He aims an anthropological eye at the realities of everyday life to show how they house the violence that continues to reverberate from the long twentieth century. In a genre-bending constellation of poetry, photography, redaction, and poetics, Belcourt ultimately argues that if signifiers of Indigenous suffering are everywhere, so too is evidence of Indigenous peoples’ rogue possibility, their utopian drive.In NDN Coping Mechanisms: Notes from the Field, the poet takes on the political demands of queerness, mainstream portrayals of Indigenous life, love and its discontents, and the limits and uses of poetry as a vehicle for Indigenous liberation. In the process, Belcourt once again demonstrates his extraordinary craft, guile, and audacity, and the sheer dexterity of his imagination.

    Clan Heir, he has fled his people when his beloved was slain by his own father's command, abandoning his training, duty and beliefs to become a thief. A master of his trade, he now dared the odds in Ischia, city of the volcano, where the price of being caught was death.DARVISH. Prince of Ischia, third son of a king who had no intention of giving up his throne. The prince was a drunkard, a lover, and a wastrel, yet was gifted with sword skills and with the ability to charm all around him. But not even his charm could free him from the political marriage now being planned.CHANDRA. Born a princess, she had chosen to become a Wizard of the Nine, that rarest of beings, able to master all the forms that sorcery could take. Now, promised as Darvish's bride, she undertook a desperate journey to Ischia to convince him they must not wed.Aaron, Darvish, Chandra—three strangers whose fates were about to become interwined. For someone had stolen The Stone, the magical talisman which stood between Ischia and the volcano's wrath. And unless the three could learn to work together on a quest to find the Stone, Ischia would drown in a sea of lava.

    In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.

    Make sure the caterers don't serve devil's food cake to the Christian Women's Alliance- check. Tell my mother that having a séance to get rid of any unwanted spirits in the kitchen during dinnertime is not okay- check. Send a friendly reminder to all staff that the pens are colour coded for everyone's enjoyment, and therefore it is not a good idea to put them all in one jar in order to spice things up as was anonymously suggested- check. But, when an acclaimed hotel critic dies at the Inn, just before she's about to publish a scathing review that would ruin the business, Kate's life and checklists are thrown into disarray. And it doesn't help matters that the detective assigned to the case is messy, unorganized, and too charming for his own good. Now Kate has to prove her innocence and save her Inn, or else the only thing that she'll be organizing is the prison's next bake sale.

    She is more familiar with farmers and her blunt opinions and rough manners offend polite society. Yet when she hears the scandalous rumours involving her sister and the seductive Duke of Darlington, the fiercely loyal Katherine vows to save her sister's marriage – whatever the cost.Intrigued by Katherine's interference in his affairs, the manipulative Duke is soon fascinated. He engages in a daring deception and follows her back to her country home. Here, their intense connection shocks them both. But the Duke's games have dangerous consequences, and the potential to throw both their lives into chaos…

    Some are just harder to hide.With his father’s ponzi scheme assets frozen, Tom Worthington believes finishing college is impossible unless he can pay his own way. After months sleeping in his car and gypsy-cabbing for cash, he’s ready to do just that.But his new, older-student housing comes with an unapologetically gay roommate. Tom doesn’t ask why Reese Anders has been separated from the rest of the student population. He’s just happy to be sleeping in a bed.Reese isn’t about to share his brutal story with his gruff new roommate. You’ve seen one homophobic jock, you’ve seen ’em all. He plans to drag every twink on campus into his bed until Tom moves out. But soon it becomes clear Tom isn’t budging.Tom isn’t going to let some late-night sex noise scare him off, especially when it’s turning him on. But he doesn’t want any drama either. He’ll keep his hands, if not his eyes, to himself. Boundaries have a way of blurring when you start sharing truths, though. And if Tom and Reese cross too many lines, they may need to find out just how far they can bend…before they break.Warning: This book contains cranky roommates who vacillate between lashing out and licking, some male/male voyeurism, emotional baggage that neither guy wants to unpack, and the definitive proof that sound carries in college housing.

    The last thing he expects is for his friend’s roommate to be the one guy he despises the most. The same guy who stomped on his heart senior year of high school. And by the looks of the girl on his arm, the same man who’s still deep inside the closet. Nicholas Dell never predicted that eleven years later, one of his greatest regrets would show up on his doorstep down on his luck. Nick has made some terrible mistakes—story of his life—and he’s been paying for them ever since. And if the guilt and shame aren’t enough, his first crush had to turn into one of the sexiest men he’s ever laid eyes on. Nick and Brin have weeks to steer clear of each other. Weeks to avoid strangling each other. But when stubbornness leads to skyrocketing sexual tension, hate-sex doesn’t seem like such an awful way to work through their frustration. Except hate is a powerful emotion, especially when it’s turned inward. And in Nick’s case he’s been drowning in a sea of self-loathing for so long, he can’t see his way out. As Brin reconnects with Nick, his perception of what really happened in their past begins to change. He’s finally ready to forgive him and take a second chance on the one guy who stirs him like no other. But Nick’s demons are complicated, heart-wrenching…demanding. So devastating, he might never allow himself true happiness—even with the one man who’s always owned his heart.

    After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.