They moved to Homs, in Syria — just before the Syrian civil war broke out.Abu Bakr, one of eight children, was ten years old when the violence began on the streets around him: car bombings, attacks on his mosque and school, firebombs late at night. Homes tells of the strange juxtapositions of growing up in a war zone: horrific, unimaginable events punctuated by normalcy — soccer, cousins, video games, friends.Homes is the remarkable true story of how a young boy emerged from a war zone — and found safety in Canada — with a passion for sharing his story and telling the world what is truly happening in Syria. As told to her by Abu Bakr al Rabeeah, writer Winnie Yeung has crafted a heartbreaking, hopeful, and urgently necessary book that provides a window into understanding Syria.

    A love child, she was born in Burgundy in 1901 and christened Alice Prin. Raised by her grandmother in dire poverty, she made meals of vegetables thieved from neighbors' gardens and snails lured from hiding by summer showers. At twelve, she was shipped off to Paris to live with the mother she had never known. Her fierce survival instincts immediately translated into a precocious thirst for experience. Soon she discovered the power of artificial geraniums to rouge her cheeks and mouth, and at fourteen she had her first contact with art when she began posing nude for a sculptor. Thereafter, she embraced life as the irrepressible Kiki, lover of Man Ray, beloved friend of Soutine and Jean Cocteau - the toast of Montparnasse. One of the century's first truly independent women, she cut a wide swath of color and passion wherever she went. Man Ray, Foujita, Kisling, and others immortalized her in their work. Crowds roared for her raunchy songs at the artists' boite, Le Jockey. She appeared in nine films, including Leger's famous Ballet Mecanique. And she painted hundreds of portraits and dream-like landscapes, many of which are included in these memoirs, working in a fresh naive style that made her one-person show a sellout. Featuring full page reproductions of original paintings by Kiki herself, plus famous and lesser known photographs of Kiki by Man Ray and portraits of her by other important artists, Kiki's Memoirs brushes vivid new color on to the canvas of 1920s Montparnasse and sketchesin bold strokes the indomitable spirit of an unforgettable personality who was always a woman but never a lady.

    As publication loomed, Mrs. Gaskell was keen to escape the reviews. So, leaving her dull minister husband and dreary provincial city behind, she set off with her daughters to Rome. There she met a dazzling group of artists and writers, among them the American critic Charles Eliot Norton. Seventeen years her junior, Norton was her one true love. They could not be together--it would be an unthinkable breach of convention--but by his side and amidst that splendid circle, Mrs. Gaskell knew she had reached the "tip-top point of [her] life." In 2013, Nell Stevens is embarking on her PhD--about the community of artists and writers living in Rome in the mid-19th century--and falling head over heels for a soulful American screenwriter in another city. As her long-distance romance founders and her passion for academia never quite materializes, she is drawn to Mrs. Gaskell. Could this indomitable Victorian author rescue Nell's pursuit of love, family and a writing career? Lively, witty, and impossible to put down, The Victorian and the Romantic is a moving chronicle of two women each charting a way of life beyond the rules of her time.

    A zesty memoir of the celebrated writer's travels to England where she meets the cherished friends from 84, Charing Cross Road.

    At age thirteen, he is mentally and developmentally between one and three years old and will need constant care for the rest of his life. Brown travels the globe, meeting with genetic scientists and neurologists as well as parents, to solve the questions Walker’s doctors can’t answer. In his journey, he offers an insightful critique of society’s assumptions about the disabled, and he discovers a connected community of families living with this illness. As Brown gradually lets go of his self-blame and hope for a cure, he learns to accept the Walker he loves, just as he is. Honest, intelligent, and deeply moving, The Boy in the Moon explores the value of a single human life.

    Andrée is small for her age, but walks with the confidence of an adult. Under her red coat, se hides terrible burn scars. And when she imagines beautiful things, she gets goosebumps... Secretly Sylvie believes that Andrée is a prodigy about whom books will be written. The girls become close. They talk for hours about equality, justice, war and religion; they lose respect for their teachers; they build a world of their own. But they can't stay like this forever. Written in 1954, five years after The Second Sex, the novel was never published in Simone de Beauvoir's lifetime. This first English edition includes an afterword by her adopted daughter, who discovered the manuscript hidden in a drawer, and photographs of the real-life friendship which inspired and tormented the author.

