Anderson, and Rob Thurman—nothing is as simple as black and white, light and dark, good and evil..Unfortunately, that’s exactly what makes it so easy to cross the line.In #1 New York Times bestselling author Jim Butcher’s Cold Case, Molly Carpenter—Harry Dresden’s apprentice-turned-Winter Lady—must collect a tribute from a remote Fae colony and discovers that even if you’re a good girl, sometimes you have to be bad...New York Times bestselling author Seanan McGuire’s Sleepover finds half-succubus Elsie Harrington kidnapped by a group of desperate teenage boys. Not for anything “weird.” They just need her to rescue a little girl from the boogeyman. No biggie.In New York Times bestselling Kevin J. Anderson’s Eye of Newt, Zombie P.I. Dan Shamble’s latest client is a panicky lizard missing an eye who thinks someone wants him dead. But the truth is that someone only wants him for a very special dinner...And New York Times bestselling author Rob Thurman’s infernally heroic Caliban Leandros takes a trip down memory lane as he deals wih some overdue—and nightmarish—vengeance involving some quite nasty Impossible Monsters .ALSO INCLUDES STORIES BYTanya Huff * Kat Richardson * Jim C. Hines * Anton Strout * Lucy A. Snyder * Kristine Kathryn Rusch * Erik Scott de Bie *From the Trade Paperback edition.

    The teen detectives once known as the Blyton Summer Detective Club (of Blyton Hills, a small mining town in the Zoinx River Valley in Oregon) are all grown up and haven't seen each other since their fateful, final case in 1977. Andy, the tomboy, is twenty-five and on the run, wanted in at least two states. Kerri, one-time kid genius and budding biologist, is bartending in New York, working on a serious drinking problem. At least she's got Tim, an excitable Weimaraner descended from the original canine member of the team. Nate, the horror nerd, has spent the last thirteen years in and out of mental health institutions, and currently resides in an asylum in Arhkam, Massachusetts. The only friend he still sees is Peter, the handsome jock turned movie star. The problem is, Peter's been dead for years.The time has come to uncover the source of their nightmares and return to where it all began in 1977. This time, it better not be a man in a mask. The real monsters are waiting.

    He isn't one of them. Meet Bill Ryder: programmer, gamer geek, and hopeless dweeb when it comes to women. All he ever asked for out of life was to collect his paycheck, hang out with his buds, and eventually (someday) ask out the girl of his dreams.However, then Bill met Sally. She was mysterious, aggressive, and best of all...smoking hot. Bill never stood a chance. Before he knew what was happening Sally had lead him to his death, and that was only the beginning of his troubles. Now Bill awakes to find himself an undead predator of the night. The only problem is he’s still at the bottom of the food chain. He’s in way over his head, surrounded by creatures more dangerous, better looking, and a whole lot cooler than he is. Worst of all is the dreaded Night Razor, a master vampire who just can’t stand him. He gives Bill a 90-day deadline to either prove himself or meet a more permanent kind of death, and the deck is definitely stacked against him.But Bill isn’t exactly average. A vampire like him hasn’t been seen in over five centuries. He's got a few tricks up his sleeve, unlikely allies to help him out, and an attitude problem that makes him just too damn obnoxious to quit. He may just pull it off... if he doesn't get his teeth kicked in first.Bill the Vampire is an 80,000 word horror comedy adventure by Rick Gualtieri.

    Widely known for his roles in the films Big Fan and Ratatouille, as well as the television hit The King of Queens, Patton Oswalt—a staple of Comedy Central—has been amusing audiences for decades. Now, with Zombie Spaceship Wasteland, he offers a fascinating look into his most unusual, and lovable, mindscape. Oswalt combines memoir with uproarious humor, from snow forts to Dungeons & Dragons to gifts from Grandma that had to be explained. He remem­bers his teen summers spent working in a movie Cineplex and his early years doing stand-up. Readers are also treated to several graphic elements, includ­ing a vampire tale for the rest of us and some greeting cards with a special touch. Then there’s the book’s centerpiece, which posits that before all young creative minds have anything to write about, they will home in on one of three story lines: zom­bies, spaceships, or wastelands. Oswalt chose wastelands, and ever since he has been mining our society’s wasteland for perversion and excess, pop culture and fatty foods, indie rock and single-malt scotch. Zombie Spaceship Wasteland is an inventive account of the evolution of Patton Oswalt’s wildly insightful worldview, sure to indulge his legion of fans and lure many new admirers to his very entertaining “wasteland.”

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

    A soldier and a pilot are tasked to deliver a package. A messenger and a refugee decide to work together on a dying alien planet. A love letter is lost that could be the key to a new future. A dark comedy about the messages we carry in our bones.

    Wrapped in the woman’s arms is a baby, stone-cold, not breathing, and without a pulse. But then his eyes open and look up at Wanda — and he begins to move.The family hides the child — whom they name Stony — rather than turn him over to authorities that would destroy him. Against all scientific reason, the undead boy begins to grow. For years his adoptive mother and sisters manage to keep his existence a secret — until one terrifying night when Stony is forced to run and he learns that he is not the only living dead boy left in the world.

    Jim Pike, the disillusioned manager of a hotel that is hosting a Star Trek convention, finds himself leading a ragtag crew of survivors as a strange virus turns the convention-goers into zombies...

    The world has collapsed, and there are no heroes any more.But when a lone gunman reluctantly accepts the mantel of protector to a young boy and his dying mother against the forces that pursue them, a hero may yet arise.

