It tells the story of William Stoner, who attends the state university to study agronomy, but instead falls in love with English literature and becomes an academic. The novel narrates the many disappointments and struggles in Stoner's academic and personal life, including his estrangement from his wife and daughter, set against the backdrop of the first half of the twentieth century.In his entry in the Bookmarked series, author Steve Almond writes about why Stoner has endured, and the manner in which it speaks to the impoverishment of the inner life in America. Almond will also use the book as a launching pad for an investigation of America’s soul, in the process, writing about his own struggles as a student of writing, as a father and husband, and as a man grappling with his own mortality.

    He inhabited his own bizarre universe and obeyed no rules except his own, yet he was a familiar and characteristic American literary type: an author whose reputation rests on a single book. His life, which he described, and disguised, and distorted in all three of his books, rivaled his "fiction." Everything he did involved a struggle, and the most important struggle of his life was his writing; out of that strife came A Fan's Notes, which Jonathan Yardley believes is one of the best books of our time. Exley was an alcoholic who drank in copious amounts, yet he always sobered up when he was ready to write. In his younger days he did time in a couple of mental institutions, which imposed involuntary discipline on him and helped him start to write. He was personally and financially irresponsible - he had no credit cards, no permanent address, and ambiguous relationships with everyone he knew - yet people loved him and took care of him. No matter where he was, in the dark of night he phoned friends and subjected them to interminable monologues. To many, these were a nuisance and an imposition, but later, in the light of day, they were remembered with affection and gratitude. In Misfit, the Pulitzer Prize-winning book critic of The Washington Post portrays in full one of the most tormented, distinctive, and talented writers of the post-war years. Exley's story, which in Yardley's telling reads as if it were a novel, reveals a singular personality: raunchy, vulgar, self-centered, and even infantile, yet also loyal, self-deprecating, and unfailingly humorous.' to 's Lockridge, and even Ralph Ellison--is profiled by the Pulitzer Prize-winning book critic of "The Washington Post". Exley was an alcoholic who quit drinking when he wrote, and a man who spent time in a mental hospital. He was indeed a misfit, but one who left an indelible impression on those who knew him or read his works.

    The book's first two parts, "Recollections" and "Interviews," provide autobiographical glimpses of the very private Larkin's childhood, his youth at Oxford, the genesis of his forty-year career as a librarian, and the influences that initially steered his poetry. The second half of the book reflects Larkin's literary standards and opinions in often witty and surprising, always beautifully wrought, essays and reviews. His subjects range from Emily Dickinson (were her first lines her best?) to the contemporary mystery novel. Required Writing concludes with a selection of pieces on jazz music."Larkin is a punctilious, honest critic. He prefers good clear writing to pretentious eyewash; he prefers tunes to discordant wailing; and he prefers home to abroad. Unlike the majority of critics, he is clear-sighted enough to say so." --A. N. Wilson, Sunday Telegraph"I read the collection with growing excitement, agreement and admiration. It is the best contemporary account of the writer's true aims I have encountered." --John Mortimer, Sunday Times (London)"Subtle, supple, craftily at ease, Required Writing is on a par with Larkin's poetry--which is just about as high as praise can go." --Clive James, Observer Philip Larkin was the author of poetry collections, including High Windows, The Whitsun Weddings, and The Less Deceived; a book of essays entitled All What Jazz: A Record Diary; and two novels, Jill, and A Girl in Winter, published early in his career. Required Reading was originally published by Farrar, Straus & Giroux.

    Successive chapters focus on debates around Forster's liberal-humanism, with essays from F. R. Leavis, Lionel Trilling and Malcolm Bradbury; on the indeterminacy and ambiguity of the text, with extracts from essays by Gillian Beer, Robert Barratt, Wendy Moffat and Jo-Ann Hoeppner Moran; and on the sexual politics of Forster's work, with writings from Elaine Showalter, Frances L. Restuccia and Eve Dawkins Poll. The Guide concludes with essays from Jeffrey Meyers and Jenny Sharpe, who read A Passage to India in terms of its engagement with British imperialism.