    This is her intensely honest account of living in a beautiful but sometimes infuriating culture."I already look forward to reading Touch the Dragon again--and again."--Timothy Findley

    In 1895 her great-great aunt, Pauline Gross, a seamstress in Ann Arbor, Michigan, confided to a pathology professor at the local university that she expected to die young, like so many others in her family. Rather than dismiss her fears, the pathologist chose to enlist Pauline in the careful tracking of those in her family tree who had died of cancer. Pauline's premonition proved true--she died at 46--but because of her efforts, her family (who the pathologist dubbed 'Family G') would become the longest and most detailed cancer genealogy ever studied in the world. A century after Pauline's confession, researchers would identify the genetic mutation responsible for the family's woes. Now known as Lynch syndrome, the genetic condition predisposes its carriers to several types of cancer, including colorectal, endometrial, ovarian and pancreatic. In 2001, as a young mother with two sons and a keen interest in survival, Ami McKay was among the first to be tested for Lynch syndrome. She had a feeling she'd test positive: her mother's side of the family was riddled with early deaths and her own mother was being treated for the disease. When the test proved her fears true, she began living in "an unsettling state between wellness and cancer," and she's been there ever since. Intimate, candid, and probing, her genetic memoir tells a fascinating story, teasing out the many ways to live with the hand you are dealt.

    It is the mid-1950s in Lewiston, New York, a sleepy town near Niagara Falls. Divorce is unheard of, mothers wear high heels to the beauty salon, and television has only just arrived.At the tender age of four, Cathy accompanies Roy, the deliveryman at her father's pharmacy, on his routes. She shares some of their memorable deliveries-sleeping pills to Marilyn Monroe (in town filming Niagara), sedatives to Mad Bear, a violent Tuscarora chief, and fungus cream to Warty, the gentle operator of the town dump. As she reaches her teenage years, Cathy's irrepressible spirit spurs her from dangerous sled rides that take her "too close to the Falls" to tipsy dances with the town priest.

    With her husband, F. Scott Fitzgerald, she moved in a golden aura of excitement, romance, and promise. The epitome of the Jazz Age, together they rode the crest of the era: to its collapse and their own.From years of exhaustive research, Nancy Milford brings alive the tormented, elusive personality of Zelda and clarifies as never before her relationship with Scott Fitzgerald. Zelda traces the inner disintegration of a gifted, despairing woman, torn by the clash between her husband's career and her own talent.

    Traveling with a male friend, in the guise of a couple on their honeymoon, Wearing set out on her own at every available opportunity. She went looking for what lay beneath the media's representation of Iran and found a country made up of welcoming, curious, warmhearted, ambitious men and women.With humor and compassion, Wearing gives Iranians the chance to wander beyond headlines and stereotypes, and in doing so, reveals the poetry of their lives--those whose lives extend beyond Western news stories of kidnapping, terrorism, veiled women, and Islamic fundamentalism.With this engrossing account, Wearing casts a sympathetic eye on the real people of Iran, so often invisible to the West.--Publishers Weekly

    And it's not just the Arctic. The whole world is changing in dangerous, unpredictable ways. Sheila Watt-Cloutier has devoted her life to protecting what is threatened and nurturing what has been wounded. In this culmination of Watt-Cloutier's regional, national, and international work over the last twenty-five years, The Right to Be Cold explores the parallels between safeguarding the Arctic and the survival of Inuit culture, of which her own background is such an extraordinary example. This is a human story of resilience, commitment, and survival told from the unique vantage point of an Inuk woman who, in spite of many obstacles, rose from humble beginnings in the Arctic to become one of the most influential and decorated environmental, cultural, and human rights advocates in the world.

    My Family and Other Animals was intended to embrace the natural history of the island but ended up as a delightful account of Durrell’s family’s experiences, from the many eccentric hangers-on to the ceaseless procession of puppies, toads, scorpions, geckoes, ladybugs, glowworms, octopuses, bats, and butterflies into their home.

    Elena, born with a desire to explore the world beyond her borders, finds her passion in the complexity of the English language - but in the Soviet Union of the 1960s, such a passion verges on the subversive. Elena's home is no longer the majestic Russia of literature or the tsars. Instead, it is a nation humiliated by its first faltering steps after World War II, putting up appearances for the sake of its regime and fighting to retain its pride. In this deeply affecting memoir, Elena re-creates the world that both oppressed and inspired her. She recounts stories passed down to her about the horrors of the Bolshevik Revolution and probes the daily deprivations and small joys of her family's bunkerlike existence. Through Elena's captivating voice, we learn not only the personal story of Russia in the second half of the twentieth century, but also the story of one rebellious citizen whose love of a foreign language finally transports her to a new world. 'This moving memoir made me cry' The New York Times

    It is rich with the scent of fin de siecle Istanbul in the last days of the Ottoman Empire. His mother was a beauty, married at thirteen, as befitted a Turkish woman of her class. His grandmother was an eccentric autocrat, determined at all costs to maintain her traditional habits. But the war changed everything. Death and financial disaster reigned, the Sultan was overthrown, and Turkey became a republic. The red fez was ousted by the cloth cap, and the family was forced to adapt to an unimaginably impoverished life. Filled with brilliant vignettes of old Turkish life, such as the ritual weekly visit to the hamam, as it tells the "other side" of the Gallipoli story, and its impact on one family and the transformation of a nation. "It is just as though someone had opened a door marked `Private' and showed you what was inside.... A most interesting and affectionate book."-Sir John Betjeman. "A wholly delightful book."-Harold Nicolson