     They thought they were alone. They were wrong. On October 15th, humanity went missing. A handful of scattered survivors wake to find the world empty of friends, family, and neighbors. Among them, a child searches for his family. A special agent turned enemy of the state survives a fiery plane crash with no way to reach his daughter. A serial killer discovers he’s no longer at the top of the food chain. Now these strangers must find the strength inside them to weather the new world. But they are not alone. In the absence of civilization, a new threat emerges. In the stillness, it waits and watches, preying on their weakness. Their only hope is to find more survivors, rise above their fear, and face the oncoming darkness. But can they unite before they too are lost? And can they all be trusted? Season One of Yesterday’s Gone by Sean Platt and David W. Wright is a tense post-apocalyptic thriller that will leave you guessing to the end. Combining TV’s thrilling, episodic nature with the in-depth character only found in novels, Yesterday’s Gone is a new wave in fiction. If you like The Stand and LOST, you’ll love this series that combines tension, intrigue, and fear of the unknown. Get Yesterday’s Gone now and see who lives and who dies! (Warning: This book is intended for mature audiences and contains disturbing and potentially offensive material.)

    Working under the government’s shroud of secrecy, CIA operative Dew Phillips crisscrosses the country trying in vain to capture a live victim. With only decomposing corpses for clues, CDC epidemiologist Margaret Montoya races to analyze the science behind this deadly contagion. She discovers that these killers all have one thing in common – they’ve been contaminated by a bioengineered parasite, shaped by a complexity far beyond the limits of known science.Meanwhile Perry Dawsey – a hulking former football star now resigned to life as a cubicle-bound desk jockey – awakens one morning to find several mysterious welts growing on his body. Soon Perry finds himself acting and thinking strangely, hearing voices . . . he is infected. The fate of the human race may well depend on the bloody war Perry must wage with his own body, because the parasites want something from him, something that goes beyond mere murder.

    From the Book of Revelation to The Road Warrior, from A Canticle for Leibowitz to The Road, storytellers have long imagined the end of the world, weaving eschatological tales of catastrophe, chaos, and calamity. In doing so, these visionary authors have addressed one of the most challenging and enduring themes of imaginative fiction: The nature of life in the aftermath of total societal collapse. Gathering together the best post-apocalyptic literature of the last two decades from many of today's most renowned authors of speculative fiction - including George R. R. Martin, Gene Wolfe, Orson Scott Card, Carol Emshwiller, Jonathan Lethem, Octavia E. Butler, and Stephen King - Wastelands explores the scientific, psychological, and philosophical questions of what it means to remain human in the wake of Armageddon. Whether the end of the world comes through nuclear war, ecological disaster, or cosmological cataclysm, these are tales of survivors, in some cases struggling to rebuild the society that was, in others, merely surviving, scrounging for food in depopulated ruins and defending themselves against monsters, mutants, and marauders. Wastelands delves into this bleak landscape, uncovering the raw human emotion and heart-pounding thrills at the genre's core. --back coverContains the following stories:Introduction by John Joseph AdamsThe End of the Whole Mess by Stephen KingSalvage by Orson Scott CardThe People of Sand and Slag by Paolo BacigalupiBread and Bombs by M. RickertHow We Got In Town and Out Again by Jonathan LethemDark, Dark Were the Tunnels by George R. R. MartinWaiting for the Zephyr by Tobias S. BuckellNever Despair by Jack McDevittWhen Sysadmins Ruled the Earth by Cory DoctorowThe Last of the O-Forms by James Van PeltStill Life With Apocalypse by Richard KadreyArtie’s Angels by Catherine WellsJudgment Passed by Jerry OltionMute by Gene WolfeInertia by Nancy KressAnd the Deep Blue Sea by Elizabeth BearSpeech Sounds by Octavia E. ButlerKillers by Carol EmshwillerGinny Sweethips’ Flying Circus by Neal Barrett, Jr.The End of the World as We Know It by Dale BaileyA Song Before Sunset by David GriggEpisode Seven... by John LanganAppendix: For Further Reading

    Anxious to compete, Russian prospectors commissioned inventor Leviticus Blue to create a great machine that could mine through Alaska’s ice. Thus was Dr. Blue’s Incredible Bone-Shaking Drill Engine born.But on its first test run the Boneshaker went terribly awry, destroying several blocks of downtown Seattle and unearthing a subterranean vein of blight gas that turned anyone who breathed it into the living dead.Now it is sixteen years later, and a wall has been built to enclose the devastated and toxic city. Just beyond it lives Blue’s widow, Briar Wilkes. Life is hard with a ruined reputation and a teenaged boy to support, but she and Ezekiel are managing. Until Ezekiel undertakes a secret crusade to rewrite history.His quest will take him under the wall and into a city teeming with ravenous undead, air pirates, criminal overlords, and heavily armed refugees. And only Briar can bring him out alive.

    It's like I dropped a heroic dose of acid and turned on the Food Network for eight hours. It's funny and demented and sticks in you like a pinbone. Matt Wallace writes like someone just jammed a needle full of adrenaline in his heart - and then, in yours. From this point forward, I'll read anything this guy writes."-Chuck Wendig, author of BLACKBIRDS and ZER0ES"No one makes me think, 'Dammit, I should have thought of that!' like Matt Wallace. The Sin du Jour series is something I read with equal amounts of envy and delight." - Mur Lafferty, Campbell Award winning author of THE SHAMBLING GUIDE TO NEW YORK CITY