Shanghai Station is a compelling tale of political terror and personal vengeance that unfolds in 1918 in China's colorful, turbulent port city of Shanghai. Well-born Alexander Karlov arrives in Shanghai with a mission, for the Bolsheviks have brutally killed his mother and abducted his twin sister. Vengeance commands Alexander's soul. It also entangles him in perilous allianceswith the Cossack hit man Ivan Semyonov; with Mei-lan, a woman who knows Shanghai's darkest secrets; with "Big Ear," leader of the city's most powerful Triad; with the French police; and with a spirited young American woman who calls herself Jesse James."

    The Scholars is the first Chinese novel of its scope not to borrow any characters from history or legend and it is the first work of satiric realism to achieve an almost complete disassociation from the religious beliefs of the people. Departing from the impersonal tradition of Chinese fiction, Wu abandons such established narrative formulas as folk songs and poetic verse in favor of autobiographical experiences, descriptive realism, and characters modeled after his friends and relatives — elements that combine to give this critique of the Confucian civil service system an unprecedented immediacy and humor.

    At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    Chi Lin becomes the Fourth Wife – the ghost bride in the House of Wu, a respectable Ming Dynasty household. But to keep her honor, Chi Lin assumes her role under the stern command of her mother-in-law and the disdainful eye of the First Wife. Still, as Mistress Purple Sage, Chi Lin survives, managing to bring fresh breath into this ancient household. Women in Fourteenth Century China played a subservient role. Most accepted their lot and worked within a man’s world, supporting their husbands, revering their fathers and elders, and assuring their children followed the same dauntless path. Still, within the narrow confines of a subservient life, there was always a place to leave a mark and make a difference for the future.Master Wu’s Bride is a journey seen from a woman’s point of view — a woman who held secrets and cultivated them to everyone’s advantage. From yesterday’s stale cabbage, Chi Lin manages to cultivate her world to bloom. Come take this journey with Mistress Purple Sage, the ghost bride. Come take this journey that many women in a host of cultures still take today in the shadow of inequality’s quagmire.

    Written in 1598 by Tang Xianzu, The Peony Pavilion is one of literature's most memorable love stories and a masterpiece of Ming drama. It's heroine, Bridal Du, is a cloistered girl who dreams of love, then dies pining for her dream suitor. Returning to earth in ghostly form, she is restored to life through the devotion of a young scholar. Cyril Birch has captured all the elegance, lyricism, and subtle, earthy humour of this panoramic tale of romance and Chinese society. When Indiana University Press first published the text in 1980, it seemed doubtful that the work would ever be performed in its entirety again, but several spectacular and controversial productions have toured the world in recent years. For this second edition, which contains a revised text of the translation, Cyril Birch and Catherine Swatek reflect upon contemporary performances of the play in light of a well-established tradition of stage interpretation in China and the sometimes heated politics of intercultural collaboration.

    A potpourri of musings assembled with a hint of practical spirituality, to be savoured passably as an oracle of hearts to the many answers, whose questions our minds are yet to comprehend. Ivory Gleam is split into three chapters of learning, longing and loving. Each chapter is a journey traversing a different road to the ultimate destination of self-reflection.

    The haiku is one of the most popular and widely recognized poetic forms in the world. In just three lines a great haiku presents a crystalline moment of image, emotion, and awareness. This illustrated collection includes haiku by the great masters from the seventeenth to the early twentieth century.

    This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

    On April 27, 1960, Harry Wu, a senior at Beijing's Geology Institute, was arrested by Chinese authorities and, without ever being formally charged or tried, spent the next nineteen years in hellish prison labor camps. Exiled to the bitter desolation of this extensive gulag, he was transformed from a member of China's privileged intellectual elite into a pariah, a faceless cipher denied even the most basic human rights. He was subjected to grinding labor, systematic starvation, and torture, yet he refused to give up his passionate hold on life. From the tough peasants and petty criminals imprisoned with him, like chicken thief Big Mouth Xing, he learned the harsh lessons of survival. Driven by incessant hunger, he became expert at scavenging for edible weeds in the barren camp fields and capturing snakes and frogs in the irrigation ditches. Reduced at one point to a walking skeleton, he took part in elaborate "food imagining" sessions with his squad mates in the barracks at night. In the crucible of the nightmarish Qinghe prison farm, he watched as, night after night, prisoners succumbed to disease and starvation to be buried in unmarked graves outside the camp walls. Throughout this stunning chronicle are moving stories of the prisoners who became Wu's trusted friends. The gentle, lute-playing Ao, unblinking in his insistence on the dignity of humanity, serves as a beacon in the moral abyss of the camps. Handsome and virile Lu, tormented by unfulfilled longing for a woman's touch, is driven to insanity and finallysuicide. Buffeted by the worst horrors of the Chinese communist tragedy, these poignant figures provide a rare, detailed portrait of the depths of human despair. Released from prison in 1979, Harry Wu was eventually allowed to leave China for the United States. But his story doe

