In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and black death, the cross symbolizes divine power and black life, God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era.In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holiday and Langston Hughes, Fannie Lou Hamer and Ida B. Wells, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

    Her life has been revealed through her own writings as well as the work of historians, theologians, and academics. What has been missing until now is a more personal account from the point of view of someone who knew her well. Dorothy Day: The World Will Be Saved by Beauty is a frank and reflective, heartfelt and humorous portrayal as written by her granddaughter, Kate Hennessy. Dorothy Day: The World Will Be Saved by Beauty challenges ideas of plaster saints and of saintly women. Day is an unusual candidate for sainthood. Before her conversion, she lived what she called a “disorderly life,” during which she had an abortion and then gave birth to a child out of wedlock. After her conversion, she was both an obedient servant and a rigorous challenger of the Church. She was a prolific writer whose books are still in print and widely read. While tenderly rendered, this account will show her as driven to do good but dogmatic, loving but judgmental, in particular with regards to her only daughter, Tamar. She was also full of humor and laughter, and could light up any room she entered. An undisputed radical heroine, called “a saint for the occupy era” by The New Yorker, Day’s story unfolds against a backdrop of New York City from the 1910s to the 1980s and world events spanning from World War I to Vietnam. This thoroughly researched and intimate biography provides a valuable and nuanced portrait of an undersung and provocative American woman.

    With God's Choice, he gives us an extraordinary chronicle of the rise of Pope Benedict XVI as well as an unflinching view of the Catholic Church at the dawn of a new era.When John Paul II lapsed into illness for the last time, people flocked from all over the world to pray outside his apartment. He had become a father figure to millions in a world bereft of strong paternal examples, and those millions now felt orphaned. After more than twenty-six years of John Paul II's guidance, the Catholic Church is entering a new age, with its bedrock traditions intact but with pressing questions to address in a rapidly changing world. Beginning with the story of John Paul's final months, God's Choice offers a remarkable inside account of the conclave that produced Benedict XVI as the next pope, drawing on George Weigel's unrivaled access to this complex event.Weigel also incisively surveys the current state of the Church around the world: its thriving populations in Africa, Latin America, and parts of the post-communist world; its collapse in western Europe; its continued struggles in Asia; and the vibrancy of many aspects of Catholic life in the United States, even as the Church in America struggles to overcome its recent experience of scandal.Reflecting on John Paul II's greatness, drawing on firsthand interviews to paint an intimate portrait of the new Pope, and boldly assessing the Church's current condition, God's Choice is an invaluable book for anyone seeking to understand the Catholic future and the larger human future the Church will help to shape.

    delivered his famous "I Have a Dream" speech, calling on all Americans to view others not by the color of their skin but by the content of their character. Yet King included another powerful word, one that is often overlooked. Warning against the "tranquilizing drug of gradualism," King emphasized the fierce urgency of now, the need to resist the status quo and take immediate action.King's call to action, first issued over fifty years ago, is relevant for the church in America today. Churches remain racially segregated and are largely ineffective in addressing complex racial challenges. In The Color of Compromise, Jemar Tisby takes us back to the root of this injustice in the American church, highlighting the cultural and institutional tables we have to flip in order to bring about progress between black and white people.Tisby provides a unique survey of American Christianity's racial past, revealing the concrete and chilling ways people of faith have worked against racial justice. Understanding our racial history sets the stage for solutions, but until we understand the depth of the malady we won't fully embrace the aggressive treatment it requires. Given the centuries of Christian compromise with bigotry, believers today must be prepared to tear down old structures and build up new ones. This book provides an in-depth diagnosis for a racially divided American church and suggests ways to foster a more equitable and inclusive environment among God's people.

    Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. "The Color of Christ" uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

    A populist rebellion against the established churches, it became the dominant religious force in the country.During the nineteenth century white evangelicals split apart dramatically, first North versus South, and then at the end of the century, modernist versus fundamentalist. After World War II, Billy Graham, the revivalist preacher, attracted enormous crowds and tried to gather all Protestants under his big tent, but the civil rights movement and the social revolution of the sixties drove them apart again. By the 1980s Jerry Falwell and other southern televangelists, such as Pat Robertson, had formed the Christian right. Protesting abortion and gay rights, they led the South into the Republican Party, and for thirty-five years they were the sole voice of evangelicals to be heard nationally. Eventually a younger generation of leaders protested the Christian right’s close ties with the Republican Party and proposed a broader agenda of issues, such as climate change, gender equality, and immigration reform.Evangelicals have in many ways defined the nation. They have shaped our culture and our politics. Frances FitzGerald’s narrative of this distinctively American movement is a major work of history, piecing together the centuries-long story for the first time. Evangelicals now constitute twenty-five percent of the American population, but they are no longer monolithic in their politics. They range from Tea Party supporters to social reformers. Still, with the decline of religious faith generally, FitzGerald suggests that evangelical churches must embrace ethnic minorities if they are to survive.

    The simple truths of the gospel became so obscured by worldliness and pagan idolatry—kicking off the Dark Ages of Catholicism—that Christianity required a complete reboot. This theory is popular… but it’s also fiction. This idea of a “Great Apostasy” is one of the cornerstones of American Protestantism, along with Mormonism, the Jehovah’s Witnesses, and even Islam. Countless millions today profess a faith built on the assumption that the early Church quickly became broken beyond repair, requiring some new prophet or reformer to restore the “pure” teaching of Jesus and the apostles. In The Apostasy that Wasn’t, Rod Bennett follows up his bestseller Four Witnesses with an account of the historical events that led him out of his own belief in apostasy theory and into the Catholic Church. With the touch of a master storyteller, he narrates the drama of the early Church’s fight to preserve Christian orthodoxy intact even as powerful forces try to smash it to pieces. Amid imperial intrigue, military menace, and bitter theological debate, a hero arises in the form of a homely little monk named Athanasius, who stands against the world to prove that there could never be a Great Apostasy—because Jesus promised his Church would never be broken.

    By universal acclaim, this biography by G. K. Chesterton is considered the best appreciation of Francis's life--the one that gets to the heart of the matter.For Chesterton, Francis is a great paradoxical figure, a man who loved women but vowed himself to chastity; an artist who loved the pleasures of the natural world as few have loved them, but vowed himself to the most austere poverty, stripping himself naked in the public square so all could see that he had renounced his worldly goods; a clown who stood on his head in order to see the world aright. Chesterton gives us Francis in his world-the riotously colorful world of the High Middle Ages, a world with more pageantry and romance than we have seen before or since. Here is the Francis who tried to end the Crusades by talking to the Saracens, and who interceded with the emperor on behalf of the birds. Here is the Francis who inspired a revolution in art that began with Giotto and a revolution in poetry that began with Dante. Here is the Francis who prayed and danced with pagan abandon, who talked to animals, who invented the creche.

    Each of the 14 meditations concludes with an original prayer. This revised edition is enhanced by 14 of the author's own powerful line drawings.Paperback

    Noll examines writings about slavery and race from Americans both white and black, northern and southern, and includes commentary from Protestants and Catholics in Europe and Canada. Though the Christians on all sides agreed that the Bible was authoritative, their interpretations of slavery in Scripture led to a full-blown theological crisis.

