a little differently in France ... Hayden Konig's 15th (and final!) mystery The Choir Director Wore Out It s not what you expect ... It's even funnier!

    So when her best friend calls asking her to be a proxy bride, she says, ‘yes.’ How hard can it be to say ‘I do’ so that her best friend can be with the one she loves? Only, Carly never counted on the feelings that began to swirl around with the proxy groom.Damien Nichols likes life lined up from A to Z, but when his best friend calls in a favor, disorder begins to reign. Instead of taking a quick flight to the proxy wedding, he has to take a road trip with the proxy bride. Carly’s free-spirit attitude bumps heads with his meticulous approach to life. As Damien discovers the woman underneath the carefree façade, his emotions become involved.*previously published in A Spring of Weddings collection

    She's never even been on a romantic weekend away--to anywhere--before. Traveling abroad isn't really her thing. But when Nell's boyfriend fails to show up for their mini-vacation, she has the opportunity to prove everyone--including herself--wrong. Alone in Paris, Nell finds a version of herself she never knew existed: independent and intrepid. Could this turn out to be the most adventurous weekend of her life? Funny, charming, and irresistible, Paris for One is quintessential Jojo Moyes--as are the other stories that round out the collection.

    This anthology includes the masterpieces Wise Blood. The Violent Bear it Away, and Everything that Rises Must Converge.

    From the author of the award-winning novel Let the Great World Spin and TransAtlantic comes an eponymous novella and three stories that range fluidly across time, tenderly exploring the act of writing and the moment of creation when characters come alive on the page; the lifetime consequences that can come from a simple act; and the way our lives play across the world, marking language, image and each other.Thirteen Ways of Looking is framed by two author’s notes, each dealing with the brutal attack the author suffered last year and strikes at the heart of contemporary issues at home and in Ireland, the author’s birth place.Brilliant in its clarity and deftness, this collection reminds us, again, why Colum McCann is considered among the very best contemporary writers.