They are mysterious and distant, and catching a glimpse of one is privilege enough for a lifetime.Now, they have all gathered in one place, bringing their heirs and greatest students together for a competition to determine whose successor is the best in the world:The Uncrowned King tournament.

    For this new paperback edition, Mr. Burke continues his "curve of development" in an Addendum which surveys the course of his though in subsequent books (up to the publication of his Collected Poems, 1915 - 1967) and work-in-progress.

    But in The Character of Virtue theologian and ethicist Stanley Hauerwas offers his real-life godson something far more precious than toys or trinkets—the gift of hard-won wisdom on life and the process of maturing. In each of sixteen letters—sent on the occasion of Laurence Wells’s baptism and every year thereafter—Hauerwas contemplates a specific virtue and its meaning for a child growing year by year into the Christian faith. Writing on kindness, courage, humility, joy, and more, Hauerwas distills centuries of religious thinking and decades of self-reflection into heartfelt personal epistles that are both timely and timeless.An introduction by Samuel Wells—Laurence’s father and Hauerwas’s friend—tells the story behind these letters and offers sage insight into what a godparent is and can be.

    She’s single, alone in a new city, and facing rock bottom again. And she’s not exactly child-friendly, so when she finds a tiny stowaway, five-year-old Sadie Beck, in the back of her Jeep on Halloween night, she’s in no mood to play.Then her world gets weird.Against her will, Kate begins to feel a surprising connection with the odd little girl. And when she realizes Sadie may be in real trouble, she vows to protect her at any cost.On their frantic journey across several state lines Kate rips through a complex landscape of moral choices her prior transgressions have left her woefully unprepared to handle. She begins, very seriously, to wonder who’s saving whom.When they exhaust all other options, Kate’s forced to go to the one place she swore she never would again, and to make the most difficult decision of her life.At once hilarious and heartbreaking, Chasing Kate is a raucous voyage of self-transformation, fueled by an unconventional love story, wending down the twisty road to redemption.

    He takes us into the secret world of "Survivor" Spoilers, where avid internet users pool their knowledge to unearth the show's secrets before they are revealed on the air. He introduces us to young "Harry Potter" fans who are writing their own Hogwarts tales while executives at Warner Brothers struggle for control of their franchise. He shows us how "The Matrix" has pushed transmedia storytelling to new levels, creating a fictional world where consumers track down bits of the story across multiple media channels.Jenkins argues that struggles over convergence will redefine the face of American popular culture. Industry leaders see opportunities to direct content across many channels to increase revenue and broaden markets. At the same time, consumers envision a liberated public sphere, free of network controls, in a decentralized media environment. Sometimes corporate and grassroots efforts reinforce each other, creating closer, more rewarding relations between media producers and consumers. Sometimes these two forces are at war.Jenkins provides a riveting introduction to the world where every story gets told and every brand gets sold across multiple media platforms. He explains the cultural shift that is occurring as consumers fight for control across disparate channels, changing the way we do business, elect our leaders, and educate our children.

    __________________________________________ SHE NEEDED A VACATION, BUT SHE WON’T GET ONE. It was supposed to be a much-needed respite for Allie Krycek. She was ready and needed to heal. And that’s exactly what she did in a small nowhere town in the Pacific Northwest. That is, until certain people decided to drag her into their web of murder and lies. When an abused housewife leaves a desperate plea for help, Allie doesn’t—she can’t—turn the other cheek. It’s not in her nature to let an innocent get hurt, if she can help it. But not everything is what it seems, and soon Allie finds herself thrust into a complicated conspiracy that just keeps getting more dangerous. If Allie were any other woman, she would turn and run. But Allie Krycek isn’t any other woman. She’s going to do the right thing, even if it means taking on one of the most powerful families in the country.

    Have you ever wondered what it would be like to be a fly on the wall of a creative agency? No? Well, that’s fine as well. You wouldn’t know you were in an agency anyway; flies have no concept of that kind of thing. All they’re interested in is standing in poo then walking around the rim of your coffee mug.

    The press dubs the killer the Butcher, and the crimes are eerily similar to those committed by Christopher Long in Florida. When his grisly souvenirs show up at crime scenes fourteen hundred miles away, it appears Long’s on the hunt again—except he’s been dead nearly twenty years. Kate’s done her homework—she knows Long worked alone. So who could possibly have his gruesome keepsakes?The case hits close to home for Kate—too close. Now she’s on a hunt of her own, determined to catch the Butcher if it’s the last thing she does…and that’s just what the depraved killer has in mind.