    In it, Roger Housden offers us poems on life and death, happiness, seeing ourselves in relation to the world, and, of course, the ineffable--the things that really matter when the chips are down. He describes these passionate poems as "bread for the soul and fire for the spirit."The poets Housden has chosen are Billy Collins, Hayden Carruth, Dorianne Laux, James Wright, Naomi Shihab Nye, and Mary Oliver from the United States, D. H. Lawrence and John Keats from England, Rainer Maria Rilke from Germany, Fleur Adcock from New Zealand, and Seng-Ts'an from sixth-century China. And yes, that adds up to eleven, not ten. Housden decided to include a bonus poem for his faithful readers in this, the final volume of the series. As before, Housden's luminous essays provide an elegant and easy passage into the sometimes daunting world of poetry, enabling readers to feel that in him they have found a trusted guide and mentor.

    Morgan is a new kind of male hero, imperfect and uncertain, who—like his favorite football team—is fumbling forward into uncertainty. The 2013 Silver Medal Winner for Popular Fiction from the Independent Publisher Book Awards. Initially, Chuck worries he’ll never have a relationship again, that he could stand in the lobby of a brothel with a hundred dollar bill plastered to his forehead and still not get lucky. But as his emotionally raw, 365-day odyssey unfolds, Chuck gradually relearns to live on his own, navigating the minefield of issues faced by the suddenly single—new routines, awkward dates, and even more awkward sex. Clown will attract fans of the new breed of novelists that includes Nick Hornby, Jonathan Tropper and Tom Perrotta. Like others in that distinguished group, Robert Steven Williams delivers a painfully honest glimpses into the modern male psyche while writing about both sexes with equal ease and grace in a way that’s both hilarious and heartbreaking at the same time. "Williams has written a terrific novel. His book pulls back the curtain on male masculinity--showing us what a guy really goes through when dealing with the difficult mess of his beloved spouse's infidelity and the ensuing divorce. Williams' characters give us the real-deal: a gut wrenching and often humorous look, showing us the everyday horrors of what it's like to start all over again as one approaches middle age." - Suzan-Lori Parks, winner Pulitzer Prize for Drama "Robert Steven Williams has written a novel of tremendous honesty, humor, and insight. His story of Chuck Morgan, cast adrift on the rocky shoals of dating when his wife of twenty years suddenly leaves him, does for men what Bridget Jones's Diary did for women." - Joy Johannessen, editor for Alice Sebold, Amy Bloom, Michael Cunningham and My Year as a Clown "When we first meet Chuck Morgan, he's broken, twisted and confused. And that's what makes him so interesting. Like other intriguing literary heroes, he is at his best after life has knocked him to the ground, forcing him to find a new way to be strong again; damaged maybe, but more confident this time, with a kinder, more open heart." - Jimmie Dale Gilmore, The Flatlanders

    Jekyll and Mr. HydeTreasure Island

    Scribble grammar has no neighbor. In the name of reason I need to record something because I am a survivor in this ocean.

    

    I’m the ditzy one that gives blondes a bad name’. Cappuccino and Chick-Chat is a riotous read about Debbie Viggiano’s candid observations in her often-chaotic world. Whether it’s losing her car, attempting cosmic ordering, freaking herself out manifesting a can of cola, or buying sweaters in shades that flatter her frequently flushed face, Debbie takes her reader on a madcap journey while trying to see the lighter side of life. It’s the perfect bedtime read. What readers are saying about Debbie’s books: ‘My favourite book this year… had me literally LAUGHING OUT LOUD… This book had me laughing and crying. I loved it and recommend it for everyone!’ Being Miss Meg, 5 stars ‘Absolutely hilarious. It is so easy for any woman to relate to this book… sooooo good. I read this in just a few hours as I simply couldn’t put it down. Go and grab your copy now. It’s one everyone will be talking about this year.’ Goodreads reviewer, 5 stars ‘Wow!... Honest, heartfelt and totally hilarious! Such an amazing read, I found myself either smiling or laughing constantly... Bl**dy brilliant!! I love it!... a must read for every woman this summer.’ Goodreads reviewer, 5 stars ‘Made me smile, giggle and laugh out loud. I loved it and would recommend it to anyone.’ Goodreads reviewer, 5 stars ‘Funny from the very beginning until the end, and there were some laugh out loud moments which I loved… I was reading this at 2am!... had me giggling away. I ended up reading this in one sitting, I just couldn't put it down. Thanks for one hell of a laugh Debbie!’The Bookend Reviews, 5 stars ‘Loved this book from the very first word.’ Goodreads reviewer, 5 stars ‘My first read of Debbie Viggiano, and I can't wait to read more!... Entertaining from beginning to end.’ Goodreads reviewer, 5 stars ‘Funny from beginning to end… quite often had me nodding in recognition of some of the situations.’ A Good Book and a Brew, 5 stars ‘OMGoodness – what a treat… a chuckly book, with a light heart.’ Goodreads reviewer, 5 stars ‘This author certainly knows how to make you laugh.’ 5 stars, B for Book Review,