    During that time, China, not Europe, was the center of the world: the European voyages of exploration were searching not just for new lands but also for new trade routes to the Far East. In this book, Timothy Brook eloquently narrates the changing landscape of life over the three centuries of the Ming (1368-1644), when China was transformed from a closely administered agrarian realm into a place of commercial profits and intense competition for status.The Confusions of Pleasure marks a significant departure from the conventional ways in which Chinese history has been written. Rather than recounting the Ming dynasty in a series of political events and philosophical achievements, it narrates this longue durée in terms of the habits and strains of everyday life. Peppered with stories of real people and their negotiations of a rapidly changing world, this book provides a new way of seeing the Ming dynasty that not only contributes to the scholarly understanding of the period but also provides an entertaining and accessible introduction to Chinese history for anyone.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    Featuring new fiction by Hao Jingfang (translated by Ken Liu), Sam J. Miller, Amal El-Mohtar, Richard Bowes, and Sunny Moraine, classic fiction by Ann Leckie, essays by Jim C. Hines, Erika McGillivray, Michi Trota, and Keidra Chaney, poetry by Isabel Yap, Mari Ness, and Rose Lemberg, interviews with Hao Jingfang (translated by Ken Liu) and Ann Leckie, by Deborah Stanish, a cover by Julie Dillon, and an editoral by Lynne M. Thomas and Michael Damian Thomas. Contents:FictionThe Heat of Us: Notes Toward an Oral History by Sam J. MillerFolding Beijing by Hao Jingfang, translated by Ken LiuLove Letters to Things Lost and Gained by Sunny MoraineAnyone With a Care for Their Image by Richard BowesPockets by Amal El–MohtarThe Nalendar by Ann LeckiePoetryAfter the Moon Princess Leaves by Isabel YapAfter the Dance by Mari Nessarchival testimony fragments / minersong by Rose LembergEditorialsThe Uncanny Valley by Lynne M. Thomas & Michael Damian ThomasEssaysThank You, Again, Kickstarter Backers!The Politics of Comfort by Jim C. HinesAge of the Geek, Baby by Michi TrotaThe Evolution of Nerd Rock by Keidra ChaneyThe Future’s Been Here Since 1939: Female Fans, Cosplay, and Conventions by Erica McGillivrayInterviewsInterview: Hao Jingfang by Deborah Stanish, translated by Ken LiuInterview: Ann Leckie by Deborah Stanish

    Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless.At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. With an introduction by Sharlene Teo, author of Ponti, this is an essential collection from one of the twentieth century's most iconic figures.

    Inside, scrolls were piled from floor to ceiling, undisturbed for a thousand years. The gem within was the Diamond Sutra of AD 868. This key Buddhist teaching, made 500 years before Gutenberg inked his press, is the world’s oldest printed book. The Silk Road once linked China with the Mediterranean. It conveyed merchants, pilgrims and ideas. But its cultures and oases were swallowed by shifting sands. Central to the Silk Road’s rediscovery was a man named Aurel Stein, a Hungarian-born scholar and archaeologist employed by the British service. Undaunted by the vast Gobi Desert, Stein crossed thousands of desolate miles with his fox terrier Dash. Stein met the Chinese monk and secured the Diamond Sutra and much more. The scroll’s journey—by camel through arid desert, by boat to London’s curious scholars, by train to evade the bombs of World War II—merges an explorer’s adventures, political intrigue, and continued controversy. The Diamond Sutra has inspired Jack Kerouac and the Dalai Lama. Its journey has coincided with the growing appeal of Buddhism in the West. As the Gutenberg Age cedes to the Google Age, the survival of the Silk Road’s greatest treasure is testament to the endurance of the written word.

    Use no other words.The Tao is constantly moving, the path that all life and the whole universe takes. There is nothing that is not part of it—harmonious living is to know and to move with the Tao—it is a way of life, the natural order of things, a force that flows through all life.365 Tao is a contemporary book of meditations on what it means to be wholly a part of the Taoist way, and thus to be completely in harmony with oneself and the surrounding world.Deng Ming-Dao is the author of eight books, including The Living I Ching, Chronicles of Tao, Everyday Tao, and Scholar Warrior. His books have been translated into fifteen languages. He studied qigong, philosophy, meditation, and internal martial arts with Taoist master Kwan Saihung for thirteen years, and with two other masters before that.