    It is a much-needed alternative to the commentators who blather on about the perils of the Internet and social media. Tell Everyone is a manifesto on the power of social media and the ways in which it can be harnessed for good.Bringing together journalistic flair and academic rigour, online news pioneer and social media maven Alfred Hermida debunks the idea of Twitter as an echo chamber or Instagram as a place for narcissists. Instead Hermida places our fears about social media in context by showing how we have always been suspicious about new ways to communicate. He takes on the notion of slacktivism to show how individuals come together through social media to push for the common good.Tell Everyone reveals how social media is becoming the planet's nervous system. It highlights how we are using social media to amplify the power of individuals, challenge elites and make decisions, from choosing politicians to doing business to raising money for charity. Tell Everyone is a must-read tour of journalistic blunder, corporate PR fiascos, social movements and revolutions.

    The first part of the book defines and describes thirty-seven threshold concepts of the discipline in entries written by some of the field’s most active researchers and teachers, all of whom participated in a collaborative wiki discussion guided by the editors. These entries are clear and accessible, written for an audience of writing scholars, students, and colleagues in other disciplines and policy makers outside the academy. Contributors describe the conceptual background of the field and the principles that run throughout practice, whether in research, teaching, assessment, or public work around writing. Chapters in the second part of the book describe the benefits and challenges of using threshold concepts in specific sites—first-year writing programs, WAC/WID programs, writing centers, writing majors—and for professional development to present this framework in action.Naming What We Know opens a dialogue about the concepts that writing scholars and teachers agree are critical and about why those concepts should and do matter to people outside the field.

    Strong case studies include The Body Shop, BBC, Volvo, IKEA, ABB and Glaxo.

    Offering concrete examples of common structural problems, and numerous devices, tricks, and tests by which to avoid them, in a direct and conversational tone, it proves that the astute researcher must no longer regard writing as the last chore but rather as a crucial part of the research process. This updated edition reflects the changes in research style brought about by the Internet.

    My whole life, nothing good ever lasts. Nothing stays the same. Now, my past, which should be far behind me, is catching up with me, and in ways I never expected. Come to find out, I have a thirteen-year-old brother I never knew about, and he’s now my responsibility. What do I know about kids? Nothing really, but I’m going to do my best. That is until CPS shows up. Now, I have them breathing down my neck, memories I’ve tried to bury come back full force, and a bossy billionaire trying to help us out. Sloan Lincoln might be hot, bossy, and thinking he’ll ride in on his white horse and save the day, but he doesn’t know everything. Because if he finds out my secrets, he’ll never look at me the same.SLOANSome call me bossy and overprotective. Me? I call myself smart and resourceful. So when my sister comes to me and asks if I can help Raven out, of course I jump at the chance. Though, I don’t think she meant me pretending to be Raven’s new boyfriend to try and get CPS off her back. But see, I’m a good guy and that’s what I do. Does it help that she's hot and pushes all my buttons? Oh yeah. Of course, things with Raven are never easy. Especially when secrets of her past come to light. She’s going to try and push me away, but I’m not about to let it happen. She needs someone in her corner, and like it or not, that someone is going to be me.**TRIGGER WARNING**Echoes and Ink is a darker romance compared to the other books in the series. It contains strong language, graphic sexual content, mentions of past abuse, both sexual and physical as a minor, and the death of an infant. Please do not read if these may be triggers for you.

    Covering every aspect of the film-making process, this magnificently designed film book comprises an incredible array of images as well as short essays by those involved in the filmmaking process. Mira Nair discusses how the novel was turned into a screenplay; Mohsin Hamid reminisces about his first experience on a film set; production designer Michael Carlin recounts the thrill of transforming Old Delhi into contemporary Lahore; lead actor Riz Ahmed reveals how he got under the skin of his character Changez; and editor Shimit Amin demystifies some of his tricks on the editing table. This book also features a series of gorgeous black-and-white photographs by celebrated photographer Brigitte Lacombe.‘A pro-America film that dares voice un-American thoughts’—Damon Wise, Empire‘Tense, thoughtful and truly international’—Time

    So when a school in Irvine has a sudden drug problem, they bring him in. As luck would have it, he moves in across the street from Vivienne; the attraction is mutual and instant. But life throws many curveballs at them in the form of the drug issues at his school, his daughter’s illness, and Vivienne’s stalker ex. They turn to each other for comfort, and her to him for protection, but things are messy. Will they work past their problems and come together? *Daddy Next Door has no cheating and a HEA. Includes 4 bonus books.*