    In this superb anthology can be found the best of the English-speaking world’s inspirational and reassuring verse, including such classics as Rudyard Kipling’s ‘If’ and W.H. Davies’ ‘Leisure’. This beautifully illustrated collection of over 120 poems is sure to offer solace, hearten the soul and motivate the human spirit.

    Her father, determined to improve the family’s lot, relocates to Georgia.Ezekiel Salter scrimps to buy a ticket in Georgia’s 1807 Land Lottery, wins, and he and his impoverished family head west to newly-created Murcheson County.Prominent since colonial times, the Underwoods foresee the growing demand for cotton and acquire extensive acreage in newly-opened lands in central Georgia. Dispatched by his father, Jacob Underwood begins construction of Poplar Grove plantation.And, the slave known as Gant, his wife and daughter, Lucey, have no say as to their destination…the highest bidder will decide for them…and if the family remains intact.Spanning over fifty years, Murcheson County chronicles the four families’ fortunes against the backdrop of the most turbulent time in American history.An epic saga of slavery, emancipation, war and hardship, Murcheson County will remain in your heart long after the winds of war have stopped blowing.

    After the death of his much-loved wife and his recognition that he will never write the great study of history that was to be his life's crowning work, Max believes his life is all but over. Everything changes, though, when his valedictory lecture is challenged by Professor Vita McLelland, a feisty young Australian Aboriginal academic visiting Germany. Their meeting and growing friendship sets Max on a journey that would have seemed unthinkable just a few short weeks earlier.When, at Vita's invitation, Max travels to Australia, he forms a deep friendship with her uncle, Aboriginal elder Dougald Gnapun. It is a friendship that not only gives new meaning and purpose to Max, but which teaches him the profound importance of truth-telling in reconciliation with his own and his country's past.

    Andrew Turnbull tells the story behind F. Scott Fitzgerald's This Side of Paradise, revised and finally published when he was twenty-four, making him instantly famous, and his tender love affair with Zelda Sayre, from their glittering early life to the years Zelda spent in and out of sanatoriums. A literary generation, too, comes alive, including Ernest Hemingway, Edmund Wilson and Edith Wharton. Fitzgerald lived on Turnbull's family estate in Baltimore in the early 1930s and there befriended young Andrew, then aged eleven. Turnbull's personal relationship with Fitzgerald and the hundreds of interviews with those who knew him elegantly capture the dramatic, tragic story of F. Scott and the glow and pathos of his flamboyant life.

    It needs flannel in lengthy widths, and it's here that Harry and Alan come through like a whole warehouse full of pyjamas) to the 1976 Olympics ('Jenkins has a lot to do' was a new way of saying that our man, of whom we had such high hopes, was not going to pull out the big one). In between we have 'War and Peace' (Tolstoy makes television history), the Royal Wedding (Dimbling suavely, Tom Fleming introduced the scene), the Winter Olympics (unintelligibuhl), the Eurovision Song Contest (The Hook of their song lasted a long time in the mind, like a kick in the knee. You could practically hear the Koreans singing it. 'Waterloo . . .' ), and much more.