    Dorothy Day belongs, luminously, to the second [category].” —Los Angeles Review of Books “The authors render their subject in precise and meticulous detail, generating a vivid account of her political and religious development.” —The New York Times “We can be grateful to Loughery and Randolph for reviving a voice for our times.” —Samantha Powers, The Washington Post The first full authoritative biography of Dorothy Day, American icon, radical pacifist, Catholic convert, and activist whom Pope Francis I compared to Martin Luther King Jr. and Abraham Lincoln.After a middle-class Republican childhood and a few years as a Communist sympathizer, Dorothy Day converted to Catholicism and became an anomaly in American life for almost fifty years. As an orthodox Catholic, political radical, and a rebel who courted controversy, she attracted three generations of admirers. Day went to jail challenging the draft and the war in Vietnam. She was critical of capitalism and foreign policy, and as skeptical of modern liberalism as political conservatism. Her protests began in 1917, leading to her arrest during the suffrage demonstration outside President Wilson’s White House. In 1940 she spoke in Congress against the draft and urged young men not to register. She frequented jail throughout the 1950s protesting the nuclear arms race. She told audiences in 1962 that President Kennedy was as much to blame for the Cuban missile crisis. She refused to hear any criticism of the pope, though she sparred with American bishops and priests who lived in well-appointed rectories and tolerated racial segregation in their parishes. Dorothy Day is the exceptional biography of a dedicated modern-day pacifist, the most outspoken advocate for the poor, and a lifelong anarchist. This definitive and insightful account explores the influence this controversial and yet “sainted” woman still has today.

    I want to function rather as a mystagogue, conducting you ever deeper into the mystery of the incarnation in the hopes that you might be transformed by its power. Father Robert BarronWhat is Catholicism? A 2,000-year-oldliving tradition? A worldview? A way of life? A relationship? A mystery? In Catholicism Father Robert Barron examines all these questions and more, seeking to capture the body, heart and mind of the Catholic faith. Starting from the essential foundation of Jesus Christ s incarnation, life, and teaching, Father Barron moves through the defining elements of Catholicism from sacraments, worship, and prayer, to Mary, the Apostles, and Saints, to grace, salvation, heaven, and hell using his distinct and dynamic grasp of art, literature, architecture, personal stories, Scripture, theology, philosophy, and history to present the Church to the world. Paired with his documentary film series of the same title, Catholicism is an intimate journey, capturing The Catholic Thing in all its depth and beauty. Eclectic, unique, and inspiring, Father Barron brings the faith to life for a new generation, in a style that is both faithful to timeless truths, while simultaneously speaking in the language of contemporary life. Includes over 100 black and white and color photos."

    Reprint.

    Challenging the commonly held assumption that the “moral majority” backed Donald Trump for purely pragmatic reasons, Du Mez reveals that Donald Trump in fact represents the fulfillment, rather than the betrayal, of white evangelicals’ most deeply held values.Jesus and John Wayne is a sweeping account of the last seventy-five years of white evangelicalism, showing how American evangelicals have worked for decades to replace the Jesus of the Gospels with an idol of rugged masculinity and Christian nationalism, or in the words of one modern chaplain, with “a spiritual badass.” As Du Mez explains, the key to understanding this transformation is to recognize the role of culture in modern American evangelicalism. Many of today’s evangelicals may not be theologically astute, but they know their VeggieTales, they’ve read John Eldredge’s Wild at Heart, and they learned about purity before they learned about sex—and they have a silver ring to prove it. Evangelical books, films, music, clothing, and merchandise shape the beliefs of millions. And evangelical popular culture is teeming with muscular heroes—mythical warriors and rugged soldiers, men like Oliver North, Ronald Reagan, Mel Gibson, and the Duck Dynasty clan, who assert white masculine power in defense of “Christian America.” Chief among these evangelical legends is John Wayne, an icon of a lost time when men were uncowed by political correctness, unafraid to tell it like it was, and did what needed to be done.Trump, in other words, is hardly the first flashy celebrity to capture evangelicals’ hearts and minds, nor is he the first strongman to promise evangelicals protection and power. Indeed, the values and viewpoints at the heart of white evangelicalism today—patriarchy, authoritarian rule, aggressive foreign policy, fear of Islam, ambivalence toward #MeToo, and opposition to Black Lives Matter and the LGBTQ community—are likely to persist long after Trump leaves office.A much-needed reexamination, Jesus and John Wayne explains why evangelicals have rallied behind the least-Christian president in American history and how they have transformed their faith in the process, with enduring consequences for all of us.

    During her lifelong service to the poorest of the poor, Mother Teresa be