But Clifford's words have too much life in them to be ignored, and start to permeate his family's world. This book tells the story of three generations of the Stilton family.

    The newest Palahniuk novel concerns Madison, a thirteen year old girl who finds herself in Hell, unsure of why she will be there for all eternity, but tries to make the best of it.The author described the novel as "if The Shawshank Redemption had a baby by The Lovely Bones and it was raised by Judy Blume." And "it's kind of like The Breakfast Club set in Hell."

    In Bookforum, James Greer called it ambitious in a way few works of fiction are. This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.

    Caliban to King Kong, Edgar Allan Poe’s stories, the films of David Lynch, Beauty and the Beast, The Wizard of Oz, E.T., Richard Yates’s domestic realism, B-horror movies, and the fairy tales of Angela Carter—how such a short novel could contain all of these disparate elements is a testament to its startling and singular charm.

    Her uncle, Pol, who has offered her a fresh start and a place to stay in the Bay Area, knows not to ask about her past. And his younger wife, Paz, has learned enough about the might and secrecy of the De Vera family to keep her head down. Only their daughter, Roni, asks Hero why her hands seem to constantly ache.Illuminating the violent political history of the Philippines in the 1980s and 1990s and the insular immigrant communities that spring up in the suburban United States with an uncanny ear for the unspoken intimacies and pain that get buried by the duties of everyday life and family ritual, Castillo delivers a powerful, increasingly relevant novel about the promise of the American dream and the unshakable power of the past. In a voice as immediate and startling as those of Junot Díaz and NoViolet Bulawayo, America Is Not the Heart is a sprawling, soulful telenovela of a debut novel. With exuberance, muscularity, and tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave home to grasp at another, sometimes turning back.

    The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

    Mackenzie’s sister, Sunna’s best friend, and Maude’s fiancé—all gone with no explanation.So when a mangled, near-indecipherable letter arrives in their shared mailbox—hinting at long-awaited answers—each tenant assumes it’s for her. The mismatched trio decides to stake out the coffee shop named in the letter—the only clue they have—and in the process, a bizarre kinship forms. But the more they learn about each other, the more questions (and suspicions) they begin to have. All the while, creepy sounds and strange happenings around the property suggest that the ghosts from their pasts might not be all that’s haunting them…Will any of the housemates find the closure they are looking for? Or are some doors meant to remain closed?Quirky, humorous, and utterly original, Sorry I Missed You is the perfect read for anyone who has ever felt haunted by their past (or by anything else).

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    Fae Myenne Ng's portraits of the everyday heroism of the Leongs--who inflict deep hurt on each other in their struggles to survive, yet sustain one another with loyalty and love--have made Bone one of the most critically acclaimed novels of recent years and immediately a classic of contemporary American life.

    She sees writing on the body of everyone she meets - names, dates, details both banal and profound - and her only relief from the onslaught of information is to take off her glasses and let the world recede. Mercifully, her own skin is blank.When she meets Neil, she is intrigued to see her name on his cheek. He's in Paris for the summer, studying a medieval pilgrimage to the rocky coast of Spain, where the body of Saint Jacques was said to have washed ashore, covered in scallop shells. Desperate to make things right after her best friend dies - a loss she might have prevented - Magdalena embarks on her own pilgrimage, but not before Neil falls for her, captivated by her pale eyes, charming Eastern European accent, and aura of heartbreak.Neil's father, Richard, is also in Paris, searching for the truth about his late mother, a famous expatriate American novelist who abandoned him at birth. All his life Richard has clung to a single striking memory - his mother's red shoes, which her biographers agree he never could have seen.Despite misunderstandings and miscommunications, these unforgettable characters converge, by chance or perhaps by fate, and Magdalena's uncanny ability may prove to be the key to their happiness. Indelible pulses with humanity and breathes life into unexpected fragments of history, illustrating our urgent need to connect with others and the past.

    With an invisible monster you never know when you're in danger and when you're safe—if you retreat to your fortress you can't be sure you haven't locked it in with you. The invisible monster is something on which no one is an expert. But everyone has the same relationship to it. It could just as well be peering over your shoulder as mine.On a sunny spring morning the settlement of Kahukura in Tasman is suddenly overwhelmed by a mysterious mass insanity. A handful of survivors find themselves cut off from the world, and surrounded by the dead. As the group of try to take care of one another, and survive in ever more difficult circumstances, it becomes apparent that this isn't the first time that this has happened, and that they aren't all survivors and victims - two of them are something quite other. And, it seems, they are trapped with something. Something unseen is picking at the loose threads of their characters, corrupting, provoking, and haunting them.Wake is a book that asks: 'What are the last things left when the worst has happened?' It is a book about extreme events, ordinary people, heroic compassion—and invisible monsters.

    But when a crack appears at the bottom of the pool, they are cast out into an unforgiving world without comfort or relief. One of these swimmers is Alice, who is slowly losing her memory. For Alice, the pool was a final stand against the darkness of her encroaching dementia. Without the fellowship of other swimmers and the routine of her daily laps she is plunged into dislocation and chaos, swept into memories of her childhood and the Japanese internment camp in which she spent the war. Narrated by Alice's daughter, who witnesses her stark and devastating decline, The Swimmers is a searing, intimate story of mothers and daughters, and the sorrows of implacable loss, written in spellbinding, incantatory prose. The most commanding and unforgettable work yet from a modern master.

    For a few hours each night, she escapes her family’s makeshift home and tragic circumstances with her childhood friend, Kyunghwan.Focused on finishing school, Kyunghwan doesn’t realize his older and wealthier cousin, Jisoo, has his sights set on the beautiful and spirited Haemi—and is determined to marry her before joining the fight. But as Haemi becomes a wife, then a mother, her decision to forsake the boy she always loved for the security of her family sets off a dramatic saga that will have profound effects for generations to come.Richly told and deeply moving, If You Leave Me is a stunning portrait of war and refugee life, a passionate and timeless romance, and a heartrending exploration of one woman’s longing for autonomy in a rapidly changing world.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."